| # | Title | Artist | Rating | Length |
|---|
| 1 | In the Air Tonight- assistant engineer:
- Nick Launay and Karen Segal
- engineer:
- Hugh Padgham
- assistant producer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- bass guitar:
- John Giblin (in 1980)
- guitar:
- Daryl Stuermer (in 1980)
- Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
- Phil Collins (in 1980)
- violin:
- Sharokav (in 1980)
- arranger:
- Phil Collins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
- recording of:
- In the Air Tonight (in 1980)
- lyricist and composer:
- Phil Collins
- publisher:
- EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
- part of:
- Risky Business
| Phil Collins | 4.35 | 5:29 |
| 2 | You’re the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave , Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder , Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp. , Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. , Concord Songs Ltd., Copyright Control , CT Music , CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. , Universal Music , Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 4.1 | 5:04 |
| 3 | Keep On Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin, Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.7 | 3:22 |
| 4 | Is This Love | Whitesnake | 3 | 3:56 |
| 5 | Broken Wings- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1985) and Sony Music Entertainment (in 1985)
- edit of:
- Broken Wings by Mr. Mister
- recording of:
- Broken Wings
- writer:
- Steve George , John Lang and Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control , Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 4 | 4:23 |
| 6 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4 | 4:26 |
| 7 | Fading Like a Flower (Every Time You Leave) | Roxette | 3.15 | 3:51 |
| 8 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:43 |
| 9 | What’s Love Got to Do With It- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | | 3:17 |
| 10 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:13 |
| 11 | Don’t Shed a Tear | Paul Carrack | 5 | 3:43 |
| 12 | Kayleigh | Marillion | 4.35 | 3:33 |
| 13 | The Flame | Cheap Trick | 4.25 | 5:39 |
| 14 | Everytime I Think of You | The Babys | 4.35 | 4:02 |
| 15 | We Belong | Pat Benatar | 4.45 | 3:31 |
| 16 | Sunglasses at Night | Corey Hart | 3.6 | 5:19 |
| 17 | Every Rose Has Its Thorn | Poison | 4 | 3:46 |
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