| # | Title | Artist | Rating | Length |
|---|
| 1 | Hand in My Pocket | Alanis Morissette | 3.95 | 3:40 |
| 2 | Name | Goo Goo Dolls | 4 | 4:30 |
| 3 | Semi‐charmed Life | Third Eye Blind | 4.25 | 4:28 |
| 4 | In the Meantime | Spacehog | 4.2 | 5:00 |
| 5 | Spaceman (radio edit) | Babylon Zoo | 3.5 | 4:01 |
| 6 | Girl From Mars | Ash | 4 | 3:30 |
| 7 | Midlife Crisis | Faith No More | 4.1 | 4:20 |
| 8 | Stop | Jane’s Addiction | | 4:14 |
| 9 | Sleep | Marion | | 3:05 |
| 10 | Punka | Kenickie | | 3:05 |
| 11 | Caught by the Fuzz | Supergrass | 3.65 | 2:17 |
| 12 | The More You Ignore Me the Closer I Get | Morrissey | 5 | 3:44 |
| 13 | One Week | Barenaked Ladies | 4.1 | 2:50 |
| 14 | Nothing Lasts Forever- assistant engineer:
- Markus Butler
- engineer:
- Cenzo Townsend and Mark Phythian
- producer:
- Echo & the Bunnymen
- assistant mixer:
- Richard Woodcraft
- mixer:
- Clif Norrell (in 1997-03)
- bass:
- Les Pattinson (in 1997-02)
- drums (drum set):
- Michael Lee (in 1997-02)
- guitar:
- Ian McCulloch (in 1997-02) and Will Sergeant (in 1997-02)
- keyboard:
- Adam Peters (in 1997-02)
- piano:
- Ed Shearmur (in 1997-02)
- vocals:
- Ian McCulloch (in 1997-02)
- strings arranger:
- London Metropolitan Orchestra
- phonographic copyright (℗) by:
- London Records 90 Ltd. (in 1997)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1997-02: strings) and The Doghouse in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1997-02)
- mixed at:
- Master Rock Studios in Kilburn, Brent , London , England, United Kingdom (in 1997-03)
- recording of:
- Nothing Lasts Forever (in 1997-02)
- writer:
- Ian McCulloch , Les Pattinson and Will Sergeant
- publisher:
- Warner/Chappell Music Ltd. and WB Music Corp.
| Echo & the Bunnymen | 4.5 | 3:55 |
| 15 | Merry Go Round (2008 Remaster) | The Replacements | | 3:40 |
| 16 | How Do You Do! | Roxette | 3 | 3:09 |
| 17 | Trouble | Shampoo | 2.5 | 3:13 |
| 18 | These Are Days- recording engineer and mixer:
- Ed Thacker
- additional engineer:
- Michael Reiter and Scott Blockland
- producer:
- Paul Fox
- accordion, Hammond organ and keyboard:
- Dennis Drew
- acoustic guitar, banjo, electric guitar, electric sitar, lap steel guitar, mandocello and pedal steel guitar:
- Robert Buck
- bass guitar:
- Steven Gustafson
- drums (drum set):
- Jerome Augustyniak
- percussion:
- Jerome Augustyniak and Paulinho Da Costa
- piano:
- Dennis Drew and Natalie Merchant
- vocals:
- Natalie Merchant
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States
- mixed at:
- Summa Studios in Los Angeles, California, United States
- music videos:
- These Are Days by 10,000 Maniacs
- recording of:
- These Are Days
- lyricist:
- Natalie Merchant
- composer:
- Robert Buck and Natalie Merchant
- publisher:
- Christian Burial Music (in 1992)
| 10,000 Maniacs | 3 | 3:41 |
| 19 | Stay | Shakespears Sister | 3.25 | 3:47 |
| 20 | Independent Love Song | Scarlet | 2.75 | 3:55 |
| 21 | Scooby Snacks- assistant recording engineer:
- Edward Douglas (from 1995-04-25 until 1995-05-20) and Juan Garcia (from 1995-04-25 until 1995-05-20)
- recording engineer:
- Tim Latham (from 1995-04-25 until 1995-05-20)
- producer:
- Fun Lovin’ Criminals
- assistant mixer:
- Sean “Puffy” Coffey (from 1995-06-03 until 1995-07-19)
- mixer:
- Tim Latham (from 1995-06-03 until 1995-07-19)
- performer:
- Fun Lovin’ Criminals
- arranger:
- Fun Lovin’ Criminals
- phonographic copyright (℗) by:
- EMI Records USA (in 1996)
- recorded at:
- Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
- mixed at:
- Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
- samples:
- Movement of Fear by Tones on Tail
- recording of:
- Scooby Snacks
- additional lyricist:
- Quentin Tarantino
- writer:
- Stephen Borgovini, Brian Leiser and Huey Morgan
- publisher:
- Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers and Universal PolyGram International Publishing, Inc.
| Fun Lovin’ Criminals | | 3:03 |
| 22 | Step On | Happy Mondays | 3.65 | 5:19 |
| 23 | Regret | New Order | 3.6 | 4:10 |
| 24 | Wide Open Space | Mansun | 4 | 4:31 |
| 25 | Smile | The Supernaturals | 4.5 | 3:44 |
| 26 | It’s a Shame About Ray | The Lemonheads | 4 | 3:06 |
| 27 | Daydreamer | Menswear | 4.5 | 2:17 |
| 28 | Road Rage (radio edit) | Catatonia | 4.5 | 4:02 |
| 29 | One Way- producer:
- Al Scott , Levellers and Andrew Scarth
- mixer:
- Andrew Scarth
- bass guitar:
- Jeremy Cunningham (in 1998)
- didgeridoo:
- Stephen Boakes (in 1998)
- drums (drum set):
- Charlie Heather (in 1998)
- guitar:
- Simon Friend (in 1998)
- violin:
- Jon Sevink (in 1998)
- lead vocals:
- Mark Chadwick (in 1998)
- recorded at:
- Metway Studios in Brighton, Brighton and Hove, England, United Kingdom (in 1998)
- mixed at:
- Parkgate Studios in Battle, East Sussex, England, United Kingdom (in 1998)
- recording of:
- One Way (in 1998)
- writer:
- Mark Chadwick , Jeremy Cunningham , Simon Friend, Charlie Heather and Jon Sevink
- publisher:
- Universal Music
| Levellers | | 3:25 |
| 30 | Natalie’s Party | Shack | | 3:51 |
| 31 | Not So Manic Now | Dubstar | 2.65 | 4:30 |
| 32 | It’s a Fine Day | Opus III | 3 | 3:39 |
| 33 | Your Woman | White Town | 4.1 | 4:20 |
| 34 | Chime (edit) | Orbital | 3 | 3:13 |
| 35 | Inner City Life (Baby Boy’s edit) | Goldie | | 3:37 |
| 36 | Part of the Process | Morcheeba | 4.05 | 4:25 |
| 37 | Beat Goes On (radio edit) | The All Seeing I | 3 | 4:02 |
| 38 | Hypnotize | The Notorious B.I.G. | | 3:58 |
| 39 | Unbelievable | EMF | 3.65 | 3:30 |
| 40 | Right Here Right Now | Jesus Jones | 4.4 | 3:09 |
| 41 | What Can You Do for Me (1926 Melodic Mix) | Utah Saints | | 3:23 |
| 42 | Barber’s Adagio for Strings | William Orbit | | 4:18 |
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