The Essential Puccini

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Turandot: Act III: "Nessun dorma!"
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
52:57
2Tosca: Act II: "Vissi d'arte, vissi d'amore"
Baritongesang:
Leo Nucci (baritone)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
4:36
3Manon Lescaut: Act I: "Donna non vidi mai"
Tenor-Gesang [Des Grieux]:
Carlo Bergonzi (tenor) (in 1957)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1957)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:35
4Madama Butterfly: Act I: "Vogliatemi bene – Vieni, vieni!" (Love Duet)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Soprangesang [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:50
5La Fanciulla del West: Act I: "Minnie, dalla mia casa son partito"
Baritongesang:
Sherrill Milnes (baritone)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” (Rance)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
La fanciulla del West: Atto I
2:07
6Madama Butterfly: Act II: "Scuoti quella fronda di ciliegio"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Mezzosoprangesang [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:43
7Gianni Schicchi: "Firenze è come un albero fiorito"
Tenor-Gesang [Rinuccio]:
Roberto Alagna (tenor) (in 1991)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1991)
conductor:
Bruno Bartoletti (conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
Teatro Verdi in Firenze (Florence), Firenze, Toscana, Italien (in 1991)
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio) (in 1991)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
Teil von:
Gianni Schicchi
2:28
8Suor Angelica: "Senza mamma, o bimbo"
Soprangesang [Suor Angelica]:
Mirella Freni (soprano) (in 1991)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1991)
conductor:
Bruno Bartoletti (conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (in 1991)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
4:40
9Manon Lescaut: Act I: "Tra voi belle, brune e bionde"
Tenor-Gesang:
Jussi Björling (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Alberto Erede (conductor)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
1:44
10Turandot: Act II: "In questa reggia – O Principi"
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25)
Soprangesang [Turandot]:
Joan Sutherland (soprano) (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor) (von 1972-08-10 bis 1972-08-25)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1973)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
6:36
11La bohème: Act IV: "In un coupe? – O Mimi, tu piu non torni"
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:43
12Tosca: Act III: "E lucevan le stelle"
Tenor-Gesang [Cavaradossi]:
Franco Corelli (tenor) (am 1966-06-30)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (am 1966-06-30)
conductor:
Lorin Maazel (conductor) (am 1966-06-30)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (am 1966-06-30)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (am 1966-06-30)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
3:07
13La Rondine: Act I: "Chi il bel sogno di Doretta" (Doretta's Dream Song)
Soprangesang:
Leona Mitchell (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami
Teil von:
La rondine: Atto I
3:21
14Madama Butterfly: Act II: "Coro a bocca chiusa" ("Humming Chorus")
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Chorgesang:
Chor der Wiener Staatsoper (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
2:59
15Tosca: Act I: "Recondita armonia"
Baritongesang:
Alfredo Mariotti (baritone) (in 1966)
Tenor-Gesang:
Franco Corelli (tenor) (in 1966)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Lorin Maazel (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1966)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
2:46
16Gianni Schicchi: "O mio babbino caro"
Soprangesang:
Leona Mitchell (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
2:38
17Tosca: Act I: "Tre sbirri... Una carozza... Presto" (Te Deum)
Baritongesang:
Leo Nucci (baritone)
Chorgesang:
Chorus of the Welsh National Opera
Tenor-Gesang:
Piero de Palma (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Tosca: Atto I (Tosca: Act 1)
4:59
18La bohème: Act I: "O soave fanciulla" (Love Duet)
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
Bearbeitung von:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) von Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:15
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