| # | Title | Artist | Rating | Length |
|---|
| 1 | The Only Way Is Up | Yazz & The Plastic Population | 2.65 | 4:03 |
| 2 | Teardrops | Womack & Womack | 3 | 3:52 |
| 3 | A Little Respect | Erasure | 4 | 3:30 |
| 4 | Harvest for the World | The Christians | | 3:59 |
| 5 | Ordinary Angel | Hue & Cry | | 4:11 |
| 6 | Breakfast in Bed | UB40 feat. Chrissie Hynde | | 3:17 |
| 7 | She Makes My Day | Robert Palmer | 3 | 4:20 |
| 8 | Hands to Heaven | Breathe | 3.5 | 4:20 |
| 9 | A Groovy Kind of Love | Phil Collins | 4 | 3:31 |
| 10 | Don't Worry, Be Happy | Bobby McFerrin | 3.7 | 3:55 |
| 11 | Kiss | Art of Noise feat. Tom Jones | | 4:09 |
| 12 | Let's Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:57 |
| 13 | You Came | Kim Wilde | 3.75 | 3:30 |
| 14 | Don't Make Me Wait | Bomb the Bass | | 3:47 |
| 15 | The Harder I Try | Brother Beyond | 1 | 3:28 |
| 16 | He Ain't Heavy, He's My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- live cover recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.2 | 4:17 |
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