The No1 80's Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Need You Tonight
assistant engineer:
Paula Jones (Australian audio engineer, producer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
music videos:
Need You Tonight (music video) by INXS
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 16) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 114)
recording of:
Need You Tonight
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) and Chardonnay Investments Ltd. (in 1987)
INXS4.153:01
2Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King
Level 4233:56
3I Don’t Want a Lover
engineer:
Simon Vinestock
producer:
Tim Palmer (British producer/mixer)
bass:
Johnny McElhone
drums (drum set):
Stuart Kerr
guitar:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) and Sharleen Spiteri
harmonica:
Mark Fletman
keyboard:
Craig Armstrong (Scottish score composer) and Wix (UK / Paul Wickens)
background vocals:
Stuart Kerr and Sharleen Spiteri
publisher:
10 Music Ltd.
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.654:57
4St. Elmo’s Fire (Man in Motion)
producer:
David Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Foster (Canadian music producer, arranger and composer) and Jerry Hey
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1985) and John Parr Music Ltd. (in 2016)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 28) and TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:04
5Look Away
engineer:
Will Gosling
producer:
Robin Millar
mixer:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
vocals:
Stuart Adamson
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986)
music videos:
Look Away by Big Country
recording of:
Look Away
lyricist and composer:
Stuart Adamson
publisher:
Big Country Music Ltd. and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1986)
Big Country3.54:25
6Mr. Roboto
engineer:
Rob Kingsland, Gary Loizzo and Will Rascati
producer:
Styx (rock band from Chicago)
phonographic copyright (℗) by:
A&M Records (in 1984)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 61)
recording of:
Mr. Roboto
lyricist and composer:
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Stygian Songs (publishing company for the rock band Styx) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx4.355:27
7Heat of the Moment
engineer and producer:
Mike Stone (producer and engineer, 1960s–80s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes
vocals:
Geoff Downes, Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Heat of the Moment (music video) by Asia (UK progressive rock band)
recording of:
Heat of the Moment
writer:
Geoff Downes and John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Asia4.53:51
8Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
composer:
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top4.64:13
9Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:00
10I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:01
11I Don’t Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
I Don’t Like Mondays by The Boomtown Rats
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 66)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats44:16
12Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:47
13Forever Young
additional recording engineer:
Uli Rudolf (from 1984-07 until 1984-08)
recording engineer, programming and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present) and wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.653:45
14Missing You
producer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist) and Paul Hardiman
recording of:
Missing You
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd.
Chris de Burgh34:08
15Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
16Nightshift
associate producer:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) and Jeremy Smith (producer/engineer)
producer:
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
edit of:
Nightshift by Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
writer:
Franne Golde, Dennis Lambert and Walter Orange
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zomba Enterprises, Inc.
Commodores4.354:21
17Queen of Hearts
cover recording of:
Queen of Hearts
lyricist and composer:
Hank DeVito
publisher:
Bug Music (music publishing) and Drunk Monkey Music (in 1979)
Juice Newton3:26
18Spanish Eddie
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
music videos:
Spanish Eddie (music video) by Laura Branigan
recording of:
Spanish Eddie (in 1985)
writer:
Chuck Cochran (Nashville session pianist & composer), David Palmer (early Steely Dan vocalist) and David Palmer (lyricist, writer "Echo of a Serenade")
Laura Branigan4:04