1935-1950: Música para antes y después de una guerra

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Colección "Historia de la música Deutsche Grammophon"

Annotation last modified on 2023-11-19 11:22 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Adagio para cuerda. Molto adagio
orchestra:
Los Angeles Philharmonic Orchestra (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Adagio for Strings (on 1982-07-24)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:03
2Quiet City
recording engineer:
Hans Weber (producer/engineer)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hanno Rinke
cor anglais:
Thomas Stacy (horn player) (on 1985-12-10)
trumpet:
Philip Smith (trumpeter, New York Philharmonic) (on 1985-12-10)
orchestra:
New York Philharmonic (on 1985-12-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-12-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (from 1986 to present)
recorded at:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1985-12-10)
recording of:
Quiet City (suite for English horn, trumpet and string orchestra) (on 1985-12-10)
premiered in:
New York, New York, United States (on 1941-01-28)
composer:
Aaron Copland (composer) (in 1940)
premiered by:
Daniel Saidenberg (on 1941-01-28)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
is based on:
Quiet City (incidental music)
Aaron Copland10:35
3Serenata para tenor, trompa y cuerda, op. 31: 1. Prólogo. Andante
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (in 1977-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:31
4Serenata para tenor, trompa y cuerda, op. 31: 2. Pastoral. Lento
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (in 1977-04)
lyricist:
Charles Cotton
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
5Serenata para tenor, trompa y cuerda, op. 31: 3. Nocturno. Maestoso
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (in 1977-04)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
6Serenata para tenor, trompa y cuerda, op. 31: 4. Elegía. Andante appassionato
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (in 1977-04)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten5:00
7Serenata para tenor, trompa y cuerda, op. 31: 5. Canto fúnebre. Alla marcia grave
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:19
8Serenata para tenor, trompa y cuerda, op. 31: 6. Himno. Presto e leggiero
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (in 1977-04)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten2:05
9Serenata para tenor, trompa y cuerda, op. 31: 7. Soneto. Adagio
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor) (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (conductor) (in 1977-04)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (in 1977-04)
lyricist:
John Keats (English Romantic poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:45
10Serenata para tenor, trompa y cuerda, op. 31: Epílogo. Andante
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
horn:
Dale Clevenger (horn player) (in 1977-04)
tenor vocals:
Robert Tear (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Cord Garben (pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (in 1977-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:44
11Un superviviente de Varsovia, op. 46
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1989-05)
spoken vocals [narrator]:
Gottfried Hornik (operatic bass-baritone) (in 1989-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1989-05)
conductor:
Claudio Abbado (conductor) (in 1989-05)
chorus master:
Karl Kamper (in 1989-05)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1989-05)
recording of:
A Survivor From Warsaw, op. 46 (in 1989-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
premiered by:
Kurt Frederick (conductor) and New Mexico Symphony Orchestra (on 1948-11-04)
premiered at:
[concert] (1948-11-04)
part of:
Works of Arnold Schönberg by opus number (number: op. 46)
Arnold Schönberg6:51
12Cuatro últimas canciones: 1. Primavera
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:21
13Cuatro últimas canciones: 2. Septiembre
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:39
14Cuatro últimas canciones: 3. Dormir
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (in 1993-06)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:12
15Cuatro últimas canciones: 4. En el crepúsculo morado
soprano vocals:
Cheryl Studer (soprano) (in 1993-06)
vocals:
Cheryl Studer (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (in 1993-06)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:40