The Opera Edition

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

1CD: Mozart: Die Zauberflöte [disc 1]
2CD: Mozart: Die Zauberflöte [disc 2]
3CD: Mozart: Don Giovanni [disc 1]
#TitleArtistRatingLength
1Don Giovanni, K. 527: Ouverture. Andante - allegro molto
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Ouvertura (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart5:54
2Don Giovanni, K. 527: Act I, Scena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Il commendatore]:
Matti Salminen (operatic bass) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:26
3Don Giovanni, K. 527: Act I, Scena II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
4Don Giovanni, K. 527: Act I, Scena III.Recitativo "Ah! del padre in periglio" (Donna Anna, Don Ottavio) - No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:42
5Don Giovanni, K. 527: Act I, Scena III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:57
6Don Giovanni, K. 527: Act I, Scena IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:40
7Don Giovanni, K. 527: Act I, Scena V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:36
8Don Giovanni, K. 527: Act I, Scena V. Recitativo "Chi è là?"- "Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:58
9Don Giovanni, K. 527: Act I, Scena V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:37
10Don Giovanni, K. 527: Act I, Scena VI. Recitativo "In questa forma dunque" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:33
11Don Giovanni, K. 527: Act I, Scena VII. Coro "Giovinette che fate all'amore" (Zerlina, Masetto, Coro di contadine e contadini)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
12Don Giovanni, K. 527: Act I, Scena VIII. Recitativo "Manco male è partita" ( Don Giovanni, Leporello, Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:17
13Don Giovanni, K. 527: Act I, Scena VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Act I, Scena IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
15Don Giovanni, K. 527: Act I Scena IX: No. 7 Duettino: Là ci darem la mano" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:55
16Don Giovanni, K. 527: Act I, Scena X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:44
17Don Giovanni, K. 527: Act I, Scena X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:10
18Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Scena XII. Recitativo "Ah, ti ritrovo ancor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
19Don Giovanni, K. 527: Act I, Scena XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
20Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Povera sventurata!" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:23
21Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:06
22Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:38
23Don Giovanni, K. 527: Act I, Scena XIV. Recitativo "Come mai creder deggio" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
24Don Giovanni, K. 540a: Act I, Scena XIV. No. 10a Aria "Dalla sua pace" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
4CD: Mozart: Don Giovanni [disc 2]
5CD: Mozart: Don Giovanni [disc 3]
6CD: Mozart: Le nozze di Figaro [disc 1]
7CD: Mozart: Le nozze di Figaro [disc 2]
8CD: Mozart: Le nozze di Figaro [disc 3]
9CD: Beethoven: Fidelio [disc 1]
10CD: Beethoven: Fidelio [disc 2]
11CD: Rossini: Overtures [1991]
12CD: Rossini: L'Italiana in Algeri [disc 1]
13CD: Rossini: L'Italiana in Algeri [disc 2]
14CD: Rossini: Il barbiere di Siviglia (1971) [disc 1]
15CD: Rossini: Il barbiere di Siviglia (1971) [disc 2]
16CD: Rossini: Il barbiere di Siviglia (1992) [disc 1]
17CD: Rossini: Il barbiere di Siviglia (1992) [disc 2]
18CD: Rossini: La Cenerentola [disc 1]
19CD: Rossini: La Cenerentola [disc 2]
20CD: Rossini: Il viaggio a Reims [disc 1]
21CD: Rossini: Il viaggio a Reims [disc 2]
22CD: Schubert: Fierrabras [disc 1]
23CD: Schubert: Fierrabras [disc 2]
24CD: Wagner: Orchestral Music
25CD: Wagner: Lohengrin [disc 1]
26CD: Wagner: Lohengrin [disc 2]
27CD: Wagner: Lohengrin [disc 3]
28CD: Bryn Terfel Sings Wagner
29CD: Wagner: Gala Concert
30CD: Verdi: Overtures & Preludes
31CD: Verdi: Macbeth [disc 1]
32CD: Verdi: Macbeth [disc 2]
33CD: Verdi: Simon Boccanegra [disc 1]
34CD: Verdi: Simon Boccanegra [disc 2]
35CD: Verdi: Un ballo in maschera [disc 1]
36CD: Verdi: Un ballo in maschera [disc 2]
37CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 1]
38CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 2]
39CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 3]
40CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 4]
41CD: Verdi: Aida [disc 1]
42CD: Verdi: Aida [disc 2]
43CD: Verdi: Falstaff [disc 1]
44CD: Verdi: Falstaff [disc 2]
45CD: Verdi: Choruses
46CD: Verdi: Arias [Alagna]
47CD: Nicolai Ghiuarov: Great Scenes from Verdi Operas
48CD: Bizet: Carmen [disc 1]
49CD: Bizet: Carmen [disc 2]
50CD: Bizet: Carmen [disc 3] & The Berlin Gala: A Salute to Carmen [Excerpts]
51CD: Debussy: Pelléas et Mélisande [disc 1]
52CD: Debussy: Pelléas et Mélisande [disc 2]
53CD: Mussorgsky: Khovanshchina [disc 1]
54CD: Mussorgsky: Khovanshchina [disc 2]
55CD: Mussorgsky: Khovanshchina [disc 3]
56CD: Berg: Wozzeck [disc 1]
57CD: Berg: Wozzeck [disc 2]
58CD: Anna Netrebko: Sempre libera
59CD: Kaufmann: Mozart, Schubert, Beethoven & Wagner
60CD: Berlin Gala: Songs of Love and Desire