Matthäus-Passion

~ Release by Johann Sebastian Bach; Rheinische Kantorei, Das Kleine Konzert, Hermann Max (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244 (2. Teil): No. 36: Rezitativ: "Und der Hohepriester"
bass vocals [Jesus]:
Klaus Mertens (classical singer, bass‐baritone) (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:54
2Matthäus-Passion, BWV 244 (2. Teil): No. 37: Choral: "Wer hat dich so geschlagen"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1995-02-20 until 1995-02-26)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
3Matthäus-Passion, BWV 244 (2. Teil): No. 38: Rezitativ: "Petrus aber saß draußen im Palast"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:08
4Matthäus-Passion, BWV 244 (2. Teil): No. 39: Arie: "Erbarme dich, mein Gott"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1995-02-20 until 1995-02-26)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:54
5Matthäus-Passion, BWV 244 (2. Teil): No. 40: Choral: "Bin ich gleich von dir gewichen"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1995-02-20 until 1995-02-26)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
6Matthäus-Passion, BWV 244 (2. Teil): No. 41: Rezitativ: "Des Morgens aber"
bass vocals [Judas]:
Kai-Uwe Fahnert (baritone) (from 1995-02-20 until 1995-02-26)
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:40
7Matthäus-Passion, BWV 244 (2. Teil): No. 42: Arie: "Gebt mir meinen Jesum wieder!"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:52
8Matthäus-Passion, BWV 244 (2. Teil): No. 43: Rezitativ: "Sie hielten aber einen Rat"
bass vocals [Jesus]:
Klaus Mertens (classical singer, bass‐baritone) (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:51
9Matthäus-Passion, BWV 244 (2. Teil): No. 44: Choral: "Befiehl du deine Wege"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1995-02-20 until 1995-02-26)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
10Matthäus-Passion, BWV 244 (2. Teil): No. 45: Rezitativ: "Auf das Fest aber hatte"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:08
11Matthäus-Passion, BWV 244 (2. Teil): No. 46: Choral: "Wie wunderbarlich"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1995-02-20 until 1995-02-26)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:41
12Matthäus-Passion, BWV 244 (2. Teil): No. 47: Rezitativ: "Der Landpfleger sagte"
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:13
13Matthäus-Passion, BWV 244 (2. Teil): No. 48: Rezitativ: "Er hat uns allen wohlgetan"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
14Matthäus-Passion, BWV 244 (2. Teil): No. 49: Arie: "Aus Liebe will mein Heiland sterben"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:45
15Matthäus-Passion, BWV 244 (2. Teil): No. 50: Rezitativ: "Sie schrieen aber noch mehr"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:43
16Matthäus-Passion, BWV 244 (2. Teil): No. 51: Rezitativ: "Erbarm' es Gott!"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
17Matthäus-Passion, BWV 244 (2. Teil): No. 52: Arie: "Können Tränen meiner Wangen"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:31
18Matthäus-Passion, BWV 244 (2. Teil): No. 53: Rezitativ: "Da nahmen die Kriegsknechte"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
19Matthäus-Passion, BWV 244 (2. Teil): No. 54: Choral: "O Haupt voll Blut und Wunden"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1995-02-20 until 1995-02-26)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:55
20Matthäus-Passion, BWV 244 (2. Teil): No. 55: Rezitativ: "Und da sie ihn verspottet hatten"
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:45
21Matthäus-Passion, BWV 244 (2. Teil): No. 56: Rezitativ: "Ja! freilich will in uns das Fleisch und Blut"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:34
22Matthäus-Passion, BWV 244 (2. Teil): No. 57: Arie: "Komm, süßes Kreuz"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:07
23Matthäus-Passion, BWV 244 (2. Teil): No. 58: Rezitativ: "Und da sie an die Stätte kamen"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:08
24Matthäus-Passion, BWV 244 (2. Teil): No. 59: Rezitativ: "Ach, Golgatha"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
25Matthäus-Passion, BWV 244 (2. Teil): No. 60: Arie mit Chor: "Sehet, Jesus hat die Hand"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:07
26Matthäus-Passion, BWV 244 (2. Teil): No. 61: Rezitativ: "Und von der sechsten Stunde an"
bass vocals [Jesus]:
Klaus Mertens (classical singer, bass‐baritone) (from 1995-02-20 until 1995-02-26)
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:59
27Matthäus-Passion, BWV 244 (2. Teil): No. 62: Choral: "Wenn ich einmal soll scheiden"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1995-02-20 until 1995-02-26)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
28Matthäus-Passion, BWV 244 (2. Teil): No. 63: Rezitativ: "Und siehe da"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:18
29Matthäus-Passion, BWV 244 (2. Teil): No. 64: Rezitativ: "Am Abend, da es kühle war"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:46
30Matthäus-Passion, BWV 244 (2. Teil): No. 65: Arie: "Mache dich, mein Herze, rein"
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:51
31Matthäus-Passion, BWV 244 (2. Teil): No. 66: Rezitativ: "Und Joseph nahm den Leib"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
tenor vocals [Evangelist]:
Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:19
32Matthäus-Passion, BWV 244 (2. Teil): No. 67: Rezitativ mit Chor: "Nun ist der Herr zur Ruh gebracht"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:34
33Matthäus-Passion, BWV 244 (2. Teil): No. 68: Chor: "Wir setzen uns mit Tränen nieder"
choir vocals:
Rheinische Kantorei (from 1995-02-20 until 1995-02-26)
orchestra:
Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:
Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:
Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1995-02-20 until 1995-02-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:42