For LP Fans Only Special Edition

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▼CD: The Original “For LP Fans Only” Lpm‐1990 Album
#TitleRatingLength
1That’s All Right
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
2:00
2Lawdy, Miss Clawdy
cover recording of:
Lawdy Miss Clawdy
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:11
3Mystery Train
cover recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
2:31
4Playing for Keeps
cover recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
2:56
5Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:17
6My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
3.652:16
7I Was the One
recording of:
I Was the One
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:35
8Shake, Rattle and Roll
cover recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:30
9I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:39
10You’re a Heartbreaker
cover recording of:
You’re a Heartbreaker
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:15
11That’s All Right (takes 1–3)
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
2:17
12Harbor Lights (take 7)
cover recording of:
Harbour Lights
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
recording of:
Harbour Lights
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
2:25
13I’m Left, You’re Right, She’s Gone (Slow version takes 4 & 5/M)
cover recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:53
14When It Rains, It Really Pours
cover recording of:
When It Rains It Pours
lyricist and composer:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) and Riverline Music
2:07
15That’s All Right (October 16, 1954, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1954-10-16)
live cover recording of:
That’s All Right (on 1954-10-16)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
2:53
16Blue Moon of Kentucky (October 16, 1954, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1954-10-16)
live cover recording of:
Blue Moon of Kentucky (on 1954-10-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:23
17Fool, Fool, Fool (January 6, 1955, Radio Station Kdav, Lubbock, TX)
recorded in:
Lubbock, Texas, United States (on 1955-01-06)
live cover recording of:
Fool, Fool, Fool (on 1955-01-06)
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Unichappell Music and Unichappell Music, Inc.
1:58
18Hearts of Stone (January 15, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-15)
live cover recording of:
Hearts of Stone (on 1955-01-15)
writer:
Rudy Jackson (1950s-60s R&B vocalist) and Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
2:05
19Shake, Rattle and Roll (January 19, 1955, Radio Station WJOI, Florence, AL)
recorded in:
Florence, Alabama, United States (on 1955-01-19)
live cover recording of:
Shake, Rattle and Roll (on 1955-01-19)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:23
20Money Honey (January 22, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-22)
live cover recording of:
Money Honey (on 1955-01-22)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:46
21I Don’t Care If the Sun Don’t Shine (January 22, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-01-22)
live cover recording of:
I Don’t Care If the Sun Don’t Shine (on 1955-01-22)
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:34
22Little Mama (Likely March 5, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (in 1955)
live cover recording of:
Little Mama (in 1955)
composer:
Willis Carroll, Ahmet Ertegun (US American Songwriter, producer), Carmen Taylor and Jerry Wexler
publisher:
Unichappell Music, Inc.
2:02
23You’re a Heartbreaker (Likely March 5, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (in 1955)
live cover recording of:
You’re a Heartbreaker (in 1955)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:06
24Good Rockin’ Tonight (Likely March 19, 1955, Eagles Hall, Houston, TX)
recorded at:
Eagles Hall in Houston, Texas, United States (in 1955)
live cover recording of:
Good Rockin’ Tonight (in 1955)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
2:19
25I Got a Woman (Likely March 19, 1955, Eagles Hall, Houston, TX)
recorded at:
Eagles Hall in Houston, Texas, United States (in 1955)
live cover recording of:
I Got a Woman (in 1955)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:59
26Tweedlee Dee (April 30, 1955, the Louisiana Hayride (Remote), Gladewater High School, Gladewater)
recorded at:
Gladewater High School in Gladewater, Texas, United States (on 1955-04-30)
live cover recording of:
Tweedlee Dee (on 1955-04-30)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
2:48
27I’m Left, You’re Right, She’s Gone (July 2, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-07-02)
live cover recording of:
I’m Left, You’re Right, She’s Gone (on 1955-07-02)
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
3:17
28Baby Let’s Play House (August 20, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-08-20)
live cover recording of:
Baby Let’s Play House (on 1955-08-20)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
2:39
29Maybellene (August 20, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-08-20)
live cover recording of:
Maybellene (on 1955-08-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
2:08
30I Forgot to Remember to Forget (October 29, 1955, the Louisiana Hayride, Municipal Auditorium, Shreveport)
recorded at:
Shreveport Municipal Auditorium in Shreveport, Louisiana, United States (on 1955-10-29)
live cover recording of:
I Forgot to Remember to Forget (on 1955-10-29)
writer:
Charlie Feathers and Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:28
2▶CD: Stage Show CBS (a.k.a. the Dorsey Brothers Show)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Follow That Dream Records (specializes in Elvis reissues and collectibles) (in 2018)
licensed from:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Discogs:https://www.discogs.com/release/12928796 [info]