1538-1600: Renacimiento. Fantasías y lamentaciones

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Libro-disco de la colección "Historia de la música Deutsche Grammophon"

Annotation last modified on 2023-07-10 19:48 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasía X
lute:
Konrad Ragossnig (lutenist)
recording of:
El Maestro: Fantasia X "de consonancias y redobles"
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán2:12
2Pavana VI
lute:
Konrad Ragossnig (lutenist)
recording of:
El Maestro: Pavana VI
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:47
3Pavana II
lute:
Konrad Ragossnig (lutenist)
recording of:
El Maestro: Pavana II
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:59
4Mille regres. La canción del emperador
lute:
Konrad Ragossnig (lutenist)
recording of:
Los seys libros del Delphín de música, Libro tercero: Mille regres. La canción del Emperador del quarto tono de Jusquin
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
arranger:
Luis de Narváez (16th century composer) (in 1538)
arrangement of:
Mille regretz (à 4)
Luis de Narváez3:56
5Romanesca o Guárdame las vacas
lute:
Konrad Ragossnig (lutenist)
recording of:
Tres libros de música en cifras: romanesca "Guárdame las vacas"
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra1:59
6Diferencias sobre Conde Claros
lute:
Konrad Ragossnig (lutenist)
recording of:
Diferencias sobre Conde claros
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:05
7Fantasía que contrahaze la harpa en la manera de Ludovico
lute:
Konrad Ragossnig (lutenist)
recording of:
Fantasía que contrahaza la harpa en la manera de Ludovico
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:08
8Las lamentaciones de Jeremías: Incipit lamentatio
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (I), P. 102: Incipit lamentatio (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I), P. 102
Thomas Tallis1:19
9Las lamentaciones de Jeremías: Aleph
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (I), P. 102: Aleph (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I), P. 102
Thomas Tallis2:44
10Las lamentaciones de Jeremías: Beth
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (I), P. 102: Beth (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I), P. 102
Thomas Tallis4:56
11Las lamentaciones de Jeremías: De lamentatione
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (II), P. 110: De lamentatione (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (II), P. 110
Thomas Tallis1:33
12Las lamentaciones de Jeremías: Ghimel
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (II), P. 110: Ghimel (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (II), P. 110
Thomas Tallis2:48
13Las lamentaciones de Jeremías: Daleth
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (II), P. 110: Daleth (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (II), P. 110
Thomas Tallis3:48
14Las lamentaciones de Jeremías: Heth
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1972-04)
conductor:
Bruno Turner (musicologist, choral conductor) (in 1972-04)
recorded at:
Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1972-04)
recording of:
Lamentations of Jeremiah (II), P. 110: Heth (in 1972-04)
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (II), P. 110
Thomas Tallis5:40
15Pavana "Lachrimae antiquae"
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd:
Konrad Ragossnig (lutenist) (from 1973-05-05 until 1973-05-06)
lute:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Antiquae (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland5:52
16Gallarda del conde de Essex
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd:
Konrad Ragossnig (lutenist)
lute [Eight course Renaissance lute after a copy from Martin Hoffmann]:
Konrad Ragossnig (lutenist) (from 1973-05-05 until 1973-05-06)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
The Earle of Essex Galiard (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland1:49
17Semper Dowland semper dolens
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd and lute:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
Semper Dowland Semper dolens, P. 9 (for lute solo) (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
arranger:
Paul Leenhouts
part of:
John Dowland's lute works (number: P. 9)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland3:53
18Gallarda del rey de Dinamarca
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard, P. 40 (for lute) (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 40)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland2:50
19Gallarda "Melancolía"
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
Melancholy Galliard, P. 25 (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 25)
John Dowland3:44
20Mrs. Winter's Jump
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd and lute:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
Mrs. Winter's Jump, P. 55 (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 55)
John Dowland0:47
21Fantasía "Forlone Hope"
engineer:
Klaus Scheibe (editor/engineer) (from 1973-05-05 until 1973-05-06)
laúd:
Konrad Ragossnig (lutenist)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1973-05-05 until 1973-05-06)
recording of:
Forlorn Hope Fancy, P. 2 (from 1973-05-05 until 1973-05-06)
composer:
John Dowland (composer and lutenist)
part of:
John Dowland's lute works (number: P. 2)
John Dowland3:58