| # | Title | Artist | Rating | Length |
|---|
| 1 | Fly Me to the Moon (In Other Words)- recorded in:
- Hollywood, Los Angeles, California, United States (on 1964-06-09)
- engineer:
- Lowell Frank
- producer:
- Sonny Burke
- bass:
- Buddy Catlett
- cello:
- Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
- drums (drum set):
- Sonny Payne (on 1964-06-09)
- guitar:
- Freddie Green (on 1964-06-09)
- percussion:
- Emil Richards
- piano:
- Count Basie (on 1964-06-09)
- reeds:
- Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
- trombone:
- Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
- trumpet:
- George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
- vibraphone:
- Emil Richards (on 1964-06-09)
- viola:
- Alvin Dinkin, Stanley Harris , Virginia Majewski and Paul Robyn
- violin:
- Israel Baker , Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff , Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
- lead vocals:
- Frank Sinatra (on 1964-06-09)
- vocals:
- Frank Sinatra (on 1964-06-09)
- orchestra:
- Count Basie and His Orchestra (on 1964-06-09)
- conductor:
- Quincy Jones (, on 1964-06-09)
- arranger:
- Quincy Jones
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 75)
- recording of:
- Fly Me to the Moon (on 1964-06-09)
- lyricist and composer:
- Bart Howard
- arranger:
- Quincy Jones
- publisher:
- Almanac Music Inc. and Hampshire House Publishing Corp.
- arrangement of:
- Fly Me to the Moon
- recording of:
- Fly Me to the Moon
- lyricist and composer:
- Bart Howard (in 1954)
- premiered by:
- Kaye Ballard (in 1954)
- publisher:
- Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Frank Sinatra | 4 | 2:30 |
| 2 | Thriller | Michael Jackson | | 5:19 |
| 3 | Baby Come to Me | Patti Austin & James Ingram | | 3:35 |
| 4 | Give Me the Night- recording engineer and mixer:
- Bruce Swedien
- assistant engineer:
- Sheridan Eldridge, Ralph Osborne and Mark Sackett
- producer:
- Quincy Jones
- bass guitar:
- Abraham Laboriel
- bass synthesizer:
- Richard Tee
- drums (drum set):
- John “JR” Robinson
- flute and saxophone:
- Kim Hutchcroft and Larry Williams
- guitar:
- George Benson and Lee Ritenour
- percussion:
- Paulinho da Costa
- piano:
- Herbie Hancock
- synthesizer:
- Michael Boddicker
- background vocals:
- Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- produced for:
- Quincy Jones Productions, Inc.
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Give Me the Night
- lyricist and composer:
- Rod Temperton
- publisher:
- Rodsongs , Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| George Benson | 3.5 | 4:58 |
| 5 | Yah Mo B There- producer:
- Quincy Jones
- drums (drum set) [drums]:
- John “JR” Robinson
- percussion:
- Paulinho da Costa
- synthesizer:
- Michael Boddicker, James Ingram , Michael McDonald and Rod Temperton
- additional guest lead vocals:
- Michael McDonald
- lead vocals:
- James Ingram
- other vocals [African voices]:
- Quincy Jones
- performer:
- James Ingram
- arranger:
- James Ingram , Quincy Jones, Michael McDonald and Rod Temperton
- recording of:
- Yah Mo B There
- writer:
- James Ingram , Quincy Jones, Michael McDonald and Rod Temperton
- publisher:
- Eiseman Music Co., Inc., Genevieve Music, Hen-Al Pub. , Kings Road Music , Rodsongs , Rondor Music (London) Ltd. and Yellowbrick Road Music
| James Ingram with Michael McDonald | | 4:29 |
| 6 | You Don’t Own Me | Lesley Gore | 3.9 | 2:29 |
| 7 | Stomp! | The Brothers Johnson | | 4:06 |
| 8 | Do You Love What You Feel | Rufus | | 4:02 |
| 9 | Something So Right | Paul Simon | 3.35 | 4:29 |
| 10 | Strawberry Letter 23 | The Brothers Johnson | | 3:47 |
| 11 | Somewhere- recording engineer:
- Phil Schier (in 1972-04)
- engineer:
- Phil Schier
- producer:
- Aretha Franklin and Quincy Jones
- mixer:
- Quincy Jones and Phil Schier
- alto saxophone:
- Phil Woods (in 1972-04)
- piano:
- Aretha Franklin (in 1972-04)
- conductor:
- Quincy Jones
- remixer:
- Quincy Jones and Phil Schier
- arranger:
- Aretha Franklin and Quincy Jones
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1973)
- recorded at:
- The Record Plant in Hollywood, Los Angeles, California, United States (in 1972-04)
- remixed at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- cover recording of:
- West Side Story: Ballet Sequence: Somewhere (in 1972-04)
- lyricist:
- Stephen Sondheim
- composer:
- Leonard Bernstein
- publisher:
- Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. , G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
- part of:
- West Side Story: Ballet Sequence
| Aretha Franklin | | 6:15 |
| 12 | Don’t Stop ’til You Get Enough- recording engineer and mixer:
- Bruce Swedien
- co-producer:
- Michael Jackson
- producer:
- Quincy Jones
- alto saxophone, flute and tenor saxophone:
- Larry Williams
- baritone saxophone, flute and tenor saxophone:
- Kim Hutchcroft
- drums (drum set):
- John “JR” Robinson
- electric bass guitar:
- Louis Johnson
- flugelhorn and trumpet:
- Jerry Hey
- guitar:
- Marlo Henderson and David Williams
- percussion:
- Paulinho da Costa , Richard Heath, Michael Jackson , Randy Jackson and Sheila E.
- piano, Rhodes piano and synthesizer:
- Greg Phillinganes
- trombone:
- Bill Reichenbach, Jr.
- trumpet:
- Gary Grant
- violin:
- Gerald Vinci
- additional background vocals:
- Jim Gilstrap, Mortonette Jenkins, Augie Johnson, Paulette McWilliams and Zedric Williams
- background vocals and lead vocals:
- Michael Jackson
- horn arranger:
- Jerry Hey
- percussion arranger:
- Michael Jackson
- strings arranger:
- Benjamin Wright
- concertmaster:
- Gerald Vinci
- phonographic copyright (℗) by:
- MJJ Productions Inc. (in 1979)
- recorded at:
- Allen Zentz Recording in Encino, California, United States (lead vocals, background vocals), Cherokee Studios (studio 3) in Hollywood, Los Angeles, California, United States (strings) and Westlake Recording Studios in West Hollywood, California, United States (brass)
- mixed at:
- Westlake Recording Studios in West Hollywood, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 113)
- recording of:
- Don’t Stop ’Til You Get Enough (from 1978-12 until 1979-04)
- lyricist and composer:
- Michael Jackson
- part of:
- MJ: The Musical
| Michael Jackson | 4.6 | 6:04 |
| 13 | How Do You Keep the Music Playing | Patti Austin & James Ingram | | 4:16 |
| 14 | State of Independence | Donna Summer | 2 | 4:24 |
| 15 | We Are the World | USA for Africa | 2.45 | 6:23 |
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