Number 1s: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

My copy of this release has slightly different tracks from the other (2014) release on the 70s disc, but I'm not sure how common this version is.

Annotation last modified on 2019-05-10 02:57 UTC.

Tracklist

1▶CD: 60s
2▶CD: 70s
3▼CD: 80s
#TitleArtistRatingLength
1Back to Life (However Do You Want Me)
producer and mixer:
Nellee Hooper and Jazzie B
vocals:
Caron Wheeler (English singer, songwriter, and record producer)
phonographic copyright (℗) by:
10 Records (in 1989)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.53:49
2Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:37
3Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:58
4Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
5The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:03
6I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:41
7I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
8Hangin’ Tough
producer:
Maurice Starr
recording of:
Hangin’ Tough
lyricist and composer:
Maurice Starr
New Kids on the Block3:51
9Candy Girl
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
New Edition3:54
10Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:23
11The Power of Love
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood3:59
12House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
13Swing the Mood
cover recording of:
Swing the Mood
writer:
Jive Bunny (Jive Bunny)
medley of:
Let’s Twist Again
medley of:
In the Mood
medley of:
Rock Around the Clock (Bill Haley’s version)
medley of:
Rock‐a‐Beatin’ Boogie
medley of:
Tutti Frutti
medley of:
Wake Up Little Susie
medley of:
C’mon Everybody
medley of:
Hound Dog
medley of:
Shake, Rattle and Roll
medley of:
All Shook Up
medley of:
Jailhouse Rock
medley of:
At the Hop
Jive Bunny44:47
14Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.34:11
15Together We Are Beautiful
cover recording of:
Together We Are Beautiful (1977 song)
lyricist, writer and composer:
Ken Leray (songwriter)
publisher:
Brampton Music Ltd. (publisher) and Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:12
16Move Closer
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson5:50
17Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:41
18Seven Tears
producer:
Jochen Petersen (producer and multi-instrumentalist)
recording of:
Seven Tears
writer:
Wolfgang Jass (singer-songwriter, producer, composer, bassist) and Wolff-Ekkehardt Stein
publisher:
Aloha and Peer (publisher)
Goombay Dance Band3:59
19That’s What I Like
recording of:
That’s What I Like (Jive Bunny & the Mastermixers medley)
medley of:
Hawaii Five‐O
medley of:
Let’s Twist Again
medley of:
Let’s Dance
medley of:
Wipe Out
medley of:
Great Balls of Fire
medley of:
Johnny B. Goode
medley of:
Good Golly Miss Molly
medley of:
The Twist
medley of:
Chantilly Lace
medley of:
Runaround Sue
medley of:
Summertime Blues
medley of:
Razzle Dazzle
Jive Bunny4:01
20Star Trekkin’
phonographic copyright (℗) by:
Bark (in 1987) and Bark Music Ltd. (in 1987)
recording of:
Star Trekkin’
composer:
Rory Martin Kehoe, Graham Lister and John O’Connor (electronic)
publisher:
Bark Music Ltd.
The Firm3.653:32
4▶CD: 90s
5▶CD: 00s

Credits

Release group

part of:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (number: 28) (order: 19)
Discogs:https://www.discogs.com/master/2037901 [info]