Carmina Burana

~ Release by Carl Orff; Royal Philharmonic Orchestra, Antal Doráti (see all versions of this release, 18 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi. No. 1 O Fortuna
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:25
2Carmina Burana: Fortuna Imperatrix Mundi. No. 2 Fortune plango vulnera
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:45
3Carmina Burana: I - Primo vere. No. 3 Veris leta facies
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff45:13
4Carmina Burana: I - Primo vere. No. 4 Omnia Sol temperat
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff32:23
5Carmina Burana: I - Primo vere. No. 5 Ecce gratum
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff42:51
6Carmina Burana: Uf dem anger. No. 6 Tanz
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff41:50
7Carmina Burana: Uf dem anger. No. 7 Floret silva nobilis
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff43:30
8Carmina Burana: Uf dem anger. No. 8 Chramer, gip die varwe mir
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff33:22
9Carmina Burana: Uf dem anger. No. 9 Reie-Reigen
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff44:47
10Carmina Burana: Uf dem anger. No. 10 Were diu werlt alle min
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff41:02
11Carmina Burana: II - In Taberna. No. 11 Estuans interius
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff52:33
12Carmina Burana: II - In Taberna. No. 12 Olim lacus colueram
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff43:47
13Carmina Burana: II - In Taberna. No. 13 Ego sum abbas
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff42:01
14Carmina Burana: II - In Taberna. No. 14 In taberna quando sumus
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff53:04
15Carmina Burana: III - Cour d'amours. No. 15 Amor volat undique
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Southend Boys’ Choir
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
Michael Crabb (organist, conductor, chorus master)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff33:39
16Carmina Burana: III - Cour d'amours. No. 16 Dies, nox et omnia
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff32:34
17Carmina Burana: III - Cour d'amours. No. 17 Stetit puella
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff32:29
18Carmina Burana: III - Cour d'amours. No. 18 Circa mea pectora
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff52:11
19Carmina Burana: III - Cour d'amours. No. 19 Si puer cum puellula
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff31:01
20Carmina Burana: III - Cour d'amours. No. 20 Veni, veni, venias
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff41:02
21Carmina Burana: III - Cour d'amours. No. 21 In trutina
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff32:22
22Carmina Burana: III - Cour d'amours. No. 22 Tempus est iocundum
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus and Southend Boys’ Choir
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
Michael Crabb (organist, conductor, chorus master) and László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff32:36
23Carmina Burana: III - Cour d'amours. No. 23 Dulcissime!
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff30:40
24Carmina Burana: Blanziflor et Helena. No. 24 Ave formosissima
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff32:02
25Carmina Burana: Fortuna Imperatrix Mundi. No. 25 O Fortuna (reprise)
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff52:33