Stomping at the Savoy

~ Release by Chick Webb and His Orchestra (see all versions of this release, 1 available)

Annotation

An interesting attempt at collecting Webb's work. Probably, this kind of set is more targeted at die hard fans and completists. Note that the material presented here obviously intersects with The Chronological Classics' collection (both the Webb's and Fitzgerald's releases), the main difference in approach (compared with Classics) being that all Webb material is collected (instead of splitting out the Fitzgerald tracks). Be aware, though, that this set misses the very first pair of Webb's cuts, with his earlier formation The Jungle Band, meaning the completists can't spare acquiring the Chronological as well...

Annotation last modified on 2011-12-28 19:32 UTC.

Tracklist

1▼CD: Don’t Be That Way
#TitleRatingLength
1Heebie Jeebies
banjo:
John Trueheart (on 1931-03-20, on 1931-03-30)
double bass:
Elmer James (on 1931-03-20, on 1931-03-30)
drums (drum set):
Chick Webb (on 1931-03-20, on 1931-03-30)
guitar:
John Trueheart (on 1931-03-30)
piano:
Don Kirkpatrick (jazz pianist) (on 1931-03-20, on 1931-03-30)
reeds:
Benny Carter (on 1931-03-20, on 1931-03-30), Hilton Jefferson (on 1931-03-20, on 1931-03-30) and Elmer Williams (on 1931-03-20, on 1931-03-30)
tenor saxophone:
Elmer Williams (on 1931-03-30)
trombone:
Jimmy Harrison (on 1931-03-20, on 1931-03-30)
trumpet:
Louis Bacon (on 1931-03-20, on 1931-03-30), Shelton "Scad" Hemphill (on 1931-03-20, on 1931-03-30) and Louis Hunt (on 1931-03-20, on 1931-03-30)
tuba:
Elmer James (on 1931-03-30)
arranger:
Benny Carter (on 1931-03-20, on 1931-03-30)
instrumental recording of:
Heebie Jeebies (on 1931-03-20)
lyricist and composer:
Boyd Atkins
recording of:
Heebie Jeebies (on 1931-03-30)
lyricist and composer:
Boyd Atkins
3:09
2Blues in My Heart
double bass:
Elmer James (on 1931-03-30)
drums (drum set):
Chick Webb (on 1931-03-30)
guitar:
John Trueheart (on 1931-03-30)
piano:
Don Kirkpatrick (jazz pianist) (on 1931-03-30)
reeds:
Benny Carter (on 1931-03-30), Hilton Jefferson (on 1931-03-30) and Elmer Williams (on 1931-03-30)
trombone:
Jimmy Harrison (on 1931-03-30)
trumpet:
Louis Bacon (on 1931-03-30), Shelton "Scad" Hemphill (on 1931-03-30) and Louis Hunt (on 1931-03-30)
vocals:
Louis Bacon (on 1931-03-30)
arranger:
Benny Carter (on 1931-03-30)
part of:
Brunswick (by matrix number) (number: E-36433-A)
3:08
3Soft and Sweet
double bass:
Elmer James (on 1931-03-30)
drums (drum set):
Chick Webb (on 1931-03-30)
piano:
Don Kirkpatrick (jazz pianist) (on 1931-03-30)
reeds:
Benny Carter (on 1931-03-30), Hilton Jefferson (on 1931-03-30) and Elmer Williams (on 1931-03-30)
trombone:
Jimmy Harrison (on 1931-03-30)
trumpet:
Louis Bacon (on 1931-03-30), Shelton "Scad" Hemphill (on 1931-03-30) and Louis Hunt (on 1931-03-30)
earliest release:
Soft and Sweet (1931-03-30, mx. E-36434-x) by Chick Webb and His Orchestra
3:27
4On the Sunny Side of the Street
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1933-12-20) and Edgar Sampson (on 1933-12-20)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1933-12-20)
drums (drum set):
Chick Webb (on 1933-12-20)
guitar:
John Trueheart (on 1933-12-20)
piano:
Joe Steele (on 1933-12-20)
tenor saxophone:
Elmer Williams (on 1933-12-20)
trombone:
Sandy Williams (American jazz trombonist) (on 1933-12-20)
trumpet:
Mario Bauzá (on 1933-12-20), Reunald Jones (on 1933-12-20) and Taft Jordan (on 1933-12-20)
vocals:
Taft Jordan (on 1933-12-20)
recording of:
On the Sunny Side of the Street (on 1933-12-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
2:55
5Darktown Strutters Ball
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1933-12-20) and Edgar Sampson (on 1933-12-20)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1933-12-20)
drums (drum set):
Chick Webb (on 1933-12-20)
guitar:
John Trueheart (on 1933-12-20)
piano:
Joe Steele (on 1933-12-20)
tenor saxophone:
Elmer Williams (on 1933-12-20)
trombone:
Sandy Williams (American jazz trombonist) (on 1933-12-20)
trumpet:
Mario Bauzá (on 1933-12-20), Reunald Jones (on 1933-12-20) and Taft Jordan (on 1933-12-20)
recording of:
Darktown Strutters’ Ball (on 1933-12-20)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:50
6If Dreams Come True
recorded in:
New York, New York, United States (on 1934-01-15)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-01-15) and Edgar Sampson (on 1934-01-15)
banjo, guitar and strings:
John Trueheart (on 1934-01-15)
double bass and double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-01-15)
drums (drum set):
Chick Webb (on 1934-01-15)
piano:
Joe Steele (on 1934-01-15)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-01-15) and Elmer Williams (on 1934-01-15)
tenor saxophone:
Elmer Williams (on 1934-01-15)
trombone:
Sandy Williams (American jazz trombonist) (on 1934-01-15)
trumpet:
Mario Bauzá (on 1934-01-15), Reunald Jones (on 1934-01-15) and Taft Jordan (on 1934-01-15)
orchestra:
Chick Webb & His Savoy Orchestra (on 1934-01-15)
recording of:
If Dreams Come True (on 1934-01-15)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
3:23
7Let’s Get Together
recorded in:
New York, New York, United States (on 1934-01-15)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-01-15) and Edgar Sampson (on 1934-01-15)
banjo, guitar and strings:
John Trueheart (on 1934-01-15)
double bass and double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-01-15)
drums (drum set):
Chick Webb (on 1934-01-15)
piano:
Joe Steele (on 1934-01-15)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-01-15) and Elmer Williams (on 1934-01-15)
tenor saxophone:
Elmer Williams (on 1934-01-15)
trombone:
Sandy Williams (American jazz trombonist) (on 1934-01-15)
trumpet:
Mario Bauzá (on 1934-01-15), Reunald Jones (on 1934-01-15) and Taft Jordan (on 1934-01-15)
orchestra:
Chick Webb & His Savoy Orchestra (on 1934-01-15)
recording of:
Let's Get Together (on 1934-01-15)
composer:
Chick Webb
3:04
8I Can’t Dance (I Got Ants in My Pants)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-05-09) and Edgar Sampson (on 1934-05-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-05-09)
drums (drum set):
Chick Webb (on 1934-05-09)
guitar:
John Trueheart (in 1934-05)
piano:
Joe Steele (on 1934-05-09)
tenor saxophone:
Elmer Williams (on 1934-05-09)
trombone:
Sandy Williams (American jazz trombonist) (on 1934-05-09)
trumpet:
Mario Bauzá (on 1934-05-09), Reunald Jones (on 1934-05-09) and Taft Jordan (on 1934-05-09)
vocals:
Taft Jordan (on 1934-05-09)
recording of:
I Can't Dance, I Got Ants in My Pants (on 1934-05-09)
lyricist:
Lee Gaines
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
3:01
9Imagination
alto saxophone:
Edgar Sampson (on 1931-05-09) and Pete Clark (Jazz altoist born around 1910) (on 1934-05-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1931-05-09)
drums (drum set):
Chick Webb (on 1931-05-09)
guitar:
John Trueheart (on 1931-05-09)
piano:
Joe Steele (on 1931-05-09)
trombone:
Sandy Williams (American jazz trombonist) (on 1931-05-09)
trumpet:
Mario Bauzá (on 1931-05-09), Reunald Jones (on 1931-05-09) and Taft Jordan (on 1931-05-09)
vocals:
Chuck Richards (on 1931-05-09)
recording of:
Imagination (on 1931-05-09)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:20
10Why Should I Beg for Love?
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-05-18) and Edgar Sampson (on 1934-05-18)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-05-18)
drums (drum set):
Chick Webb (on 1934-05-18)
guitar:
John Trueheart (on 1934-05-18)
piano:
Joe Steele (on 1934-05-18)
tenor saxophone:
Elmer Williams (on 1934-05-18)
trombone:
Sandy Williams (American jazz trombonist) (on 1934-05-18)
trumpet:
Mario Bauzá (on 1934-05-18), Reunald Jones (on 1934-05-18) and Taft Jordan (on 1934-05-18)
vocals:
Taft Jordan (on 1934-05-18) and Edgar Sampson (on 1934-05-18)
3:09
11Stompin’ at the Savoy
recorded in:
New York, New York, United States (on 1934-05-18)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-05-18) and Edgar Sampson (on 1934-05-18)
banjo, guitar and strings:
John Trueheart (on 1934-05-18)
double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-05-18)
drums (drum set):
Chick Webb (on 1934-05-18)
piano:
Joe Steele (on 1934-05-18)
reeds and tenor saxophone:
Elmer Williams (on 1934-05-18)
trombone:
Sandy Williams (American jazz trombonist) (on 1934-05-18)
trumpet:
Mario Bauzá (on 1934-05-18), Reunald Jones (on 1934-05-18) and Taft Jordan (on 1934-05-18)
orchestra:
Chick Webb & His Savoy Orchestra (on 1934-05-18)
instrumental recording of:
Stompin’ at the Savoy (on 1934-05-18)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Stompin’ at the Savoy (on 1934-05-18)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:11
12Blue Minor
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-07-06) and Edgar Sampson (on 1934-07-06)
banjo and guitar:
John Trueheart (on 1934-07-06)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-07-06)
drums (drum set):
Chick Webb (on 1934-07-06)
piano:
Joe Steele (on 1934-07-06)
tenor saxophone:
Wayman Carver (on 1934-07-06) and Elmer Williams (on 1934-07-06)
trombone:
Fernando Arbello (on 1934-07-06) and Sandy Williams (American jazz trombonist) (on 1934-07-06)
trumpet:
Mario Bauzá (on 1934-07-06), Taft Jordan (on 1934-07-06) and Bobby Stark (on 1934-07-06)
woodwind:
Wayman Carver (on 1934-07-06)
part of:
Columbia (by matrix number) (number: 152769-2)
2:51
13True
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-07-06) and Edgar Sampson (on 1934-07-06)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-07-06)
drums (drum set):
Chick Webb (on 1934-07-06)
guitar:
John Trueheart (on 1934-07-06)
piano:
Joe Steele (on 1934-07-06)
tenor saxophone:
Elmer Williams (on 1934-07-06)
trombone:
Fernando Arbello (on 1934-07-06) and Sandy Williams (American jazz trombonist) (on 1934-07-06)
trumpet:
Mario Bauzá (on 1934-07-06), Taft Jordan (on 1934-07-06) and Bobby Stark (on 1934-07-06)
woodwind:
Wayman Carver (on 1934-07-06)
vocals:
Charles Linton (30s jazz singer) (on 1934-07-06)
part of:
Columbia (by matrix number) (number: 152770-2)
2:48
14Lonesome Moments
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-07-06) and Edgar Sampson (on 1934-07-06)
banjo and guitar:
John Trueheart (on 1934-07-06)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-07-06)
drums (drum set):
Chick Webb (on 1934-07-06)
piano:
Joe Steele (on 1934-07-06)
tenor saxophone:
Wayman Carver (on 1934-07-06) and Elmer Williams (on 1934-07-06)
trombone:
Fernando Arbello (on 1934-07-06) and Sandy Williams (American jazz trombonist) (on 1934-07-06)
trumpet:
Mario Bauzá (on 1934-07-06), Taft Jordan (on 1934-07-06) and Bobby Stark (on 1934-07-06)
woodwind:
Wayman Carver (on 1934-07-06)
part of:
Columbia (by matrix number) (number: 152771-2)
2:48
15If It Ain’t Love
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-07-06) and Edgar Sampson (on 1934-07-06)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-07-06)
drums (drum set):
Chick Webb (on 1934-07-06)
guitar:
John Trueheart (on 1934-07-06)
piano:
Joe Steele (on 1934-07-06)
tenor saxophone:
Elmer Williams (on 1934-07-06)
trombone:
Fernando Arbello (on 1934-07-06) and Sandy Williams (American jazz trombonist) (on 1934-07-06)
trumpet:
Mario Bauzá (on 1934-07-06), Taft Jordan (on 1934-07-06) and Bobby Stark (on 1934-07-06)
woodwind:
Wayman Carver (on 1934-07-06)
vocals:
Charles Linton (30s jazz singer) (on 1934-07-06)
part of:
Columbia (by matrix number) (number: 152772-2)
recording of:
If It Ain’t Love (on 1934-07-06)
writer:
Andy Razaf, Don Redman and Fats Waller
3:05
16That Rhythm Man
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-10) and Edgar Sampson (on 1934-09-10)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-10)
drums (drum set):
Chick Webb (on 1934-09-10)
guitar:
John Trueheart (on 1934-09-10)
piano:
Don Kirkpatrick (jazz pianist) (on 1934-09-10) and Joe Steele (on 1934-09-10)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-10)
trombone:
Claude Jones (on 1934-09-10) and Sandy Williams (American jazz trombonist) (on 1934-09-10)
trumpet:
Mario Bauzá (on 1934-09-10), Taft Jordan (on 1934-09-10) and Bobby Stark (on 1934-09-10)
woodwind:
Wayman Carver (on 1934-09-10)
vocals:
Taft Jordan (on 1934-09-10)
part of:
Decca (by matrix number) (number: 38593-A)
recording of:
That Rhythm Man (on 1934-09-10)
writer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Thomas Waller (Fats Waller)
2:55
17On the Sunny Side of the Street
recorded in:
New York, New York, United States (on 1934-09-10)
alto saxophone:
Edgar Sampson (on 1934-09-10)
double bass and double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-10)
drums (drum set):
Chick Webb (on 1934-09-10)
piano:
Don Kirkpatrick (jazz pianist) (on 1934-09-10) and Joe Steele (on 1934-09-10)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-10)
strings:
John Trueheart (on 1934-09-10)
tenor saxophone:
Elmer Williams (on 1934-09-10)
trombone:
Claude Jones (on 1934-09-10) and Sandy Williams (American jazz trombonist) (on 1934-09-10)
trumpet:
Mario Bauzá (on 1934-09-10), Taft Jordan (on 1934-09-10) and Bobby Stark (on 1934-09-10)
woodwind:
Wayman Carver (on 1934-09-10)
vocals:
Taft Jordan (on 1934-09-10)
orchestra:
Chick Webb and His Orchestra (on 1934-09-10)
part of:
Decca (by matrix number) (number: 38594-A)
recording of:
On the Sunny Side of the Street (on 1934-09-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
2:49
18Lona
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-10) and Edgar Sampson (on 1934-09-10)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-10)
drums (drum set):
Chick Webb (on 1934-09-10)
guitar:
John Trueheart (on 1934-09-10)
piano:
Don Kirkpatrick (jazz pianist) (on 1934-09-10) and Joe Steele (on 1934-09-10)
trombone:
Claude Jones (on 1934-09-10) and Sandy Williams (American jazz trombonist) (on 1934-09-10)
trumpet:
Mario Bauzá (on 1934-09-10), Taft Jordan (on 1934-09-10) and Bobby Stark (on 1934-09-10)
woodwind:
Wayman Carver (on 1934-09-10)
part of:
Decca (by matrix number) (number: 38595-A)
2:48
19Blue Minor
recorded in:
New York, New York, United States (on 1934-09-10)
alto saxophone:
Edgar Sampson (on 1934-09-10)
double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-10)
drums (drum set):
Chick Webb (on 1934-09-10)
piano:
Joe Steele (on 1934-09-10)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-10)
strings:
John Trueheart (on 1934-09-10)
tenor saxophone:
Elmer Williams (on 1934-09-10)
trombone:
Claude Jones (on 1934-09-10) and Sandy Williams (American jazz trombonist) (on 1934-09-10)
trumpet:
Mario Bauzá (on 1934-09-10), Taft Jordan (on 1934-09-10) and Bobby Stark (on 1934-09-10)
woodwind:
Wayman Carver (on 1934-09-10)
orchestra:
Chick Webb and His Orchestra (on 1934-09-10)
part of:
Decca (by matrix number) (number: 38596-A)
3:03
20It’s Over Because We’re Through
alto saxophone:
Edgar Sampson (on 1934-09-19, on 1934-11-19) and Pete Clark (Jazz altoist born around 1910) (on 1934-11-19)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-19, on 1934-11-19)
drums (drum set):
Chick Webb (on 1934-09-19, on 1934-11-19)
guitar:
John Trueheart (on 1934-11-19)
piano:
Joe Steele (on 1934-09-19) and Don Kirkpatrick (jazz pianist) (on 1934-11-19)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-19)
trombone:
Claude Jones (on 1934-09-19, on 1934-11-19) and Sandy Williams (American jazz trombonist) (on 1934-09-19, on 1934-11-19)
trumpet:
Mario Bauzá (on 1934-09-19, on 1934-11-19), Taft Jordan (on 1934-09-19, on 1934-11-19) and Bobby Stark (on 1934-09-19, on 1934-11-19)
woodwind:
Wayman Carver (on 1934-09-19, on 1934-11-19)
vocals:
Taft Jordan (on 1934-11-19)
part of:
Decca (by matrix number) (number: 39138-A)
3:13
21Don’t Be That Way
recorded in:
New York, New York, United States (on 1934-11-19)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1934-11-19) and Edgar Sampson (on 1934-11-19)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-11-19)
drums (drum set):
Chick Webb (on 1934-11-19)
guitar and strings:
John Trueheart (on 1934-11-19)
piano:
Don Kirkpatrick (jazz pianist) (on 1934-11-19)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-11-19)
tenor saxophone:
Elmer Williams (on 1934-11-19)
trombone:
Claude Jones (on 1934-11-19) and Sandy Williams (American jazz trombonist) (on 1934-11-19)
trumpet:
Mario Bauzá (on 1934-11-19), Taft Jordan (on 1934-11-19) and Bobby Stark (on 1934-11-19)
woodwind:
Wayman Carver (on 1934-11-19)
orchestra:
Chick Webb and His Orchestra (on 1934-11-19)
part of:
Decca (by matrix number) (number: 39140-A)
recording of:
Don’t Be That Way (on 1934-11-19)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:35
22What a Shuffle
recorded in:
New York, New York, United States (on 1934-11-19)
alto saxophone:
Edgar Sampson (on 1934-09-19, on 1934-11-19) and Pete Clark (Jazz altoist born around 1910) (on 1934-11-19)
bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-11-19)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-19, on 1934-11-19)
drums (drum set):
Chick Webb (on 1934-09-19, on 1934-11-19)
guitar and strings:
John Trueheart (on 1934-11-19)
piano:
Joe Steele (on 1934-09-19) and Don Kirkpatrick (jazz pianist) (on 1934-11-19)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-19, on 1934-11-19)
tenor saxophone:
Elmer Williams (on 1934-11-19)
trombone:
Claude Jones (on 1934-09-19, on 1934-11-19) and Sandy Williams (American jazz trombonist) (on 1934-09-19, on 1934-11-19)
trumpet:
Mario Bauzá (on 1934-09-19, on 1934-11-19), Taft Jordan (on 1934-09-19, on 1934-11-19) and Bobby Stark (on 1934-09-19, on 1934-11-19)
woodwind:
Wayman Carver (on 1934-09-19, on 1934-11-19)
orchestra:
Chick Webb and His Orchestra (on 1934-11-19)
part of:
Decca (by matrix number) (number: 39141-A)
2:53
23Blue Lou
recorded in:
New York, New York, United States (on 1934-11-19)
alto saxophone:
Edgar Sampson (on 1934-09-19, on 1934-11-19) and Pete Clark (Jazz altoist born around 1910) (on 1934-11-19)
banjo, guitar and strings:
John Trueheart (on 1934-11-19)
bass and double bass [bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1934-11-19)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-09-19, on 1934-11-19)
drums (drum set):
Chick Webb (on 1934-09-19, on 1934-11-19)
piano:
Joe Steele (on 1934-09-19) and Don Kirkpatrick (jazz pianist) (on 1934-11-19)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1934-09-19, on 1934-11-19)
tenor saxophone:
Wayman Carver (on 1934-11-19) and Elmer Williams (on 1934-11-19)
trombone:
Claude Jones (on 1934-09-19, on 1934-11-19) and Sandy Williams (American jazz trombonist) (on 1934-09-19, on 1934-11-19)
trumpet:
Mario Bauzá (on 1934-09-19, on 1934-11-19), Taft Jordan (on 1934-09-19, on 1934-11-19) and Bobby Stark (on 1934-09-19, on 1934-11-19)
woodwind:
Wayman Carver (on 1934-09-19, on 1934-11-19)
orchestra:
Chick Webb and His Orchestra (on 1934-11-19)
part of:
Decca (by matrix number) (number: 39142-A)
recording of:
Blue Lou (on 1934-09-19)
composer:
Irving Mills and Edgar Sampson
recording of:
Blue Lou (on 1934-11-19)
composer:
Irving Mills and Edgar Sampson
3:01
24I’ll Chase the Blues Away
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1935-06-12) and Edgar Sampson (on 1935-06-12)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1935-06-12)
drums (drum set):
Chick Webb (on 1935-06-12)
guitar:
John Trueheart (on 1935-06-12)
piano:
Joe Steele (on 1935-06-12)
tenor saxophone:
Elmer Williams (on 1935-06-12)
trombone:
Claude Jones (on 1935-06-12) and Sandy Williams (American jazz trombonist) (on 1935-06-12)
trumpet:
Mario Bauzá (on 1935-06-12), Taft Jordan (on 1935-06-12) and Bobby Stark (on 1935-06-12)
vocals:
Ella Fitzgerald (American jazz singer) (on 1935-06-12)
conductor:
Chick Webb (on 1935-06-12)
part of:
Decca (by matrix number) (number: 39614-A)
recording of:
I’ll Chase the Blues Away (on 1935-06-12)
composer:
Kenneth Harrison (Obscure early 20th century lyricist and/or jazz composer) and Edgar Sampson
2:36
25Down Home Rag
alto saxophone:
Edgar Sampson (on 1935-06-12)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1935-06-12)
drums (drum set):
Chick Webb (on 1935-06-12)
guitar:
John Trueheart (on 1935-06-12)
piano:
Don Kirkpatrick (jazz pianist) (on 1935-06-12)
tenor saxophone:
Elmer Williams (on 1935-06-12)
trombone:
Claude Jones (on 1935-06-12) and Sandy Williams (American jazz trombonist) (on 1935-06-12)
trumpet:
Mario Bauzá (on 1935-06-12), Reunald Jones (on 1935-06-12) and Taft Jordan (on 1935-06-12)
woodwind:
Wayman Carver (on 1935-06-12)
earliest release:
Down Home Rag (1935-06-12, mx. 39615-A) by Chick Webb and His Orchestra
recording of:
Down Home Rag (1913 version with lyrics) (on 1935-06-12)
lyricist:
Roger Lewis (American lyricist from the first half of 20th century)
composer:
Wilbur Sweatman
revision of:
Down Home Rag (Original 1911 instrumental version)
2:51
2▶CD: Go Harlem
3▶CD: Strictly Jive
4▶CD: Spinnin’ the Webb