Kuschelrock 23

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Wake Me Up When September Ends
additional engineer:
Chris Dugan and Reto Peter
assistant engineer:
Joe Brown (engineer), Greg Burns (engineer), Jimmy Hoyson and Brian Vibberts
engineer:
Doug McKean
producer:
Rob Cavallo and Green Day
assistant mixer:
Dmitar Krnjaic
mixer:
Chris Lord‐Alge
bass guitar and background vocals:
Mike Dirnt
drums (drum set):
Tré Cool
guitar and lead vocals:
Billie Joe Armstrong
phonographic copyright (℗) by:
Reprise Records (in 2004) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
mixed at:
Image Recording Studios in Los Angeles, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 359)
recording of:
Wake Me Up When September Ends
lyricist:
Billie Joe Armstrong
composer:
Billie Joe Armstrong, Frank Wright III and Michael Pritchard
Green Day4.24:45
21973
assistant engineer:
Sam Holland (sound engineer)
engineer:
Mike Tarantino
producer and mixer:
Tom Rothrock (American musician, composer and record producer)
editor:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
bass guitar [bass]:
Malcolm Moore (bassist)
drums (drum set) [drums]:
Karl Brazil (UK drummer/songwriter)
electric guitar:
Ben Castle
electric guitar [Buckingham electric guitar], piano and reed organ [pump organ]:
James Blunt
Hammond organ [Hammond] and Wurlitzer electric piano [Wurlitzer]:
Paul Beard (keyboard player)
vocals:
Paul Beard (keyboard player), James Blunt, Ben Castle and Malcolm Moore (bassist)
recording of:
1973
writer:
Mark Batson (American producer, songwriter, composer, arranger, and musician) and James Blunt
James Blunt4.54:39
3Daysleeper
recording of:
Daysleeper
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
R.E.M.3:37
4I’d Come for YouNickelback44:23
5Show Me What I’m Looking For
recording of:
Show Me What I’m Looking For
writer:
Tobias Karlsson (songwriter / producer) and Chad Wolf
publisher:
Maratone AB and Monza Music Publishing AB
Carolina Liar4:01
6Sweet Sixteen
engineer:
Dave Concors, Neil Dorfsman and Dave Wittman
producer:
Keith Forsey (drummer, producer and songwriter)
assistant mixer:
Craig Vogel
mixer:
Gary Langan
bass:
Marcus Miller (jazz musician) (in 1986)
drums (drum set) and keyboard:
Keith Forsey (drummer, producer and songwriter) (in 1986)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1986) and Steve Stevens (US guitarist and songwriter) (in 1986)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986), BMG Ariola München GmbH (in 1987) and Chrysalis Records, Inc. (not for release label use!) (in 1987)
recorded at:
Right Track Studios in Manhattan, New York, New York, United States (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music video for:
Sweet Sixteen by Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music and Rare Blue Music Inc
Billy Idol44:15
7Ohne DichSelig4:00
8The Man Who Can’t Be Moved
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2008)
music videos:
The Man Who Can’t Be Moved by The Script
recording of:
The Man Who Can’t Be Moved
writer:
Andrew Frampton, Steve Kipner, Danny O’Donoghue and Mark Sheehan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Imagem Music and Stage Three Music Publishing Limited
The Script3.64:01
9Walk Away
Aloha From Hell3:45
10Zurück zu Dir
miscellaneous support:
Xavier Naidoo
programming:
Michael Herberger (songwriter, producer and keyboardist) and Xavier Naidoo
recording of:
Zurück zu Dir
lyricist:
Xavier Naidoo
composer:
Michael Herberger (songwriter, producer and keyboardist) and Xavier Naidoo
Söhne Mannheims5:07
11Superwoman
drums (drum set) programming:
Kerry Brothers
additional engineer:
Zach Hancock, Seth Waldmann and Stuart White
engineer:
Ann Mincieli
mixer:
Manny Marroquin
bass:
Steve Mostyn
drums (drum set):
Trevor Lawrence, Jr. (R&B/hip hop drummer/musician)
electric piano:
Alicia Keys
recording of:
Superwoman
writer:
Alicia Keys, Linda Perry (rock singer‐songwriter & producer) and Steve Mostyn
Alicia Keys3.54:33
12Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little (guitar player)
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little (guitar player) and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:40
13Sealed With a Kiss
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Bobby Vinton52:49
14Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:17
15I Love You Always Forever
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 408)
recording of:
I Love You Always Forever
lyricist and composer:
Donna Lewis
publisher:
donna lewis ltd and Warner/Chappell Music, Inc.
Donna Lewis3.83:59
16Early Morning
recording engineer and mixer:
Nick Davis (producer, engineer)
producer:
Ian Stanley
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
recording of:
Early Morning
writer:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
Swinglong Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
a‐ha52:58
17A Whiter Shade of Pale
cover recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Annie Lennox4:55
18Suzanne
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
translated version of:
Suzanne (German lyrics by Thomas Woitkewitsch)
Leonard Cohen4.153:48
19One Moment in Time
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Narada Michael Walden
vocals and performer:
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
recording of:
One Moment in Time
lyricist:
John Bettis
composer:
Albert Hammond
Whitney Houston4.54:44

Credits

Release group

part of:Kuschelrock (number: 23) (order: 49)
Allmusic:https://www.allmusic.com/album/mw0001366801 [info]