In Classical Mood: Opera Favorites: Quest for Freedom

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Don Carlo says it's ℗1970. However at present have only found the stated performer combination, Carreras, Cappuccilli, van Dam, Freni, Ghiaurov, Baltsa, Raimondi, Berliner Philharmoniker & Karajan from late 1978 (℗1979)
Please correct once known if (a) they did perform it c.1970, (b) the date is wrong, as it is set now, or (c) the line up is wrong!

Annotation last modified on 2019-04-07 09:13 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Don Carlo: Dio, che nell’alma infondere amor…
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Friar]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:47
2Don Carlo: Oh, Carlo! Oh, Carlo!
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
soprano vocals [Elisabeth]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:04
3Don Carlo: Ella giammai m’amò!
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
bass vocals [Philip II]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:02
4Don Carlo: O don fatale, o don crudel
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
mezzo-soprano vocals [Eboli]:
Agnes Baltsa (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:29
5Don Carlo: Ma lassù ci vedremo
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
bass vocals [Friar/Charles V]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Philip II]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [The Inquisitor]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabeth]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:59
6Fidelio: Abscheulicher! Wo eilst du hin?
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:38
7Fidelio: Gott! Welch Dunkel hier!
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven7:45
8Fidelio: Er sterbe! Doch er soll erst wissen…
baritone vocals [Don Pizarro]:
Zoltán Kelemen (operatic bass) (from 1970-10 until 1970-12)
bass vocals [Rocco]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:46
9Fidelio: O namenlose Freude!
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:02
10Fidelio: Wer ein holdes Weib errungen…
baritone vocals [Don Fernando]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass vocals [Rocco]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst R. Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
chorus master:
Walter Hagen-Groll (chorus master) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:09
11The Girl of the Golden West: Introduction
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. Introduzione (coro)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini1:17
12The Girl of the Golden West: Minnie, dalla mia casa son partito
baritone vocals [Rance]:
Andrea Mongelli
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” (Rance)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini2:06
13The Girl of the Golden West: Laggiù nel Soledad
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Laggiù nel Soledad” (Minnie, Rance, Johnson)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini2:27
14The Girl of the Golden West: Mister Johnson, siete rimasto indietro
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Oh, signor Johnson, siete rimaste indietro” (Minnie, Johnson)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini4:19
15The Girl of the Golden West: Vieni fuori!… Or son sei mesi che mio padre mori…
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson)
composer:
Giacomo Puccini (Italian composer)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto II
Giacomo Puccini5:01
16The Girl of the Golden West: Ch’ella mi creda
baritone vocals [Rance]:
Andrea Mongelli
choir vocals [Miners]:
Coro del Teatro alla Scala
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:29
17The Girl of the Golden West: Le tue parole dono di Dio
baritone vocals [Sonora]:
Enzo Sordello (baritone)
choir vocals [Miners]:
Coro del Teatro alla Scala
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora, Johnson, Minnie, tutti)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:46

Credits

Release

mastered in:UK
manufactured in:Italy
photography:Clive Barda (photographer)
Donald Cooper (photographer)
Giancarlo Costa (photographer)
Fritz Curzon (photographer)
Ron Scherl (photographer)
Reg Wilson (theatre photographer)
illustration:Edgar Bundy (painter)
John See (illustrator)
Alonso Sánchez Coello (portrait painter) (from 1555 until 1559)
Henry Nelson O’Neil (painter) (in 1879)
Vincent van Gogh (painter) (in 1890)
copyrighted (©) by:International Masters Publishers BV (for copyrights use only!) (in 1999)
part of:Opera Favorites (In Classical Mood) (order: 4)

Release group

part of:In Classical Mood (number: 57) (order: 53)