The Platinum Collection

~ Release by Tina Turner (see all versions of this release, 3 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1I Don’t Wanna Fight
producer:
Roger Davies (producer) and Chris Lord‐Alge
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
I Don’t Wanna Fight
writer:
Steve DuBerry, Billy Lawrie and Lulu (Scottish singer and actress, best known for “To Sir With Love”)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner34:27
2It Takes Two
producer:
Bernard Edwards (American bassist and record producer) and Rod Stewart
lead vocals:
Rod Stewart and Tina Turner
cover recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Tina Turner with Rod Stewart3.254:14
3GoldenEye
producer:
Nellee Hooper
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
part of:
James Bond themes
Tina Turner4:44
4I Want You Near Me
engineer:
Mike Ging and Robin Hancock (UK music engineer/remixer/producer)
producer:
Terry Britten
mixer:
John Hudson (producer, recording and mixing engineer)
saxophone:
Tim Cappello
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
produced at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
cover recording of:
I Want You Near Me
writer:
Terry Britten and Graham Lyle
Tina Turner2.53:53
5Why Must We Wait Until Tonight
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Why Must We Wait Until Tonight
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
Tina Turner4:30
6Whatever You Want
recording of:
Whatever You Want
writer:
Arthur Baker (American record producer and DJ), Taylor Dayne (American singer, songwriter, and actress) and Fred Zarr
Tina Turner4:41
7On Silent Wings
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
On Silent Wings
writer:
James Ralston (US guitarist, songwriter) and Tony Joe White
Tina Turner24:20
8Missing You
recorded in:
London (Greater London), England, United Kingdom
miscellaneous support:
Gavyn Wright (UK violinist, conductor) (task: orchestra leader)
programming:
Garry Hughes
engineer:
Mike Higham (British score composer) (task: pro-tools) and Tim Weidner (engineer)
producer:
Trevor Horn
mixer:
Steve MacMillan
drums (drum set):
Keith Le Blanc
guitar:
Trevor Rabin (South African musician and score composer)
keyboard:
Garry Hughes
background vocals:
Trevor Horn and Trevor Rabin (South African musician and score composer)
strings [orchestra] arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
cover recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner34:39
9Something Beautiful Remains
recorded in:
London (Greater London), England, United Kingdom
assistant recording engineer:
Paul ‘P Dub’ Walton
drums (drum set) programming:
Tony Nwachukwa
engineer:
Steve Barney Chase and Brian Tench
producer:
Terry Britten
assistant mixer:
Rob Tarbuck
mixer:
Steve Barney Chase
drums (drum set):
Richie Stevens (UK drummer)
guitar:
Terry Britten
keyboard:
Richard Cottle
Wurlitzer electric piano:
Toby Chapman
background vocals:
Terry Britten, Conner Reeves and Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Something Beautiful Remains
writer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Kobalt Music Services Ltd. (UK) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tina Turner34:22
10In Your Wildest Dreams
recorded in:
London (Greater London), England, United Kingdom
miscellaneous support:
Gavyn Wright (UK violinist, conductor) (task: orchestra leader)
programming:
Lol Creme and Garry Hughes
engineer:
Mike Higham (British score composer) (task: pro-tools) and Tim Weidner (engineer)
assistant producer:
Lol Creme
producer:
Trevor Horn
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
guitar:
Trevor Rabin (South African musician and score composer)
keyboard:
Lol Creme and Garry Hughes
background vocals:
Tessa Niles and Miriam Stockley
guest spoken vocals:
Antonio Banderas
lead vocals:
Tina Turner
strings [orchestra] arranger:
John Altman
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
In Your Wildest Dreams (The sun goes down. And the moon comes up…)
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Blue Raincoat Songs Ltd., BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Knighty-Knight Music, Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Tina Turner45:31
11When the Heartache Is Over
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
When the Heartache Is Over
writer:
John Reid (Scottish-born manager and music industry figure) and Graham Stack
publisher:
Rive Droite Music Ltd. and Riverhorse Songs
Tina Turner33:44
12Whatever You Need
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Whatever
writer:
Russell Courtenay and Harriet Roberts (1990s UK dance pop singer Harriet Roberts)
publisher:
Hornall Brothers Music Ltd. (limited company)
Tina Turner4:48
13Open Arms
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) and Teamwork Productions Inc. (in 2004)
recording of:
Open Arms
writer:
Benjamin Barson (songwriter), Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Colette Van Sertima
publisher:
EMI Blackwood Music (Canada) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Lots of Hits Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Turner34:03
14It Would Be a Crime
programming:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer), Richard Flack (producer/engineer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
additional background vocals:
Andy Caine and Pat Monahan
lead vocals:
Tina Turner
performer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
recording of:
It Would Be a Crime
writer:
Guy Chambers (English songwriter and record producer) and Pat Mohanan
Tina Turner3:28
15I’m Ready
programming:
Richard Flack (producer/engineer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
producer:
Guy Chambers (English songwriter and record producer), Richard Flack (producer/engineer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
bass guitar and keyboard:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
guitar family:
Tim Van der Kuil
Hammond organ and piano:
Guy Chambers (English songwriter and record producer)
membranophone:
Brian McLeod (American drummer)
percussion:
Frank Ricotti (percussionist)
additional background vocals:
Andy Caine and Pat Monahan
lead vocals:
Tina Turner
recording of:
I'm Ready
writer:
Guy Chambers (English songwriter and record producer) and Pat Monahan
Tina Turner3:44
16Cose della vita / Can’t Stop Thinking of You
producer:
Eros Ramazzotti
guest performer:
Tina Turner
performer:
Eros Ramazzotti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Cose della vita (Can’t Stop Thinking of You) (Tina Turner duet version)
additional lyricist:
James Ralston (US guitarist, songwriter) and Tina Turner
lyricist:
Adelio Cogliati and Eros Ramazzotti
additional composer:
Tina Turner
composer:
Piero Cassano
publisher:
Musicali Ses, Pelago Sri and Unalira Edizioni
version of:
Cose della vita
Tina Turner with Eros Ramazzotti4:50