A Groovy Kind of Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1A Groovy Kind of LoveThe Mindbenders32:02
2God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
God Only Knows (mono) by The Beach Boys (American rock band)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys4.252:50
3Love Is All Around
phonographic copyright (℗) by:
Mercury Ltd (London) (for copyrights use only) (in 1967)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.52:59
4Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:43
5My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:57
6Pretty Flamingo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
lyricist and composer:
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L and Campbell Connelly & Co. Ltd.
Manfred Mann52:29
7For Once in My Life
producer:
Henry Cosby
lead vocals:
Stevie Wonder (in 1967)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:49
8Beggin’The Four Seasons2:48
9Everlasting LoveLove Affair43:04
10Bus Stop
producer:
The Hollies and Ron Richards
bass:
Bernie Calvert (on 1966-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) and Parlophone (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-18)
cover recording of:
Bus Stop (on 1966-05-18)
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.52:55
11Too Busy Thinking ’Bout My Baby
producer:
Norman Whitfield
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
cover recording of:
Too Busy Thinking About My Baby
writer:
Janie Bradford, Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye42:57
12Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
13Try a Little Tenderness
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer)
electric bass guitar [electric bass], organ, piano and vibraphone [vibes]:
Booker T. Jones
guitar:
Steve Cropper
tenor saxophone:
Gilbert Caple and Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3.353:20
14Bring It On Home to Me
producer:
Mickie Most (English record producer)
cover recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
The Animals2.752:35
15The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
16Delta Lady
recording of:
Delta Lady
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416 and Skyhill Pub. Co., Inc.
adaptations:
Fille de la nuit
Joe Cocker2:52
17Eloise
phonographic copyright (℗) by:
PolyGram GmbH (not for release label use!) (in 1969)
recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation and Hill & Range (publisher)
Barry Ryan5:47
18The Price of LoveThe Everly Brothers2:06
19Dream Baby (How Long Must I Dream)
phonographic copyright (℗) by:
Monument Records (company credits for Monument; do NOT use as release label) (in 1962)
recording of:
Dream Baby (How Long Must I Dream) (on 1962-01-09)
lyricist and composer:
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. and Acuff-Rose (BMI) (in 1971)
Roy Orbison32:33
20Can’t Get Used to Losing You
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-12-02)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) and Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (on 1962-12-02)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:22
21If I Were a Carpenter
producer:
Charles Koppelman (American businessman and musician) and Don Rubin
conductor:
Donald Peake
arranger:
Donald Peake
cover recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Bobby Darin2:22
22Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:37
23You’ve Made Me So Very HappyBlood, Sweat & Tears43:30
24Darling Be Home Soon
recording of:
Darling Be Home Soon
lyricist and composer:
John Sebastian
The Lovin’ Spoonful3:34
25La La Means I Love You
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1971)
recording of:
La La (Means I Love You) (in 1968)
writer:
Thom Bell (keyboards, songwriter, producer) and William Hart (of The Delfonics)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics4.53:18
26It’s a Man’s, Man’s, Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:49
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ASIN:UK: B00AIELJ8K [info]