V&A: Records & Rebels

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Itchycoo Park
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
Small Faces3.652:54
2Im A Man
double bass:
Willie Dixon (on 1955-03-02)
drums (drum set):
Clifton James (on 1955-03-02)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
harmonica:
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (on 1955-03-02)
maracas:
Jerome Green (on 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2018) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 370)
recording of:
I’m a Man (on 1955-03-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Spencer Davis Group4.352:58
3Strange Brew
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967) and Robert Stigwood Organisation Ltd. (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
recording of:
Strange Brew (from 1967-04 until 1967-05)
writer:
Eric Clapton, Gail Collins Pappalardi and Felix Pappalardi
publisher:
Careers–BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music (publisher), Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windfall Music Enterprises Incorporated
Cream42:48
4A Whiter Shade Of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
5Nights In White Satin
engineer:
Derek Varnals
executive producer:
Hugh Mendl
producer:
Tony Clarke (UK producer/guitarist) (task: realisation) and Michael Dacre-Barclay (British producer) (task: realisation)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Peter Knight (British arranger, conductor and composer)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Nights in White Satin
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues47:39
6San Francisco (Be Sure To Wear Some Flowers In Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.753:00
7The Rain, The Park & Other Things
recording of:
The Rain, the Park & Other Things
writer:
Steve Duboff and Artie Kornfeld
publisher:
Akbestal Music Inc. and MPCA Lehsem Songs
The Cowsills2:59
8Flowers In The Rain
recording of:
Flowers in the Rain
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:31
9Paper Sun
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04 until 1967-11)
recording of:
Paper Sun
writer:
Jim Capaldi and Steve Winwood
publisher:
Polygram Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Traffic4:15
10Pleasant Valley Sunday
producer:
Chip Douglas
acoustic guitar:
Bill Chadwick
bass:
Chip Douglas
drums (drum set) and percussion:
Eddie Hoh
electric guitar:
Michael Nesmith
piano:
Peter Tork
background vocals:
Davy Jones (The Monkees member) and Michael Nesmith
lead vocals:
Micky Dolenz
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (from 1967-06-10 until 1967-06-13)
recording of:
Pleasant Valley Sunday (from 1967-06-10 until 1967-06-13)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:16
1159th Street Bridge Song (Feelin’ Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
12If I Were A Carpenter
recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Tim Hardin2:43
13Black Day In July
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Black Day in July
lyricist and composer:
Gordon Lightfoot
publisher:
Moose Music, Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
Gordon Lightfoot4:12
14I-Feel-Like-Im-Fixin-To-Die Rag
recording of:
I-Feel-Like-I’m-Fixin’-To-Die Rag
lyricist and composer:
Country Joe McDonald
Country Joe and the Fish3:45
15Abraham, Martin And John
cover recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music (BMI) and TJ Musicservice GmbH
Dion3:21
16Paris mai
double bass:
Luigi Trussardi (in 1968)
drums (drum set):
Daniel Humair (in 1968)
organ:
Eddy Louiss (in 1968)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1968)
vocals:
Claude Nougaro (in 1968)
recording of:
Paris mai (in 1968)
lyricist:
Claude Nougaro
composer:
Eddy Louiss
is based on:
Flo Me La
Claude Nougaro55:59
17Going Up The Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:51
18I’m Going Home
recording of:
I’m Going Home (Ten Years After)
lyricist and composer:
Alvin Lee
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
Ten Years After6:26
19Fire
associate producer:
Pete Townshend (of The Who)
producer:
Kit Lambert
bass:
Sean Nicholas
drums (drum set):
Dracken Theaker
organ:
Vincent Crane
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
The Crazy World of Arthur Brown3.852:55
20Beggin’
cover recording of:
Beggin’ (in 1968)
writer:
B. Gaudio and P. Farina
publisher:
EMI Longitude Music, Saturday Music, Inc. and Seasons Four Music Corp.
Timebox2:50
21We’re A Winner
recording of:
We’re a Winner (in 1967)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:24
22Reflections
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Stone Agate Music (in 1967)
Diana Ross & The Supremes2:54
3▶CD