Noriko Ogawa Plays Erik Satie on an 1890 Erard Piano, Vol. 4

~ Release by Erik Satie; Noriko Ogawa (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Mercure : 1. Ouverture
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Marche-Ouverture (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Marche‐ouverture (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:13
2Mercure, premier tableau : 2. La Nuit
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: La Nuit (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: La Nuit (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:06
3Mercure, premier tableau : 3. Danse de tendresse (Apollon et Vénus)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Danse de tendresse (Apollon et Vénus) (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Danse de tendresse (Apollon et Vénus) (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie2:15
4Mercure, premier tableau : 4. Signes du Zodiaque
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Signes du zodiaque (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Signes du zodiaque (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie0:40
5Mercure, premier tableau : 5. Entrée et danse de Mercure
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Entrée et danse de Mercure (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Entrée et danse de Mercure (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:21
6Mercure, deuxième tableau : 6. Danse des Grâces
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Danse des Grâces (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Danse des grâces (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:13
7Mercure, deuxième tableau : 7. Bain des Grâces
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Bain des Grâces (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Bain des grâces (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:06
8Mercure, deuxième tableau : 8. Fuite de Mercure
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Fuite de Mercure (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Fuite de Mercure (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie0:23
9Mercure, deuxième tableau : 9. Colère de Cerbère
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Colère de Cerbère (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Colère de Cerbère (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie0:24
10Mercure, troisième tableau : 10. Polka de lettres
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Polka des Lettres (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Polka des lettres (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:04
11Mercure, troisième tableau : 11. Nouvelle danse
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Nouvelle danse (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Nouvelle danse (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie0:53
12Mercure, troisième tableau : 12. Le Chaos
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Le Chaos (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Le Chaos (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie0:29
13Mercure, troisième tableau : 13. Rapt de Proserpine
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Mercure: Final. Rapt de Proserpine (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer)
arrangement of:
Mercure: Final. Rapt de Proserpine (for orchestra)
part of:
Mercure (for solo piano)
Erik Satie1:27
14La belle excentrique : 1. Marche Franco-Lunaire
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
La belle excentrique : Marche Franco-Lunaire (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): II. Marche franco‐lunaire
Erik Satie1:49
15La belle excentrique : 2. Valse du « Mystérieux baiser dans l’oeil »
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
La belle excentrique : Valse du « Mystérieux baiser dans l’oeil » (for solo piano) (in 2018-08)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): III. Valse du “Mystérieux baiser dans l’œil”. Mouvement de valse
Erik Satie2:35
16Les pantins dansent
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Les pantins dansent (in 2018-08)
composer:
Erik Satie (French composer) (in 1913)
Erik Satie1:25
17Les pantins dansent (1e version)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Les pantins dansent (in 2018-08)
composer:
Erik Satie (French composer) (in 1913)
Erik Satie1:41
18Prélude de « La mort de Monsieur Mouche »
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Carnet d’esquisses et de croquis : Esquisses & sketch montmartois no. 1. Petit prélude de la “mort de monsieur Mouche” (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Carnet d’esquisses et de croquis : Esquisses & sketch montmartois
Erik Satie1:27
19Sept Toutes Petites Danses pour le « Piège de Méduse » : 1. Quadrille
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 1. Quadrille (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:42
20Sept Toutes Petites Danses pour le « Piège de Méduse » : 2. Valse
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 2. Valse (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:44
21Sept Toutes Petites Danses pour le « Piège de Méduse » : 3. Pas vite
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 3. Pas vite (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:35
22Sept Toutes Petites Danses pour le « Piège de Méduse » : 4. Mazurka
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 4. Mazurka (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:31
23Sept Toutes Petites Danses pour le « Piège de Méduse » : 5. Un peu vif
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 5. Un peu vif (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:14
24Sept Toutes Petites Danses pour le « Piège de Méduse » : 6. Polka
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 6. Polka (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:27
25Sept Toutes Petites Danses pour le « Piège de Méduse » : 7. Quadrille
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Le piège de Méduse: 7. Quadrille (in 2018-08)
composer:
Erik Satie (French composer)
part of:
Le Piège de Méduse (music only)
Erik Satie0:23
26Jack in the Box : 1. Prélude. Assez vif
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Jack-in-the-Box : I. Prélude (in 2018-08)
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie2:30
27Jack in the Box : 2. Entr’acte. Vif
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Jack-in-the-Box : II. Entr'acte (in 2018-08)
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie2:25
28Jack in the Box : 3. Final. Modéré
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Jack-in-the-Box : III. Finale (in 2018-08)
composer:
Erik Satie (French composer) (in 1899)
part of:
Jack-in-the-Box
Erik Satie2:35
29Relâche : 1. Ouverturette
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Ouverturette (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:16
30Relâche : 2. Projectionnette
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Projectionnette (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:40
31Relâche, Acte 1 : 3. Rideau
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Rideau (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:23
32Relâche, Acte 1 : 4. Entrée de la Femme
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Entrée de la femme (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:14
33Relâche, Acte 1 : 5. « Musique » entre l’entrée de la femme et sa « Danse sans musique »
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : “Musique” entre l’entrée de la Femme et sa “Danse sans musique” (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:44
34Relâche, Acte 1 : 6. Entrée de l’Homme
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Entrée de l’Homme (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:43
35Relâche, Acte 1 : 7. Danse de la porte tournante (l’Homme et la Femme)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Danse de la porte tournante e (l’Homme et la Femme) (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:08
36Relâche, Acte 1 : 8. Entrée des Hommes
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Entrée des hommes (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:45
37Relâche, Acte 1 : 9. Danse des Hommes
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Danse des hommes (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:43
38Relâche, Acte 1 : 10. Danse de la Femme
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Danse de la femme (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:14
39Relâche, Acte 1 : 11. Final
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, premier acte : Final (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:17
40Cinéma
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Cinéma (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
Erik Satie16:24
41Relâche, Acte 2 : 12. Musique de rentrée
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Musique de rentrée (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:03
42Relâche, Acte 2 : 13. Rentrée des Hommes
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Rentrée des hommes (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:06
43Relâche, Acte 2 : 14. Rentrée de la Femme
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Rentrée de la femme (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:57
44Relâche, Acte 2 : 15. Les hommes se dévêtissent (la Femme se rhabille)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Les hommes se dévêtissent (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:39
45Relâche, Acte 2 : 16. Danse de l’Homme et de la Femme
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Danse de Borlin et de la femme (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:18
46Relâche, Acte 2 : 17. Les hommes regagnent leur place et retrouvent leurs pardessus
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Les Hommes regagnent leur place et retrouvent leurs pardessus (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:03
47Relâche, Acte 2 : 18.Danse de la brouette (la Femme et le Danseur)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Danse de la brouette (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:26
48Relâche, Acte 2 : 19. Danse de la couronne (la Femme seule)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Danse de la couronne (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:02
49Relâche, Acte 2 : 20. Le danseur dépose la couronne sur la tête d’une spectatrice
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : Le danseur repose la couronne sur la tête d’une spectatrice (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:59
50Relâche, Acte 2 : 21. La femme rejoint son fauteuil
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : La femme rejoint son fauteuil (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie1:24
51Relâche, Acte 2 : 22. La « Queue » du Chien – Petite danse finale (Chanson mimée)
sound engineer, producer, mixer and editor:
Marion Schwebel
piano:
Noriko Ogawa (pianist) (in 2018-08)
piano technician:
Takahiro Natori (piano technician)
recorded at:
東京音楽大学 (Tokyo College of Music) in Minami-Ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 2018-08)
recording of:
Relâche, deuxième acte : La “Queue” du chien (chanson mimée) (in 2018-08)
composer:
Erik Satie (French composer) (in 1924)
part of:
Relâche
Erik Satie0:53

Credits

Release

liner notes:Jean-Pascal Vachon (musicologist)
liner notes translator:Andrew Barnett (liner notes author / designer)
Horst A. Scholz
executive producer:Robert Suff
illustration:Erik Satie (French composer)
purchase for download:https://itunes.apple.com/us/album/id1565815583 [info]
stream for free:https://open.spotify.com/album/0xAzMmAMbPnnwKhZLCXI4M [info]