Annotation

Matrix / Runout

A0103305088-0101 11 A00

Mastering SID Code

IFPI L551

Mould SID Code

IFPI 944P

Annotation last modified on 2021-04-26 15:13 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: I. Coro “Es ist dir gesagt, Mensch, was gut ist”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach5:02
2Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: II. Recitativo “Der Höchste läßt mich seinen Willen wissen”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo tenor vocals:
Thomas Hobbs (tenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:51
3Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: III. Aria “Weiß ich Gottes Rechte”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo tenor vocals:
Thomas Hobbs (tenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:50
4Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: IV. Arioso “Es werden viele zu mir sagen an jenem Tage”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach2:52
5Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: V. Aria “Wer Gott bekennt”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo alto vocals:
Alex Potter (countertenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:40
6Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: VI. Recitativo “So wird denn Herz und mund”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo alto vocals:
Alex Potter (countertenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:54
7Es ist dir gesagt, Mensch, was gut ist, Cantata, BWV 45: VII. Choral “Gib, daß ich tu mit fleiß”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach0:58
8O Jesu Christ, mein’s Lebens Licht, Motet, BWV 118
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Motet "O Jesu Christ, meins Lebens Licht", BWV 118b (from 2020-01-23 until 2020-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
BWV 118 "O Jesu Christ, meins Lebens Licht"
Johann Sebastian Bach8:05
9Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: I. Coro “Laß, Fürstin, laß noch einen Strahl”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:36
10Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: II. Recitativo “Dein Sachsen, dein bestürztes Meißen”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo soprano vocals:
Dorothee Mields (German soprano) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:02
11Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: III. Aria “Verstummt, verstummt, ihr holden Saiten!”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo soprano vocals:
Dorothee Mields (German soprano) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:31
12Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: IV. Recitativo “Der Glocken bebendes Getön”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo alto vocals:
Alex Potter (countertenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:50
13Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: V. Aria “Wie starb die Heldin so vergnügt!”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo alto vocals:
Alex Potter (countertenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:01
14Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: VI. Recitativo “Ihr Leben ließ die Kunst zu sterben”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo tenor vocals:
Thomas Hobbs (tenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:01
15Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: VII. Coro “An dir, du Fürbild großer Frauen”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:02
16Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: VIII. Aria “Der Ewigkeit saphirnes Haus”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo tenor vocals:
Thomas Hobbs (tenor) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:52
17Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: IX. “Recitativo Was Wunder ists? Du bist es wert”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2020-01-23 until 2020-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:20
18Laß, Fürstin, laß noch einen Strahl, Trauerode, BWV 198: X. Coro “Doch, Königin! du stirbest nicht”
producer:
Markus Heiland and Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2020-01-23 until 2020-01-25)
performer:
Collegium Vocale Gent (from 2020-01-23 until 2020-01-25)
balance engineer:
Christian Starke
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2020-01-23 until 2020-01-25)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (from 2020-01-23 until 2020-01-25)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:07