Mozart 225: Complete Handel Arrangements

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

182▶Digital Media: Arrangements
183▶Digital Media: Arrangements
184▶Digital Media: Arrangements
185▼Digital Media: Arrangements
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1Messiah, HWV 56: Part II. Chorus: "Wahrlich! Er litt unsere Qual"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 18. Coro: “Wahrlich, wahrlich!” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:41
2Messiah, HWV 56: Part II. Chorus: "Durch seine Wunden sind wir geheilet"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 19. Coro: “Durch seine Wunden sind wir geheilet” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel51:55
3Messiah, HWV 56: Part II. Chorus: "Wie Schafe gehn, flohn wir zerstreut"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 20. Coro: “Wie Schafe geh'n” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel54:05
4Messiah, HWV 56: Part II. Recitative acc.: "Und alle, die ihn sehn"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 21. Recitativo strumentato: “Und alle, die ihn seh'n” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel50:49
5Messiah, HWV 56: Part II. Chorus: "Er trauete Gott"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 22. Coro: “Er trauete Gott” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:21
6Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 23a. Recitativo strumentato: “Die Schmach bricht ihm sein Herz” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:23
7Messiah, HWV 56: Part II. Aria: "Schau hin und sieh"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 23b. Aria: “Schau hin und sieh!” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel51:43
8Messiah, HWV 56: Part II. Recitative acc.: "Er ist dahin aus dem Lande der Lebenden"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 24a. Recitativo strumentato: “Er ist dahin aus dem Lande der Lebenden” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel50:37
9Messiah, HWV 56: Part II. Aria: "Doch du ließest ihn im Grabe nicht"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 24b. Aria: “Doch du ließest ihn im Grabe nicht” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:55
10Messiah, HWV 56: Part II. Chorus: "Machet das Tor weit dem Herrn"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 25a. Coro: “Machet das Tor weit” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel53:01
11Messiah, HWV 56: Part II. Recitative: "Zu welchem von den Engeln"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 25b. Recitativo: “Zu welchen von den Engeln hat er je gesagt” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel50:26
12Messiah, HWV 56: Part II. Chorus: "Der Herr gab das Wort"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 26. Coro: “Der Herr gab das Wort” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel51:24
13Messiah, HWV 56: Part II. Aria: "Wie lieblich ist der Boten Schritt"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:19
14Messiah, HWV 56: Part II. Chorus: "Ihr Schall ging aus in jedes Land"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 28. Coro: “Ihr Schall ging aus” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel51:35
15Messiah, HWV 56: Part II. Aria: "Warum entbrennen die Heiden"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel54:55
16Messiah, HWV 56: Part II. Chorus: Brecht entzwei die Ketten alle"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 30a. Coro: “Brecht entzwei die Ketten alle” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel51:54
17Messiah, HWV 56: Part II. Recitative: Der da wohnet im Himmel"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 30b. Recitativo: “Der da wohnet im Himmel” (tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel50:15
18Messiah, HWV 56: Part II. Aria: "Du zerschlägst sie mit dem Eisenzepter"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 31. Aria: “Du zerschlägst sie” (tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel52:07
19Messiah, HWV 56: Part II. Chorus: "Halleluja"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel53:57
20Messiah, HWV 56: Part III. Aria: "Ich weiß, daß mein Erlöser lebt"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel56:48
21Messiah, HWV 56: Part III. Chorus: "Wie durch Einen der Tod" - "So kam durch Einen die Auferstehung" - "Denn wie durch Adam" - "Also wird, wer starb"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 34a. Coro primo: “Wie durch Einen der Tod” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34b. Coro secondo: “So man durch Einen die Auferstehung”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34c. Coro terzo: “Denn wie durch Adam alle sterben”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34d. Coro quarto: “Also wird, wer starb”
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel52:32
22Messiah, HWV 56: Part III. Recitative acc.:"Merkt auf! Ich künd ein Geheimnis an"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 35a. Recitativo strumentato: “Merkt auf!” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel50:42
23Messiah, HWV 56: Part III. Aria: "Sie schallt, die Posaun"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 35b. Aria: “Sie schallt, die Posaun” (bass) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel52:28
24Messiah, HWV 56: Part III. Recitative: "Dann wird erfüllt das Wort"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 35c. Recitativo: “Dann wird erfüllt” (soprano II) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel50:22
25Messiah, HWV 56: Part III. Duet: "O Tod, wo ist dein Pfeil"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 36. Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel52:29
26Messiah, HWV 56: Part III. Chorus: "Doch Dank dir, Dank sei dir, Gott"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 37a. Coro: “Doch Dank sei Dir Gott” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel52:42
27Messiah, HWV 56: Part III. Recitative acc.: "Wenn Gott ist für uns"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 37b. Recitativo strumentato: “Wenn Gott ist für uns” (soprano I) (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel52:09
28Messiah, HWV 56: Part III. Chorus: "Würdig ist das Lamm, das da starb"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 38a. Coro: “Würdig ist das Lamm” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel53:57
29Messiah, HWV 56: Part III. Final Chorus: "Amen"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-02)
recording of:
Der Messias, K. 572: Teil III, Nr. 38b. Coro ultimo: “Amen” (in 1974-02)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel53:40
186▶Digital Media: Arrangements
187▶Digital Media: Arrangements