Mass in B minor (disc 2)

~ Release by Johann Sebastian Bach; Drottningholms Barockensemble, Eric Ericson, Eric Ericsons Kammarkör (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	h-Moll-Messe, BWV 232: Credo in Unum Deum choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:02
2	h-Moll-Messe, BWV 232: Patrem Omnipotentem choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:02
3	h-Moll-Messe, BWV 232: Et in Unum Dominum alto vocals: Monica Groop (mezzosoprano) soprano vocals: Barbara Bonney (soprano) orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:17
4	h-Moll-Messe, BWV 232: Et Incarnatus Est choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:35
5	h-Moll-Messe, BWV 232: Crucifixus choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:43
6	h-Moll-Messe, BWV 232: Et Ressurexit choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:58
7	h-Moll-Messe, BWV 232: Et in Spiritum Sanctum Dominum bass vocals: Gunnar Lundberg (operatic bass) orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:02
8	h-Moll-Messe, BWV 232: Confiteor choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:47
9	h-Moll-Messe, BWV 232: Et Expecto choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:11
10	h-Moll-Messe, BWV 232: Sanctus choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:12
11	h-Moll-Messe, BWV 232: Osanna in Excelsis choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:35
12	h-Moll-Messe, BWV 232: Benedictus tenor vocals: Klas Hedlund orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:17
13	h-Moll-Messe, BWV 232: Ossana in Excelsis choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:41
14	h-Moll-Messe, BWV 232: Agnus Dei alto vocals: Monica Groop (mezzosoprano) orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:57
15	h-Moll-Messe, BWV 232: Dona Nobis Pacem choir vocals: Eric Ericsons Kammarkör orchestra: Drottningholms Barockensemble (Drottningholm Baroque Ensemble) conductor: Eric Ericson recorded at: Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1992-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:07

Credits

Release

discography entry:	http://www.bach-cantatas.com/Vocal/BWV232-Ericson.htm#V2 [info]

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Release information

Barcode:: 3351472990458
Format:: CD
Length:: 52:27

Additional details

Type:: Album + Live
Status:: Official
Language:: Latin
Script:: Latin
Data quality:: Normal

Labels

Vanguard Classics
99044/45

Release events

Netherlands
1995

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Last updated on 2017-02-07 15:51 UTC