The Centennial Collection

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1What a Little Moonlight Can Do
recorded in:
New York, New York, Vereinigte Staaten (am 1935-07-02)
Gitarre:
John Trueheart (am 1935-07-02)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-07-02)
Klavier:
Teddy Wilson (am 1935-07-02)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1935-07-02)
Schlagzeug:
Cozy Cole (am 1935-07-02)
Tenorsaxophon:
Ben Webster (am 1935-07-02)
Trompete:
Roy Eldridge (am 1935-07-02)
vocals:
Billie Holiday (am 1935-07-02)
Orchester:
Teddy Wilson and His Orchestra (am 1935-07-02)
arranger:
Teddy Wilson
aufgenommen bei:
American Record Corporation Studios in New York, New York, Vereinigte Staaten (am 1935-07-02)
recording of:
What a Little Moonlight Can Do (am 1935-07-02)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
52:58
2These Foolish Things
alto saxophone:
Johnny Hodges (am 1936-06-30)
baritone saxophone und Klarinette:
Harry Carney (am 1936-06-30)
Gitarre:
Lawrence Lucie (am 1936-06-30)
Klavier:
Teddy Wilson (am 1936-06-30)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1936-06-30)
Schlagzeug:
Cozy Cole (am 1936-06-30)
Trompete:
Jonah Jones (am 1936-06-30)
vocals:
Billie Holiday (am 1936-06-30)
recording of:
These Foolish Things (Remind Me of You) (am 1936-06-30)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
33:20
3Summertime
Gitarre:
Dick McDonough (am 1936-07-10)
Klarinette:
Artie Shaw (am 1936-07-10)
Klavier:
Joe Bushkin (am 1936-07-10)
Kontrabass und Kontrabass [string bass]:
Pete Peterson (jazz bassist) (am 1936-07-10)
Schlagzeug und Schlagzeug [drums]:
Cozy Cole (am 1936-07-10)
Trompete:
Bunny Berigan (am 1936-07-10)
vocals:
Billie Holiday (am 1936-07-10)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1936-07-10)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:55
4Billie’s Blues
Gitarre:
Dick McDonough (am 1936-07-10)
Klarinette:
Artie Shaw (am 1936-07-10)
Klavier:
Joe Bushkin (am 1936-07-10)
Kontrabass:
Pete Peterson (jazz bassist) (am 1936-07-10)
Schlagzeug:
Cozy Cole (am 1936-07-10)
Trompete:
Bunny Berigan (am 1936-07-10)
vocals:
Billie Holiday (am 1936-07-10)
recording of:
Billie’s Blues (am 1936-07-10)
Texter:
Billie Holiday
Komponist(in):
Billie Holiday (bis 1936-08-01)
publisher:
Basart Editions
42:41
5I’ve Got My Love to Keep Me Warm
recorded in:
New York, New York, Vereinigte Staaten (am 1937-01-12)
alto saxophone und Klarinette:
Edgar Sampson (am 1937-01-12)
Gitarre:
Allan Reuss (am 1937-01-12)
Klavier:
Teddy Wilson (am 1937-01-12)
Kontrabass und Kontrabass [string bass]:
John Kirby (jazz bass/trombone/tuba player) (am 1937-01-12)
Schlagzeug:
Cozy Cole (am 1937-01-12)
Tenorsaxophon:
Ben Webster (am 1937-01-12)
Trompete:
Jonah Jones (am 1937-01-12)
vocals:
Billie Holiday (am 1937-01-12)
Interpret(in):
Billie Holiday and Her Orchestra (am 1937-01-12)
recording of:
I’ve Got My Love to Keep Me Warm (am 1937-01-12)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
6Why Was I Born?
Gitarre:
Freddie Green (am 1937-01-25)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1937-01-25)
Klavier:
Teddy Wilson (am 1937-01-25)
Kontrabass:
Walter Page (am 1937-01-25)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1937-01-25)
Tenorsaxophon:
Lester Young (saxophonist) (am 1937-01-25)
Trompete:
Buck Clayton (am 1937-01-25)
vocals:
Billie Holiday (am 1937-01-25)
recording of:
Why Was I Born? (am 1937-01-25)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
2:52
7I Must Have That Man
Gitarre:
Freddie Green (am 1937-01-25)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1937-01-25)
Klavier:
Teddy Wilson (am 1937-01-25)
Kontrabass:
Walter Page (am 1937-01-25)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1937-01-25)
Tenorsaxophon:
Lester Young (saxophonist) (am 1937-01-25)
Trompete:
Buck Clayton (am 1937-01-25)
vocals:
Billie Holiday (am 1937-01-25)
recording of:
I Must Have That Man (am 1937-01-25)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
42:57
8I’ll Get By (as Long as I Have You)
recording of:
I’ll Get by (as Long as I Have You) (am 1937-05-11)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
3:09
9Mean to Me
recording of:
Mean to Me (am 1937-05-11)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
43:08
10When a Woman Loves a Man
recording of:
When a Woman Loves a Man (am 1938-01-12)
Texter:
Johnny Mercer (in 1938)
Komponist(in):
Bernie Hanighen (in 1938) und Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
recording of:
When a Woman Loves a Man (am 1938-01-27)
Texter:
Johnny Mercer (in 1938)
Komponist(in):
Bernie Hanighen (in 1938) und Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
2:26
11You Go to My Head
recording of:
You Go to My Head (am 1938-05-11)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
2:54
12The Very Thought of You
Gitarre:
Freddie Green (am 1938-09-15)
Klavier:
Margaret Johnson (1930s jazz pianist) (am 1938-09-15)
Kontrabass:
Walter Page (am 1938-09-15)
Tenorsaxophon:
Lester Young (saxophonist) (am 1938-09-15)
Trompete:
Buck Clayton (am 1938-09-15)
vocals:
Billie Holiday (am 1938-09-15)
recording of:
The Very Thought of You (am 1938-09-15)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
2:47
13I Can’t Get Started
Gitarre:
Freddie Green (am 1938-09-15)
Klavier:
Margaret Johnson (1930s jazz pianist) (am 1938-09-15)
Kontrabass:
Walter Page (am 1938-09-15)
Tenorsaxophon:
Lester Young (saxophonist) (am 1938-09-15)
Trompete:
Buck Clayton (am 1938-09-15)
vocals:
Billie Holiday (am 1938-09-15)
recording of:
I Can’t Get Started (am 1938-09-15)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:49
14Them There Eyes
recording of:
Them There Eyes (am 1939-07-05)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
2:51
15All of Me
recording of:
All of Me (am 1941-03-21)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
16God Bless the Child
alto saxophone:
Lester Boone (am 1941-05-09), Ernie Powell (am 1941-05-09) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1941-05-09)
Gitarre:
Paul Chapman (US jazz guitar player and singer) (am 1941-05-09)
Klavier:
Eddie Heywood (am 1941-05-09)
Kontrabass:
Grachan Moncur II (bassist) (am 1941-05-09)
Schlagzeug:
Herbert Cowans (jazz drummer) (am 1941-05-09)
Trompete:
Roy Eldridge (am 1941-05-09)
vocals:
Billie Holiday (am 1941-05-09)
recording of:
God Bless the Child (am 1941-05-09)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:57
17Gloomy Sunday
alto saxophone:
Hymie Shertzer (am 1941-08-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-08-07)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1941-08-07)
Klavier:
Teddy Wilson (am 1941-08-07)
Kontrabass:
Johnny Williams (jazz bassist) (am 1941-08-07)
Schlagzeug:
J.C. Heard (am 1941-08-07)
Tenorsaxophon:
Irving “Babe” Russin (am 1941-08-07)
Trompete:
Emmett Berry (am 1941-08-07)
Sologesang:
Billie Holiday (am 1941-08-07)
vocals:
Billie Holiday (in 1941, am 1941-08-07)
Orchester:
Teddy Wilson and His Orchestra (in 1941, am 1941-08-07)
recording of:
Gloomy Sunday (am 1941-08-07)
Texter:
Jávor László (Hungarian poet)
Komponist(in):
Rezső Seress
Übersetzer:
Sam M. Lewis (1930s lyricist)
übersetzte Version von:
Szomorú vasárnap
43:13
18Strange Fruit
Produzent(in):
Milt Gabler
alto saxophone und Saxophon:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (Nummer: 1939, inducted: 2002) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 21)
recording of:
Strange Fruit (am 1939-04-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
43:13
19Fine and Mellow
Produzent(in):
Milt Gabler
alto saxophone:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
Orchester:
The Frankie Newton Orchestra (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
recording of:
Fine and Mellow (am 1939-04-20)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:18
20Lover Man (Oh, Where Can You Be)
Produzent(in):
Milt Gabler
alto saxophone:
Jack Cressey (am 1944-10-04) und Hymie Shertzer (am 1944-10-04)
Gitarre:
Carl Kress (am 1944-10-04)
Klavier:
Dave Bowman (jazz pianist) (am 1944-10-04)
Kontrabass [bass]:
Haig Stephens (am 1944-10-04)
Schlagzeug:
Johnny Blowers (am 1944-10-04)
Tenorsaxophon:
Larry Binyon (am 1944-10-04) und Paul Ricci (am 1944-10-04)
Trompete:
Russ Case (US trumpeter & bandleader)
Sologesang:
Billie Holiday (am 1944-10-04)
Orchester:
Toots Camarata and His Orchestra (am 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (am 1944-10-04)
recording of:
Lover Man (am 1944-10-04)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
43:16

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1342066 [Info]