| # | Title | Artist | Rating | Length |
|---|
| 1 | When the Going Gets Tough, the Tough Get Going- phonographic copyright (℗) by:
- Sony Music Entertainment UK Limited (in 1986)
- recording of:
- When the Going Gets Tough, the Tough Get Going
- writer:
- Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange and Billy Ocean
- publisher:
- Aqua Music , Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. , Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Billy Ocean | | 3:01 |
| 2 | Lets Hear It for the Boy | Deniece Williams | 3.6 | 4:22 |
| 3 | Living in America | James Brown | 3.35 | 4:43 |
| 4 | Never Too Much- recording engineer and mixer:
- Michael H. Brauer
- assistant engineer:
- Lincoln Clapp , Gregg Mann , Andy Hoffman , Nicky Kalliongos and Don Wershba
- engineer:
- Carl Beatty
- executive producer:
- Larkin Arnold
- producer:
- Luther Vandross
- bass:
- Marcus Miller
- congas:
- Bashiri Johnson
- drums (drum set):
- Buddy Williams
- guitar:
- Georg Wadenius
- horn [horns] and strings:
- Paul Riser
- keyboard [keyboards]:
- Nat Adderley, Jr.
- percussion:
- Crusher Bennett
- background vocals [female backup vocals]:
- Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
- background vocals [male backup vocals] and lead vocals:
- Luther Vandross
- arranger:
- Nat Adderley, Jr. and Paul Riser
- vocals arranger:
- Luther Vandross
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), CBS, Inc. (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Mediasound Studios in New York, New York, United States
- music videos:
- Never Too Much by Luther Vandross
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466) and Billboard: The 500 Best Pop Songs (number: 468)
- recording of:
- Never Too Much
- lyricist and composer:
- Luther Vandross
- publisher:
- April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs , SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
| Luther Vandross | 4.15 | 3:51 |
| 5 | Who’s Zoomin’ Who- engineer:
- Dr. Dave Frazer
- producer:
- Narada Michael Walden
- additional mixer:
- Michael Brauer
- bass synthesizer:
- Randy Jackson
- drums (drum set) and piano:
- Narada Michael Walden
- guitar:
- Corrado Rustici
- keyboard:
- Walter Afanasieff and Preston Glass
- background vocals:
- Jim Gilstrap, Preston Glass, Randy Jackson , Laundon Von Kendricks, Sylvester , Jeanie Tracy and Vickie Randle
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1985)
- recording of:
- Who’s Zoomin’ Who
- writer:
- Aretha Franklin, Preston Glass and Narada Michael Walden
- publisher:
- Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. and Warner–Tamerlane Publishing Corp.
| Aretha Franklin | 3 | 4:44 |
| 6 | Waiting for a Star to Fall- drum machine programming:
- George Merrill
- producer:
- Arif Mardin
- assistant mixer:
- Jim Dineen
- mixer:
- David Leonard
- alto saxophone:
- Andy Snitzer
- bass guitar, piano and synthesizer:
- George Merrill
- drums (drum set):
- Denny Fongheiser and Michael Jochum
- guitar:
- John Goux
- synthesizer [Crowning touch]:
- Joe Mardin
- additional vocals:
- Susan Boyd
- vocals:
- George Merrill and Shannon Rubicam
- phonographic copyright (℗) by:
- BMG Music (in 1988) and Sony Music Entertainment (in 1988)
- mixed at:
- The Grey Room in Hollywood, Los Angeles, California, United States
- recording of:
- Waiting for a Star to Fall
- writer:
- George Merrill and Shannon Rubicam
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Boy Meets Girl Music (from 1987 to present) and Irving Music (from 1987 to present)
| Boy Meets Girl | 3.25 | 4:33 |
| 7 | Criticize | Alexander O’Neal | 4 | 4:00 |
| 8 | Just Be Good to Me | The S.O.S. Band | | 4:25 |
| 9 | This Time I Know It’s for Real | Donna Summer | 3.35 | 3:38 |
| 10 | Love Come Down | Evelyn “Champagne” King | 4.5 | 3:18 |
| 11 | Loco in Acapulco | Four Tops | | 3:30 |
| 12 | Tribute (Right On)- engineer:
- Mark Chamberlain
- producer:
- Pete Wingfield
- phonographic copyright (℗) by:
- CBS Records (in 1988)
- recording of:
- Tribute (Right On)
- writer:
- John Banfield, Aaron Brown , David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield
- publisher:
- Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited , Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Copyright Control (in 1988) and Island Music Ltd. (in 1988)
| The Pasadenas | 4.5 | 4:26 |
| 13 | All Around the World | Lisa Stansfield | 3.75 | 4:23 |
| 14 | Come Into My Life | Joyce Sims | 3 | 3:45 |
| 15 | Girl You Know It’s True | Milli Vanilli | 2 | 4:14 |
| 16 | Theme From S-Express | S’Express | | 3:35 |
| 17 | Rockit | Herbie Hancock | | 3:23 |
| 18 | Einstein a Go-Go | Landscape | | 3:00 |
| 19 | Beat Dis | Bomb the Bass | 2 | 3:20 |
| 20 | Love Cant Turn Around | Farley Jackmaster Funk | | 4:12 |
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