101 Beethoven

~ Release by Ludwig van Beethoven (see all versions of this release, 2 available)

Annotation

Copyright: © 2012 Decca Music Group Limited
This Compilation ℗ 2012 Decca Music Group Limited

Annotation last modified on 2025-01-08 13:42 UTC.

Tracklist

1Digital Media
2Digital Media
#TitleRatingLength
1Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
balance engineer:
John Dunkerley (engineer) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
6:10
2Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro vivace)
orchestra:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
5:38
3Piano Trio in B-flat major, op. 11 "Gassenhauer": II. Adagio (1964 recording)
cello:
Bernard Greenhouse (cellist) (in 1965)
instruments:
Beaux Arts Trio (in 1965)
piano:
Menahem Pressler (pianist) (in 1965)
violin:
Daniel Guilet (born Daniel Guilevitch) (in 1965)
recording of:
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: II. Adagio (in 1965)
composer:
Ludwig van Beethoven (German composer) (from 1797 until 1798)
part of:
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11
5:04
4Mass in C, op. 86: Kyrie
choir vocals:
Ernst Senff Chamber Choir and RIAS Kammerchor (German chamber choir)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
4:48
5Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1974-12)
orchestra:
BBC Symphony Orchestra (in 1974-12)
conductor:
Sir Colin Davis (English conductor) (in 1974-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-12)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 1974-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
55:31
6Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo (Allegro)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1980)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (in 1980)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
4:46
7String Quartet no. 13 in B-flat, op. 130: 5. Cavatina (Adagio molto espressivo)
recorded in:
Switzerland (in 1969-04)
cello:
Franco Rossi (classical cellist) (in 1969-04)
string quartet:
Quartetto Italiano (Italian Quartet, 1945—1980) (in 1969-04)
viola:
Piero Farulli (Italian violinist and viola player) (in 1969-04)
violin [violin I]:
Paolo Borciani (violinist) (in 1969-04)
violin [violin II]:
Elisa Pegreffi (violinist) (in 1969-04)
recorded at:
Théâtre municipal de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (in 1969-04)
recording of:
String Quartet no. 13 in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo (in 1969-04)
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 13 in B‐flat major, op. 130
7:10
812 Contredanses, WoO 14: No. 1
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:34
912 Contredanses, WoO 14: No. 2
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:50
1012 Contredanses, WoO 14: No. 4
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
0:35
1111 Bagatelles, op. 119: 5. Risoluto
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
recording of:
11 Bagatelles, op. 119: No. 5 in C minor: Risoluto
composer:
Ludwig van Beethoven (German composer) (from 1820 until 1822)
part of:
11 Bagatelles, op. 119
1:06
12The Creatures of Prometheus, op. 43
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1973-11)
orchestra:
Gewandhausorchester (Leipzig Gewandhaus Orchestra) (in 1973-11)
conductor:
Kurt Masur (conductor) (in 1973-11)
recording of:
Die Geschöpfe des Prometheus, op. 43: Ouverture (in 1973-11)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
5:07
13Fidelio op. 72: Act 2: "O namenlose Freude"
soprano vocals:
Hildegard Behrens (soprano)
tenor vocals:
Peter Hofmann (German tenor/rock singer)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
2:47
14The Ruins of Athens, op. 113: Turkish March (arr. Curley for organ)
organ:
Carlo Curley (US organist)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (catch-all for arrangements)
composer:
Ludwig van Beethoven (German composer) (in 1811)
arrangement of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca
2:38
15Serenade in D for Piano and Flute, op. 41: 1. Entrata (Allegro)3:20
16Piano Sonata no. 30 in E, op. 109: 1. Vivace, ma non troppo - Adagio espressivo - Tempo I
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
4:13
17Sonata for Violin and Piano no. 5 in F, op. 24 - "Spring": 3. Scherzo (Allegro molto)1:07
18Symphony no. 6 in F, op. 68 "Pastoral": 3. Lustiges Zusammensein der Landleute (Allegro)5:43
19Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro)
orchestra:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
3:36
20Symphony no. 6 in F, op. 68 "Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
orchestra:
Gewandhausorchester (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
8:41
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