Ella 100 Plus (Deluxe Edition)

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:00
2It’s D’Lovely
cover recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
2:43
3Bewitched, Bothered and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
7:05
4The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:23
5Someone to Watch Over Me
recorded in:
New York, New York, United States (on 1950-09-12)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1950-09-12)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:15
6Where or When
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:49
7Bei mir bist Du schoen
3:11
8Anything Goes
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Anything Goes (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
43:27
9Miss Otis Regrets
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
33:04
10Ain’t Nobody’s Business but My Own
recorded in:
New York, New York, United States (on 1950-08-15)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1950-08-15)
double bass:
Bob Bushnell (on 1950-08-15)
drums (drum set):
Joe Morris (1940-50s jazz drummer) (on 1950-08-15)
electric guitar:
Bill Jennings (1950s US jazz guitarist) (on 1950-08-15)
piano:
Bill Doggett (on 1950-08-15)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1950-08-15)
trumpet:
Aaron Izenhall (on 1950-08-15)
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-08-15) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1950-08-15)
recording of:
Ain’t Nobody’s Business but My Own (on 1950-08-15)
lyricist and composer:
Irving Taylor
3:14
11Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:08
12It Ain’t Necessarily So
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
6:35
13Let’s Do It (Let’s Fall in Love)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
3:38
14Makin’ Whoopee
recorded in:
New York, New York, United States (on 1954-03-29)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-03-29)
cover recording of:
Makin’ Whoopee! (on 1954-03-29)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:09
15With a Song in My Heart
cover recording of:
With a Song in My Heart
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:48
16Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
5:56
17Manhattan
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:54
18I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:04
19What Is This Thing Called Love
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-09)
conductor:
Buddy Bregman (in 1956, on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:07
20My Funny Valentine
3:58
21There’s a Small Hotel
cover recording of:
There’s a Small Hotel (from “On Your Toes”)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
3:30
22April in Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.56:34
23It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:12
24I Could Write a Book
cover recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:44
25Slumming on Park Avenue
cover recording of:
Slumming on Park Avenue
lyricist and composer:
Irving Berlin (in 1937)
2:20
26You Do Something to Me
engineer:
Val Valentin (on 1956-02-08)
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (on 1956-02-08)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
22:26
27Taking a Chance on Love
drums (drum set):
Bill Beason (on 1940-11-08)
guitar:
Ulysses Livingston (on 1940-11-08)
piano:
Tommy Fulford (on 1940-11-08)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1940-11-08)
tenor saxophone:
Sam Simmons (Jazz saxophonist) (on 1940-11-08)
trombone:
Earl Hardy (on 1940-11-08), George Matthews (trombone) (on 1940-11-08) and John McConnell (US jazz trombonist) (on 1940-11-08)
trumpet:
Taft Jordan (on 1940-11-08) and Irving Randolph (on 1940-11-08)
vocals:
Ella Fitzgerald (American jazz singer) (on 1940-11-08)
cover recording of:
Taking a Chance on Love (on 1940-11-08)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
3:10
28M‐I‐S‐S‐I‐S‐S‐I‐P‐P‐I
cover recording of:
Mississippi
writer:
Billy Simmons and Curley Williams
2:23
29That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:32
30All of You
cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:49
31Isn’t This a Lovely Day
engineer:
Val Valentin (on 1958-03-13)
producer:
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-03-13)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-03-13)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1958-03-13)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:24
32I’ve Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2.352:44
33I’m Gonna Wash That Man Right Outa My Hair
cover recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
2:56
34Oops!
cover recording of:
Oops! (The Belle of New York, 1952 film)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
3:17
35A‐Tisket, A‐Tasket
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1949-09-18)
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
2:38
36T’Aint What You Do (It’s the Way That You Do It)
recorded in:
New York, New York, United States (on 1939-02-17)
bass and double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17), Hilton Jefferson (on 1939-02-17) and Teddy McRae (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
orchestra:
Chick Webb and His Orchestra (on 1939-02-17)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (on 1939-02-17)
writer:
Sy Oliver and Trummy Young
3:03
37It’s Only a Paper Moon
recorded in:
New York, New York, United States (on 1945-03-27)
double bass [string bass]:
Haig Stephens
drums (drum set):
George Wettling
guitar:
Hy White
piano:
René DeKnight
vocals:
The Delta Rhythm Boys (vocal harmony group) (on 1945-03-27) and Ella Fitzgerald (American jazz singer) (on 1945-03-27)
cover recording of:
It’s Only a Paper Moon (on 1945-03-27)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:38
38Smooth Sailing
bass guitar:
Arnold Fishkind (on 1951-06-26)
drums (drum set):
Johnny Blowers (on 1951-06-26)
guitar:
Everett Barksdale (on 1951-06-26)
background vocals:
The Ray Charles Singers (on 1951-06-26)
vocals:
Ella Fitzgerald (American jazz singer) (on 1951-06-26)
instrumental cover recording of:
Smooth Sailing (Instrumental) (on 1951-06-26)
composer:
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
3:07
39Desafinado (Slightly Out of Tune)
2:10
40It Never Entered My Mind
cover recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:10
41Baby, It’s Cold Outside
recorded in:
New York, New York, United States (on 1949-04-28)
alto saxophone and alto saxophone and tenor saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1949-04-28)
double bass:
Billy Hadnott (on 1949-04-28)
drums (drum set):
Joe Morris (1940-50s jazz drummer) (on 1949-04-28)
electric guitar:
James Jackson (jazz/jump blues guitarist) (on 1949-04-28)
piano:
Bill Doggett (on 1949-04-28)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1949-04-28) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1949-04-28)
trumpet:
Aaron Izenhall (on 1949-04-28), Bob Mitchell (1940s–50s jazz trumpeter) (on 1949-04-28) and Harold Mitchell (on 1949-04-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1949-04-28) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1949-04-28)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1949-04-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
2:44
42Ella Hums the Blues
5:22
43You’re the Top
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You’re the Top (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
3:36
44Basin Street Blues
cover recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:11
45The Frim Fram Sauce
cover recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:16
46Ace in the Hole
cover recording of:
Ace in the Hole (Let’s Face It! musical)
lyricist and composer:
Cole Porter (composer) (in 1941)
2:01
47Dream a Little Longer
recording of:
Dream a Little Longer
lyricist and composer:
Grace LeBoy Kahn
3:06
48Stone Cold Dead in the Market (He Had It Coming)
cover recording of:
Stone Cold Dead in the Market (He Had It Coming)
lyricist and composer:
Houdini (Calypso artist Wilmoth Hendricks aka Edgar Leon Sinclair)
2:42
49I Can’t Believe That You’re in Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:32
50My Heart Belongs to Daddy
recorded in:
New York, New York, United States (on 1954-03-30)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-03-30)
cover recording of:
My Heart Belongs to Daddy (on 1954-03-30)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:39
51All Through the Night
cover recording of:
All Through the Night
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
3:13
52Ev’rything I’ve Got
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (in 1956)
drums (drum set):
Alvin Stoller (in 1956)
guitar:
Barney Kessel (in 1956)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Ev’rything I’ve Got (in 1956)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:26
53Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:34
54Always True to You in My Fashion
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Always True to You in My Fashion (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
3.52:53
55The Blue Room
cover recording of:
Blue Room
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:33
56All by Myself
cover recording of:
All by Myself
lyricist and composer:
Irving Berlin (in 1921)
2:25
57Clementine
cover recording of:
Clementine
composer:
Billy Strayhorn
2:37
58Thou Swell
cover recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:07
59Can Anyone Explain – No! No! No!
cover recording of:
Can Anyone Explain?
lyricist and composer:
Bennie Benjamin and George David Weiss
3:14
60I Didn’t Know What Time It Was
cover recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:47
61The Five O’Clock Whistle
cover recording of:
Five O’Clock Whistle
writer:
Kim Gannon, Gene Irwin (aranger, writer) and Josef Myrow
3:14
62Mountain Greenery
2:18
63I Wish I Were in Love Again
engineer:
Val Valentin (on 1956-08-28)
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-28)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (american trombone player) (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-28)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (American jazz saxophonist) (on 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
I Wish I Were in Love Again (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:40
64My One and Only (What Am I Gonna Do)
recorded in:
New York, New York, United States (on 1950-09-11)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-11)
cover recording of:
My One and Only (from “Funny Face”) (on 1950-09-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:16
65Isn’t It Romantic
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
3:02
66Love for Sale
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:56
67Don’t You Think I Ought to Know
cover recording of:
Don’t You Think I Ought to Know
lyricist and composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger) and Melvin Richard Wettergreen
3:14
68Mixed Emotions
cover recording of:
Mixed Emotions
lyricist and composer:
Stuart F. Louchheim (Stuart Fleischer Louchheim)
3:17
69Can’t We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-18)
drums (drum set):
Buddy Rich (on 1956-08-18)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-18)
trumpet:
Louis Armstrong (on 1956-08-18)
vocals:
Louis Armstrong (on 1956-08-18) and Ella Fitzgerald (American jazz singer) (on 1956-08-18)
cover recording of:
Can’t We Be Friends? (on 1956-08-18)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
3:50
70I Want to Learn About Love
recording of:
I Want to Learn About Love
writer:
Lester Lee and Allan Roberts (songwriter)
2:25
71So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:46
72Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-06-04)
double bass:
Sandy Block (Jazz bassist, band leader) (on 1954-06-04)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1954-06-04)
guitar:
Everett Barksdale (on 1954-06-04)
piano:
Hank Jones (piano) (on 1954-06-04)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-06-04, in 1956)
orchestra:
Sy Oliver and His Orchestra (on 1954-06-04)
conductor:
Sy Oliver (on 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-06-04)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
42:51
73Stairway to the Stars
cover recording of:
Stairway to the Stars
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:22
74I Concentrate on You
cover recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:16
75No Sense
recording of:
No Sense
writer:
Ray Brown (jazz bassist) and Ella Fitzgerald (American jazz singer)
3:02
76Too Darn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
3:49
77Lost in Meditation
cover recording of:
Lost in Meditation
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Lou Singer (pianist), Irving Mills and Juan Tizol
3:24
78How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:18
79I’ll Never Be Free
recorded in:
New York, New York, United States (on 1950-08-15)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1950-08-15)
double bass:
Ray Brown (jazz bassist) (on 1950-08-15)
drums (drum set):
Charlie Smith (US jazz drummer) (on 1950-08-15)
electric guitar:
John Collins (US jazz guitarist) (on 1950-08-15)
piano:
Hank Jones (piano) (on 1950-08-15)
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-08-15) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1950-08-15)
cover recording of:
I’ll Never Be Free (on 1950-08-15)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
3:12
80Easy to Love
cover recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:29
81I Hadn’t Anyone ’til You
cover recording of:
I Hadn’t Anyone Till You
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:06
82Blue Skies
cover recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:41
83Prelude to a Kiss
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:23
84That Old Feeling
cover recording of:
That Old Feeling
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
2:33
85My Romance
cover recording of:
My Romance
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
3:46
86Suppertime
cover recording of:
Suppertime
lyricist and composer:
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
3:15
87My Baby Likes to Be Bop (and I Like to Be Bop Too)
2:43
88Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
5:12
89Heat Wave
cover recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
2:21
90It’s Wonderful
cover recording of:
It’s Wonderful
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
3:00
91Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California, United States (on 1955-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (on 1955-04-27)
orchestra:
Benny Carter and His Orchestra (on 1955-04-27)
conductor:
Benny Carter (on 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (on 1955-04-27)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:18
92(You Forgot to) Remember
3:26
93Lover, Come Back to Me
cover recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:00
94I Want to Be Happy
cover recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
4:30
95Mr. Paganini (You’ll Have to Swing It) (Parts 1 & 2)
5:15
96How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:15
97That’s My Desire
cover recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
3:05
98I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:18
99From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:19
100You Keep Coming Back Like a Song
cover recording of:
You Keep Coming Back like a Song
lyricist and composer:
Irving Berlin (in 1946)
part of:
The 19th Academy Award for Best Original Song (number: 2)
3:31
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