The Complete Reprise Studio Recordings

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

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8▼CD
#TitleRatingLength
1I Can’t Believe I’m Losing You
recorded in:
Los Angeles, California, United States (on 1964-04-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-08)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
I Can't Believe I'm Losing You (on 1964-04-08)
writer:
Don Costa (US pop music arranger & producer) and Phil Zeller
2:46
2My Kind of Town
recorded in:
Los Angeles, California, United States (on 1964-04-08)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-08)
orchestra:
Nelson Riddle and His Orchestra (on 1964-04-08)
conductor:
Nelson Riddle (on 1964-04-08)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1964-04-08)
recording of:
My Kind of Town (on 1964-04-08)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
3:09
3I Like to Lead When I Dance
recorded in:
Los Angeles, California, United States (on 1964-04-08)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-08)
orchestra:
Nelson Riddle and His Orchestra (on 1964-04-08)
conductor:
Nelson Riddle (on 1964-04-08)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1964-04-08)
recording of:
I Like to Lead When I Dance (on 1964-04-08)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild, WB Music Corp. (1929–2019), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
4:08
4Style
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Dean Martin (American singer/actor) (on 1964-04-10) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Style (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp. (1929–2019)
4:29
5Mister Booze
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Sammy Davis Jr. (on 1964-04-10), Dean Martin (American singer/actor) (on 1964-04-10) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Mister Booze (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp. (1929–2019)
5:02
6Don’t Be a Do‐Badder (Finale)
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Sammy Davis Jr. (on 1964-04-10), Dean Martin (American singer/actor) (on 1964-04-10) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Don’t Be a Do‐Badder (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp. (1929–2019)
1:16
7The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer) (on 1964-06-09)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
4.52:54
8I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:21
9I Believe in You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:21
10Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:30
11Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10) and Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
2:46
12The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
2:27
13I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
2:56
14I Can’t Stop Loving You
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
2:59
15More (Theme From Mondo Cane)
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
43:04
16Wives and Lovers
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Wives and Lovers (on 1964-06-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
2:49
17An Old‐Fashioned Christmas
recorded in:
Los Angeles, California, United States (on 1964-06-16)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-16)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Reprise Records (in 1975)
recording of:
An Old Fashioned Christmas (on 1964-06-16)
composer:
Sammy Cahn and Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp. (1929–2019)
53:46
18I Heard the Bells on Christmas Day
recorded in:
Los Angeles, California, United States (on 1964-06-16)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-16)
arranger:
Nelson Riddle
recording of:
I Heard the Bells on Christmas Day (on 1964-06-16)
lyricist:
Henry Wadsworth Longfellow (American poet)
composer:
Johnny Marks (American songwriter)
publisher:
Chappell Music Ltd. and St. Nicholas Music Inc.
is based on:
Christmas Bells
2:37
19The Little Drummer Boy
recorded in:
Los Angeles, California, United States (on 1964-06-16)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-16)
arranger:
Jack Halloran and Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recording of:
Carol of the Drum (aka “The Little Drummer Boy”) (on 1964-06-16)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
3:03
20Go Tell It on the Mountain
recorded in:
Los Angeles, California, United States (on 1964-06-19)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-19)
vocals:
Bing Crosby (on 1964-06-19) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-19)
arranger:
Jack Halloran
cover recording of:
Go, Tell It on the Mountain (on 1964-06-19)
lyricist:
John Wesley Work (John Wesley Work, Jr.)
composer:
[traditional] (special purpose artist)
publisher:
Shawnee Press Inc.
recording of:
Go, Tell It on the Mountain
lyricist:
John Wesley Work (John Wesley Work, Jr.)
composer:
[traditional] (special purpose artist)
publisher:
Shawnee Press Inc.
3:23
21We Wish You the Merriest
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-19)
vocals:
Bing Crosby (on 1964-06-19) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-19)
arranger:
Harry Betts and Jack Halloran
cover recording of:
We Wish You the Merriest (on 1964-06-19)
composer:
Les Brown (American big band & jazz musician)
2:14
22Softly, as I Leave You
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-07-17)
arranger:
Ernie Freeman
cover recording of:
Softly, as I Leave You (on 1964-07-17)
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
2:52
23Then Suddenly Love
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-07-17)
arranger:
Ernie Freeman
recording of:
Then Suddenly Love (on 1964-07-17)
writer:
Ray Alfred and Paul Vance (US songwriter and producer)
publisher:
Jonroy Music Co. and Music Sales Corporation (American copyright holder in both popular and classical music)
2:17
24Since Marie Has Left Paree
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-07-17)
arranger:
Billy May
recording of:
Since Marie Has Left Paree (on 1964-07-17)
writer:
Hy Glaser and Jerry Solomon (songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
1:58
25Available
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-07-17)
arranger:
Ernie Freeman
recording of:
Available (on 1964-07-17)
writer:
Sammy Cahn, L.B. Marks and Ned Wynn
publisher:
WB Music Corp. (1929–2019)
2:47
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Credits

Release

manufactured in:United States
art direction and design:Tom Recchion
JoDee Stringham
photography:Ed Thrasher (US art director & photographer)
liner notes:Charles Pignone
Jonathan Schwartz (vocalist / broadcaster)
additional engineer:Keith Blake (mastering engineer)
producer:Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
copyrighted (©) by:Reprise Records (in 1995, in 1998)
phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (from 1972 until 1977, from 1980 until 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (from 1991 until 1992, in 1995)
Discogs:https://www.discogs.com/release/5374473 [info]
ASIN:US: B00000DG1M [info]
DE: B00000DG1M [info]

Release group

Discogs:https://www.discogs.com/master/655651 [info]
Wikidata:Q7727180 [info]