Die Kunst der Fuge (L’Art de la fugue) BWV 1080

~ Release by Johann Sebastian Bach ; Orchestre de chambre Jean‐François Paillard (see all versions of this release, 1 available)

Tracklist

1▶12" Vinyl: Premier disque STU 71122

2▼12" Vinyl: Deuxième disque STU 71123
#	Title	Artist	Rating	Length
A1	Contrapunctus 12a, à 4 conductor: Jean‐François Paillard (French conductor) (in 1977-05) performer: Orchestre de chambre Jean‐François Paillard (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
A2	Contrapunctus inversus 12b, à 4 cello: Alain Courmont (cellist) (in 1977-05) and Patrick Gabard (in 1977-05) viola: Raymond Glatard (in 1977-05) and Alain Mehaye (in 1977-05) conductor: Jean‐François Paillard (French conductor) (in 1977-05) performer: Orchestre de chambre Jean‐François Paillard (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,2) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
A3	Contrapunctus 13, Canon in Hypodiapason harpsichord: Laure Morabito (harpsichordist) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/15) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
A4	Contrapunctus 14, Canon in Hypodiatessaron al rovescio e per augmentationem perpetuus solo harpsichord: Laure Morabito (harpsichordist) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
A5	Contrapunctus 15, Canon alla decima Contrapunto alla Terza harpsichord: Laure Morabito (harpsichordist) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/16) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		?:??
A6	Contrapunctus 16, Canon per augmentationem in Contrario Motu harpsichord: Laure Morabito (harpsichordist) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/14) version of: Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version) version of: Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) revision of: Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)	Johann Sebastian Bach		?:??
B1	Contrapunctus 17a, à 3 harpsichord: Françoise Lengellé (French harpsichordist) (in 1977-05) and Laure Morabito (harpsichordist) (in 1977-05) conductor: Jean‐François Paillard (French conductor) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
B2	Contrapunctus inversus 17b, à 3 harpsichord: Françoise Lengellé (French harpsichordist) (in 1977-05) and Laure Morabito (harpsichordist) (in 1977-05) conductor: Jean‐François Paillard (French conductor) (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,2) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	Johann Sebastian Bach		?:??
B3	Contrapunctus 18a, Fuga à 3 soggetti, à4 (inachevée) conductor: Jean‐François Paillard (French conductor) (in 1977-05) performer: Orchestre de chambre Jean‐François Paillard (in 1977-05) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/19) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)	Johann Sebastian Bach		?:??
B4	Choral “Wenn wir in höchsten Nöthen sein” bass oboe: Jean-Claude Jaboulay (in 1977-05) bassoon: Amaury Wallez (bassoonist) (in 1977-05) cor anglais: Claude Maisonneuve (French oboist) (in 1977-05) oboe d'amore: Jacques Chambon (French oboist) (in 1977-05) strings: Orchestre de chambre Jean‐François Paillard (in 1977-05) orchestrator: Jean‐François Paillard (French conductor) (in 1977) recorded at: Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1977-05) recording of: Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue) (in 1977-05) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.1) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668a) revision of: Wenn wir in höchsten Nöten sein, BWV 641	Johann Sebastian Bach		?:??

Credits

Release

liner notes:	Marc Vignal (musicologist, writer, radio producer) (in 1978)
recording engineer:	Pierre Lavoix (engineer) (in 1977-05)

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Release information

Barcode:: [none]
Format:: 2×12" Vinyl

Additional details

Type:: Album
Packaging:: Cardboard/Paper Sleeve
Status:: Official
Language:: French
Script:: Latin
Data quality:: Normal

Labels

Erato
STU 71121

Release events

France
1978

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Last updated on 2021-04-28 20:30 UTC