111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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#TitleArtistRatingLength
1L'elisir d'amore: "Una furtiva lagrima"
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:19
2Nocturne No. 5 in F-sharp major, Op. 15 No. 2
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1995-01)
balance engineer:
Helmut Burk (in 1995-01)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 15
Frédéric Chopin3:28
3Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-02)
violin:
Itzhak Perlman (violinist and conductor) (in 1983-02)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1983-02)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (in 1983-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart4:50
4Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna)
soprano vocals:
Patricia Petibon (soprano) (in 2008-01)
orchestra:
Concerto Köln (in 2008-01)
conductor:
Daniel Harding (conductor) (in 2008-01)
performer:
Patricia Petibon (soprano)
recorded at:
Paterskirche in Kempen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2008-01)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 2008-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:02
5Gnomenreigen, S. 145 No. 2
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1997-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1997-12)
Franz Liszt3:06
6Concerto No. 1 in E major, RV 269 "Spring": I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
7Polonaise No. 6 in A-flat major, Op. 53 "Heroic"
engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1975-11) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1975-11)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (in 1975-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16) and Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin7:09
8Capriccio, Op. 58: Mondscheinmusik
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1992-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-10)
recording of:
Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) (in 1992-10)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss3:45
9Il barbiere di Siviglia: Act I, Scene I. Cavatina "Largo al factotum" (Figaro)
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
10Organ Symphony No. 5 in F minor, Op. 42 No. 1: V. Toccata
miscellaneous support:
Dr. Gerd Ploebsch (task: recording supervision)
engineer:
Hans‐Peter Schweigmann (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1984)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:31
11Tannhäuser: Act III, Scene II. "Wie Todesahnung ... O du, mein holder Abendstern"
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer) (in 2001-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:32
12Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:29
13Prelude in G-sharp minor, Op. 32 No. 12
recorded in:
Florence, Firenze, Toscana, Italy (in 1962-11)
piano:
Sviatoslav Richter (pianist) (in 1962-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro (in 1962-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Сергей Васильевич Рахманинов2:15
14Karelia Suite, Op. 11 No. 1: I. Intermezzo
engineer:
Günter Hermanns (producer/engineer) (from 1957-03-13 until 1957-03-14)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-03-13 until 1957-03-14)
conductor:
Hans Rosbaud (conductor) (from 1957-03-13 until 1957-03-14)
balance engineer:
Alfred Steinke (from 1957-03-13 until 1957-03-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-03-13 until 1957-03-14)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1957-03-13 until 1957-03-14)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:22
15Chant du ménestrel, Op. 71
producer:
Thomas Mowrey
cello:
Mstislav Rostropovich (cellist/conductor) (in 1975-08)
orchestra:
Boston Symphony Orchestra (in 1975-08)
conductor:
Seiji Ozawa (conductor and composer) (in 1975-08)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-08)
recording of:
Chant du ménestrel, op. 71 (Minstrel's Song, for cello and orchestra) (in 1975-08)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1900)
dedicated to:
Александр Валерианович Вержбилович
publisher:
Musikverlag M. P. Belaieff (in 1901)
part of:
Works of Alexander Glazunov by opus number (number: op. 71)
Александр Константинович Глазунов4:14
16Frühlingsfahrt, Op. 45 No. 2
piano:
Sebastian Peschko (pianist) (in 1938-05)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1938-05)
Robert Schumann3:16
17Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
editor:
Rolf Peter Schröder
piano:
Carl Seemann (German pianist) (in 1959-05)
violin:
Wolfgang Schneiderhan (violinist) (in 1959-05)
balance engineer:
Gerhard Henjes (sound engineer and producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1959-05)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (in 1959-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven1:27
18Lachen und Weinen, D 777
recorded in:
Bielefeld, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1953)
piano:
Erik Werba (pianist) (in 1953)
soprano vocals:
Irmgard Seefried (soprano) (in 1953)
live recording of:
Lachen und Weinen, D. 777 (in 1953)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 777)
Franz Schubert1:44
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