The Anniversary Edition: 120 Years Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

120 YEARS OF DEUTSCHE GRAMMOPHON
The Edition

Annotation last modified on 2019-02-08 22:20 UTC.

Tracklist

1▶CD: Early Orchestral Recordings I
2▶CD: Early Orchestral Recordings II
3▶CD: Early Orchestral Recordings III
4▶CD: Early Orchestral Recordings IV
5▶CD: Schubert: Symphony No. 9 - Haydn: Symphony No. 88
6▶CD: Bruckner: Symphony No. 9
7▶CD: Dvorák: Symphony No. 9 - Smetana: The Moldau - Liszt: Les Préludes
8▶CD: Tchaikovsky: Symphony No. 6
9▶CD: Mozart: Symphony No. 39-41
10▶CD: Berlioz: Symphonie fantastique - Cherubini: Anacreon - Auber: La muette de Portici
11▶CD: Beethoven: Symphony No. 9; Coriolan Overture
12▶CD: Mahler: Symphony No. 1; Lieder eines fahrenden Gesellen
13▶CD: Holst: The Planets - R. Strauss: Also sprach Zarathustra
14▶CD: Beethoven: Symphony No. 5+7
15▶CD: Saint-Saëns: Symphony No. 3; Le Déluge; Danse macabre
16▶CD: Debussy: La mer - Ravel: Ma mère l'Oye; Rapsodie espagnole
17▶CD: R. Strauss: Alpensymphonie
18▶CD: Mahler: Symphony No. 5
19▶CD: Copland: Appalachian Spring; Symphony No. 2; Quiet City; Three Latin American Sketches
20▶CD: Messiaen: Turangalîla Symphonie
21▶CD: Stravinsky: Le Sacre du Printemps; Petrouchka
22▶CD: Franck: Symphony - Poulenc: Organ Concerto
23▶CD: Wagner: Orchestral Music
24▶CD: German Overtures
25▶CD: Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain - Tchaikovsky: Swan Lake Suite
26▶CD: Mendelssohn: Symphony No. 4+5
27▶CD: Bruckner: Symphony No. 4 - Wagner: Lohengrin
28▶CD: Early Concerto Recordings
29▶CD: Rachmaninov: Piano Concerto No. 2 - Tchaikovsky: Piano Concerto No. 1
30▶CD: Lalo: Cello Concerto - Saint-Saëns: Cello Concerto No. 1 - Bruch: Kol Nidrei - Bloch: Schelomo
31▶CD: Bach: Concertos - Beethoven: Romances
32▶CD: Mozart: Violin Concerto No. 1+2; Adagio for Violin and Orchestra in E Major; Rondo for Violin and Orchestra in B-flat Major; Rondo for Violin and Orchestra in C Major
33▶CD: Tchaikovsky: Violin Concerto in D Major - Mendelssohn: Violin Concerto in E Minor
34▶CD: Mozart: Piano Concerto No. 20+21
35▶CD: Boccherini: Cello Concerto No. 2 - Tartini: Cello Concerto in A Major - Vivaldi: Cello Concerto in C Major; Cello Concerto in G Major
36▶CD: Beethoven: Piano Concerto No. 1+3
37▶CD: Brahms: Piano Concerto No. 1
38▶CD: Dvorák: Cello Concerto in B Minor - Schumann: Cello Concerto in A Minor
39▶CD: Liszt: Piano Concerto No. 1+2; Totentanz
40▶CD: Mozart: Clarinet Concerto in A Major; Horn Concerto No. 1+4
41▶CD: Prokofiev: Piano Concerto No. 1+3
42▶CD: Shostakovich: Piano Concerto No. 1 - Haydn: Keyboard Concerto in D Major
43▶CD: Brahms: Violin Concerto in D Major - Schumann: Fantasy for Violin and Orchestra in C Major
44▶CD: Beethoven: Piano Sonata No. 17; Fantasia for Piano, Chorus and Orchestra - Pärt: Credo for Piano Solo, Mixed Choir and Orchestra - Corigliano: Fantasia on an Ostinato
45▶CD: Shostakovich: Violin Concerto No.1; Dance of the Dolls - Kancheli: V & V - Pärt: Spiegel im Spiegel - Rachmaninov: Vocalise
46▶CD: Rachmaninov: Piano Concerto No. 3 - Prokofiev: Piano Concerto No. 2
47▶CD: Vieuxtemps: Violin Concerto No. 4 - Mozart: Violin Concerto No. 5
48▶CD: Lost and found - Oboenkonzerte des 18. Jahrhunderts
49▶CD: Chopin: Piano Concerto No. 1; Ballade No. 1-4
50▶CD: Early Piano Solo
51▶CD: Ravel: Sonatine; Valses nobles et sentimentales; Le Tombeau de Couperin - Debussy: Pour le piano - Roussel: 3 Pièces pour piano - Bartók: Sonatine
52▶CD: Beethoven: Piano Sonata No. 8, 14, 23 & 31
53▶CD: Schubert: Piano Sonata No.13 In A, D.664, 6 Moments musicaux, D. 780; 13 Variations On A Theme By Anselm Hüttenbrenner, D.576
54▶CD: Debussy: Images - Book 1+2; Children's Corner
55▶CD: Stravinsky: Three Movements 'Petruschka' - Prokofiev: Piano Sonata No. 7 - Webern: Variations for Piano - Boulez: Piano Sonata No. 2
56▶CD: Beethoven: Piano Sonata No. 17, 21 & 26
57▶CD: Brahms: Theme with Variations
58▶CD: Brahms: Hungarian Dances; 16 Waltzes
59▶CD: Chopin: Piano Sonata No. 2+3; Scherzo No. 3
60▶CD: Ravel: Gaspard de la nuit - Prokofiev: Piano Sonata No. 6
61▶CD: Schubert: Piano Sonata No. 21 - Schumann: Kinderszenen
62▶CD: Mozart: Piano Sonata No. 11+14; Mozart: Fantasia in C Minor + in D Minor
63▶CD: Carnegie Hall Recital
64▶CD: Carnegie Hall Recital
65▶CD: J.S. Bach: French Suite No. 1-3
66▶CD: Schubert: 4 Impromptus, D. 899; 3 Klavierstücke, D. 946
67▶CD: Early Chamber Music
68▶CD: Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden"; Piano Quintet In A, D.667 - "The Trout"
69▶CD: Haydn: String Quartet, Op. 76 No. 2+3; Mozart: String Quartet No. 17
70▶CD: Mozart / Debussy / Ibert / Berio / Fukushima / J.S. Bach / Schubert
71▶CD: Brahms: String Quartets No. 1 & 3 / Haydn: String Quartet Hob.III:78, Op.76, No.4 "Sunrise"
72▶CD: Schoenberg: Verklärte Nacht; String Trio
73▶CD: Debussy: String Quartet - Ravel: String Quartet - Webern: String Quartet
74▶CD: Beethoven: String Quartet No. 9-11
75▶CD: Brahms: Piano Quartet No. 1 - Schumann: Fantasiestücke
76▶CD: Mozart: Piano Trio, K. 502, 542 & 548
77▶CD: Mendelssohn: Violin Concerto, Op. 64; String Octet; 12 Gesänge; Six Songs
78▶CD: Early Opera Recordings I
79▶CD: Early Opera Recordings II
80▶CD: Weber: Der Freischütz, Op. 77, J. 277 (Arr. by Hans Maeder)
81▶CD: Rita Streich singt Opern-Arien
82▶CD: Verdi: La traviata / Act 1-2
83▶CD: Verdi: La traviata / Act 2-3
84▶CD: Opera-Gala
85▶CD: Wagner
86▶CD: Mozart: Opera Arias
87▶CD: Duets
88▶CD: Bel canto
89▶CD: Haydn: Die Schöpfung
90▶CD: Haydn: Die Schöpfung
91▶CD: Mozart: Requiem
92▼CD: J.S. Bach: Wachet auf, ruft uns die Stimme; Magnificat
#TitleArtistRatingLength
1Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor9:40
2Wachet auf, ruft uns die Stimme, Cantata BWV 140: II. "Er kommt, er kommt, der Bräutigam kommt!"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Peter Schreier, Münchener Bach‐Orchester, Karl Richter1:19
3Wachet auf, ruft uns die Stimme, Cantata BWV 140: III. "Wann kommst du, mein Heil?"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Edith Mathis, Dietrich Fischer‐Dieskau, Münchener Bach‐Orchester, Karl Richter6:54
4Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Peter Schreier, Münchener Bach‐Orchester, Karl Richter5:56
5Wachet auf, ruft uns die Stimme, Cantata BWV 140: V. "So geh herein zu mir"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Dietrich Fischer‐Dieskau, Münchener Bach‐Orchester, Karl Richter1:57
6Wachet auf, ruft uns die Stimme, Cantata BWV 140: VI. "Mein Freund ist mein!"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Edith Mathis, Dietrich Fischer‐Dieskau, Münchener Bach‐Orchester, Karl Richter6:22
7Wachet auf, ruft uns die Stimme, Cantata BWV 140: VII. "Gloria sei dir gesungen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor1:49
8Magnificat in D major, BWV 243: Chorus: "Magnificat"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor3:01
9Magnificat in D major, BWV 243: Aria: "Et exsultavit spiritus meus"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Hertha Töpper, Münchener Bach‐Orchester, Karl Richter2:46
10Magnificat in D major, BWV 243: Quia respexit...Omnes generationes
recording engineer and producer:
Karl-Heinz Schneider (producer)
executive producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
contralto vocals:
Hertha Töpper (mezzo soprano) (in 1961-04)
soprano vocals:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Maria Stader, Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor4:32
11Magnificat in D major, BWV 243: Aria: "Quia fecit mihi magna"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Dietrich Fischer‐Dieskau, Münchener Bach‐Orchester, Karl Richter2:16
12Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Hertha Töpper, Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter3:49
13Magnificat in D major, BWV 243: Chorus: "Fecit potentiam"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
instruments:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor2:22
14Magnificat in D major, BWV 243: Aria: "Deposuit potentes"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter2:11
15Magnificat in D major, BWV 243: Aria: "Esurientes implevit bonis"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 1961-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann (German composer)
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Hertha Töpper, Münchener Bach‐Orchester, Karl Richter2:58
16Magnificat in D major, BWV 243: Chorus: Suscepit Israel
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
performer:
Maria Stader (soprano) (in 1961-04) and Hertha Töpper (mezzo soprano) (in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: X. Aria "Suscepit Israel" (catch-all for arrangements) (in 1961-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Maria Stader, Hertha Töpper, Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor1:52
17Magnificat in D major, BWV 243: Chorus: "Sicut locutus est"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor1:54
18Magnificat in D major, BWV 243: Chorus: "Gloria Patri"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Münchener Bach‐Orchester, Karl Richter, Münchener Bach‐Chor2:18
93▶CD: Biber: Missa Salisburgensis - Riedl: Ein langer und schöner Aufzug
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96▶CD: Schubert: Winterreise
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102▶CD: Bach: Schübler Chorals; Sonata No. 1+6
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106▶CD: Bach: Cantatas
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108▶CD: Early Light Music Recordings
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110▶CD: Weihnachtsalbum
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112▶CD: Reich: Six Pianos, Music for Mallet Instruments
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114▶CD: Glass: Violin Concerto - Schnittke: Concerto Grosso No. 5
115▶CD: Invisible Connections
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122▶Blu-ray: Wagner: Der Ring des Nibelungen, WWV 86