La flauta mágica (II)

~ Release by Mozart; Orquesta Filarmónica de Viena, Karl Böhm (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Marsch der Priester”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
2“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “O Isis und Osiris!”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:36
3“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Bewahret euch vor Weibertücken”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:57
4“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Wie? Wie? Wie?”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:39
5“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Alles fühlt der Liebe Freuden”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:22
6“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Der Hölle Rache kocht in meinem Herzen”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
7“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “In diesen heil’gen Hallen kennt”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:23
8“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Seid uns zum zweiten Mal willkommen”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
9“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Ach, ich fühl’s, es ist verschwunden”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:53
10“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “O Isis und Osiris, welche Wonne!”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:35
11“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Soll ich dich, Teurer, nicht mehr sehn?”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:20
12“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Ein Mädchen oder Weibchen”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:08
13“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Bald prangt, den Morgen zu verkünden”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
14“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Du also bist mein Bräutigam?”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:21
15“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Der, welcher wandelt diese Straße”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:33
16“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Tamino mein! O welch ein Glück”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:46
17“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Wir wandelten durch Feuersgluten”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:36
18“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Papagena! Papagena! Papagena!”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:11
19“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Pa-Pa-Pa-Pa-Pa-Pa-Papagena!”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Papagena]:
Emmy Loose (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:32
20“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Nur stille, stille, stille”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:16
21“Die Zauberflöte” (“La flauta mágica”), K 620: Acto II, “Die Strahlen der Sonne”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:18

Credits

Release

copyrighted (©) by:Diario El País, S.L. (Spanish daily newspaper)
phonographic copyright (℗) by:The Decca Record Company Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only)
licensed from:Testament (UK classical)
The Decca Record Company Ltd. (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)
part of:250 Aniversario Mozart - El País (Serie of CDs with extensive booklets commemorating the 250th anniversary of Mozart's birth by Spanish newspaper El País) (number: 30) (order: 24)
Discogs:https://www.discogs.com/release/13047216 [info]