The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▶CD: 1954–1956
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▶CD: 1964–1965
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▼CD: Outtakes and Alternates I
#TitleRatingLength
1Blue Moon of Kentucky (alternate take)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-07)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-07) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-07)
recorded at:
Sun Records' Studio in Memphis, Tennessee, United States (on 1954-07-07)
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
1:05
2Shake, Rattle and Roll (alternate take 8)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-02-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-02-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-02-03)
cover recording of:
Shake, Rattle and Roll (on 1956-02-03)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:35
3I Beg of You (alternate master)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-13)
drums (drum set):
D.J. Fontana (on 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1957-01-13)
vocals:
The Jordanaires (southern gospel group) (on 1957-01-13)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
I Beg of You (on 1957-01-13)
writer:
Rose Marie McCoy and Kelly Owens (US pianist and organist)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
1:51
4One Night (of Sin)
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Scoring Stage in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-23) and Metropolitan Sports Center in Bloomington, Minnesota, United States (on 1976-10-17)
cover recording of:
One Night (from 1957-01-15 until 1957-02-23)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
live cover recording of:
One Night (on 1976-10-17)
writer:
Dave Bartholomew, Pearl King and Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) and Travis Music, Inc.
version of:
One Night (of Sin)
2.552:35
5Loving You (fast version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-02-14)
drums (drum set):
D.J. Fontana (on 1957-02-14)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-02-14) and Tiny Timbrell (on 1957-02-14)
piano:
Dudley Brooks (on 1957-02-14)
vocals:
The Jordanaires (southern gospel group) (on 1957-02-14)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-14)
cover recording of:
Loving You (on 1957-02-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:31
6Treat Me Nice (movie version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-05-03)
drums (drum set):
D.J. Fontana (on 1957-05-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-05-03) and Elvis Presley (“The King of Rock and Roll”) (on 1957-05-03)
piano:
Dudley Brooks (on 1957-05-03)
vocals:
The Jordanaires (southern gospel group) (on 1957-05-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
recording of:
Treat Me Nice (on 1957-05-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:06
7King Creole (1st version take 3)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-16), Neal Matthews (from 1958-01-15 until 1958-01-16) and Ray Siegel (from 1958-01-15 until 1958-01-16)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-16)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-16)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-16)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-16) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-16)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-16)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-16)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-16) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-16)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-16)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-16)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16)
cover recording of:
King Creole (from 1958-01-15 until 1958-01-16)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
2:18
8As Long as I Have You (alternate master)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-16), Neal Matthews (from 1958-01-15 until 1958-01-16) and Ray Siegel (from 1958-01-15 until 1958-01-16)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-16)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-16)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-16)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-16) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-16)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-16)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-16)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-16) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-16)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-16)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-16)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16)
cover recording of:
As Long as I Have You (from 1958-01-15 until 1958-01-16)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Erika Publishing and Gladys Music Inc.
1:24
9Lover Doll (LP version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-16), Neal Matthews (from 1958-01-15 until 1958-01-16) and Ray Siegel (from 1958-01-15 until 1958-01-16)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-16)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-16)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-16)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-16) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-16)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-16)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-16)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-16) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-16)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-16)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-16)
vocals:
The Jordanaires (southern gospel group) (on 1958-06-19)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16) and RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1958-06-19)
recording of:
Lover Doll (from 1958-01-15 until 1958-06-19)
writer:
Abner Silver and Sid Wayne
2:08
10Doncha’ Think It’s Time (LP version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1958-02-01)
drums (drum set):
D.J. Fontana (on 1958-02-01)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1958-02-01), Elvis Presley (“The King of Rock and Roll”) (on 1958-02-01) and Tiny Timbrell (on 1958-02-01)
piano:
Dudley Brooks (on 1958-02-01)
vocals:
The Jordanaires (southern gospel group) (on 1958-02-01)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-02-01)
cover recording of:
Doncha’ Think It’s Time (on 1958-02-01)
writer:
Brook Benton
composer:
Clyde Otis (American songwriter and record producer)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Elvis Presley Music Inc.
1:54
11Your Cheatin’ Heart (alternate take 9)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1958-02-01)
drums (drum set):
D.J. Fontana (on 1958-02-01)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1958-02-01), Elvis Presley (“The King of Rock and Roll”) (on 1958-02-01) and Tiny Timbrell (on 1958-02-01)
piano:
Dudley Brooks (on 1958-02-01)
vocals:
The Jordanaires (southern gospel group) (on 1958-02-01)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-02-01)
cover recording of:
Your Cheatin’ Heart (on 1958-02-01)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff Rose Music Ltd. (UK), Fred Rose Music (BMI-affiliated), Sony/ATV Music Publishing (UK) Ltd., Acuff-Rose Publications, Inc. (BMI) (on 1952-10-31), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 until 2021-01-06) and Sony Music Publishing (worldwide except Japan, ended 1995) (from 2021-01-06 to present)
2:51
12Ain’t That Loving You Baby (alternate take 11)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1958-06-10)
drums (drum set):
D.J. Fontana (on 1958-06-10) and Buddy Harman (Session drummer and songwriter) (on 1958-06-10)
guitar:
Chet Atkins (on 1958-06-10), Hank Garland (on 1958-06-10) and Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
piano:
Floyd Cramer (on 1958-06-10)
vocals:
The Jordanaires (southern gospel group) (on 1958-06-10)
cover recording of:
Ain’t That Loving You Baby (on 1958-06-10)
writer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) and Clyde Otis (American songwriter and record producer)
publisher:
Carlin Music Corporation and Elvis Presley Music Inc.
1:54
13Big Boots (alternate master, fast version)
accordion:
Jimmie Haskell (on 1960-05-06)
bass:
Ray Siegel (on 1960-05-06)
drums (drum set):
D.J. Fontana (on 1960-05-06) and Bernie Mattinson (on 1960-05-06)
guitar:
Neal Matthews (on 1960-05-06), Scotty Moore (American guitarist and recording engineer) (on 1960-05-06) and Tiny Timbrell (on 1960-05-06)
piano:
Dudley Brooks (on 1960-05-06)
tambourine:
Hoyt Hawkins (on 1960-05-06)
vocals:
The Jordanaires (southern gospel group) (on 1960-05-06)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-06)
recording of:
Big Boots (on 1960-05-06)
writer:
Sherman Edwards and Sid Wayne
publisher:
Holly-Hill Music Publishing Co.
1:14
14Black Star (alternate title song)
accordion:
Jimmie Haskell (on 1960-08-08)
bass:
Myer Rubin (US bassist 1930s - 1960s) (on 1960-08-08)
drums (drum set):
Bernie Mattinson (on 1960-08-08)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1960-08-08) and Tiny Timbrell (on 1960-08-08)
piano:
Dudley Brooks (on 1960-08-08)
vocals:
The Jordanaires (southern gospel group) (on 1960-08-08)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-08-08)
recording of:
Black Star (on 1960-08-08)
writer:
Sherman Edwards and Sid Wayne
2:30
15Lonely Man (solo version)
guitar:
Tiny Timbrell (on 1960-11-07)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
cover recording of:
Lonely Man (on 1960-11-07)
writer:
Bennie Benjamin and Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
2:01
16Can’t Help Falling in Love (movie version)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
piano:
Floyd Cramer (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (on 1961-03-23)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-23)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
1:53
17I’m Yours (single version, without harmony vocal and spoken part)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-25)
claves:
Boots Randolph (on 1961-06-25)
drums (drum set):
D.J. Fontana (on 1961-06-25) and Buddy Harman (Session drummer and songwriter) (on 1961-06-25)
guitar:
Hank Garland (on 1961-06-25), Neal Matthews (on 1961-06-25) and Scotty Moore (American guitarist and recording engineer) (on 1961-06-25)
organ:
Floyd Cramer (on 1961-06-25)
piano:
Floyd Cramer (on 1961-06-25) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (on 1961-06-25) and Millie Kirkham (on 1961-06-25)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-06-25)
recording of:
I’m Yours (on 1961-06-25)
writer:
Hal Blair and Don Robertson (“Happy Whistler” songwriter)
publisher:
Don Robertson Music Corp. and Gladys Music Inc.
2:21
18King of the Whole Wide World (1st version, take 31)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-26)
drums (drum set):
D.J. Fontana (on 1961-10-26) and Buddy Harman (Session drummer and songwriter) (on 1961-10-26)
guitar:
Neal Matthews (on 1961-10-26), Scotty Moore (American guitarist and recording engineer) (on 1961-10-26) and Tiny Timbrell (on 1961-10-26)
piano:
Dudley Brooks (on 1961-10-26)
saxophone:
Boots Randolph (on 1961-10-26)
vocals:
The Jordanaires (southern gospel group) (on 1961-10-26)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-10-26)
cover recording of:
King of the Whole Wide World (Kid Galahad) (on 1961-10-26)
writer:
Ruth Batchelor and Bob Roberts (songwriter)
publisher:
Elvis Presley Music Inc. and Range Road Music Inc.
2:56
19One Broken Heart for Sale (movie version)
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (“Happy Whistler” songwriter) (on 1962-09-22)
vocals:
The Mello Men (American singing quartet) (on 1962-09-22)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1962-10-26)
cover recording of:
One Broken Heart for Sale (on 1962-09-22)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Carlin Music Corporation and R&H Music
2:33
20Memphis, Tennessee (1st version)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1963-05-27)
drums (drum set):
D.J. Fontana (on 1963-05-27) and Buddy Harman (Session drummer and songwriter) (on 1963-05-27)
guitar:
Harold Bradley (on 1963-05-27), Jerry Kennedy (on 1963-05-27), Grady Martin (country/rockabilly guitarist) (on 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (on 1963-05-27)
piano:
Floyd Cramer (on 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (on 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (on 1963-05-27) and Millie Kirkham (on 1963-05-27)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1963-05-27)
cover recording of:
Memphis, Tennessee (on 1963-05-27)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:13
21Ask Me (1st version)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1963-05-27)
drums (drum set):
D.J. Fontana (on 1963-05-27) and Buddy Harman (Session drummer and songwriter) (on 1963-05-27)
guitar:
Harold Bradley (on 1963-05-27), Jerry Kennedy (on 1963-05-27), Grady Martin (country/rockabilly guitarist) (on 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (on 1963-05-27)
piano:
Floyd Cramer (on 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (on 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (on 1963-05-27) and Millie Kirkham (on 1963-05-27)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1963-05-27)
recording of:
Ask Me (on 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman), Florence Kaye and Franco Migliacci
composer:
Domenico Modugno
publisher:
Elvis Presley Music Inc.
2:15
22Today, Tomorrow and Forever (duet version)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1963-07-11)
drums (drum set):
D.J. Fontana (on 1963-07-11), Frank Carlson (on 1963-07-11) and Buddy Harman (Session drummer and songwriter) (on 1963-07-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1963-07-11), Billy Strange (on 1963-07-11) and Tiny Timbrell (on 1963-07-11)
organ:
Calvin Jackson (piano, composer) (on 1963-07-11)
piano:
Dudley Brooks (on 1963-07-11) and Floyd Cramer (on 1963-07-11)
saxophone:
Boots Randolph (on 1963-07-11)
vocals:
Ann‐Margret (on 1963-07-11) and The Jordanaires (southern gospel group) (on 1963-07-11)
recording of:
Today, Tomorrow & Forever (on 1963-07-11)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
is based on:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
3:55
23I’m a Roustabout (alternate title song, originally titled “Roustabout”)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1964-03-03)
drums (drum set):
D.J. Fontana (on 1964-03-03) and Buddy Harman (Session drummer and songwriter) (on 1964-03-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1964-03-03), Billy Strange (on 1964-03-03) and Tiny Timbrell (on 1964-03-03)
piano:
Floyd Cramer (on 1964-03-03)
saxophone:
Boots Randolph (on 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (on 1964-03-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1964-03-03)
recording of:
I’m a Roustabout (on 1964-03-03)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Carlin Music Corporation and Elvis Presley Music
2:07
24Tomorrow Night (overdubbed version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954-09) and Henry Strzelecki (on 1965-03-18)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-03-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954-09), Elvis Presley (“The King of Rock and Roll”) (in 1954-09), Chet Atkins (on 1965-03-18), Grady Martin (country/rockabilly guitarist) (on 1965-03-18) and Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-03-18)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-03-18)
vocals:
Anita Kerr Singers (mixed vocal group) (on 1965-03-18)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954-09)
cover recording of:
Tomorrow Night (from 1954-09 until 1965-03-18)
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
2:51
25It Hurts Me
bass:
Chuck Berghofer (Jazz bassist) (from 1968-06-20 until 1968-06-21) and Larry Knechtel (from 1968-06-20 until 1968-06-21)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1968-06-20 until 1968-06-21)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (from 1968-06-20 until 1968-06-21), Mike Deasy (from 1968-06-20 until 1968-06-21) and Tommy Tedesco (guitar) (from 1968-06-20 until 1968-06-21)
harmonica:
Tommy Morgan (Harmonica player) (from 1968-06-20 until 1968-06-21)
keyboard:
Larry Knechtel (from 1968-06-20 until 1968-06-21)
percussion:
John Cyr (drums) (from 1968-06-20 until 1968-06-21), Frank DeVito (american jazz drummer) (from 1968-06-20 until 1968-06-21) and Elliot Franks (from 1968-06-20 until 1968-06-21)
piano:
Don Randi (from 1968-06-20 until 1968-06-21)
vocals:
The Blossoms (female vocal group) (from 1968-06-20 until 1968-06-21)
conductor:
Billy Goldenberg
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-06-20 until 1968-06-21)
recording of:
It Hurts Me (from 1968-06-20 until 1968-06-21)
writer:
Joy Byers and Charles Daniels (tenor)
publisher:
Elvis Presley Music Inc.
2:31
26Let Yourself Go
bass:
Chuck Berghofer (Jazz bassist) (from 1968-06-20 until 1968-06-21) and Larry Knechtel (from 1968-06-20 until 1968-06-21)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1968-06-20 until 1968-06-21)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (from 1968-06-20 until 1968-06-21), Mike Deasy (from 1968-06-20 until 1968-06-21) and Tommy Tedesco (guitar) (from 1968-06-20 until 1968-06-21)
harmonica:
Tommy Morgan (Harmonica player) (from 1968-06-20 until 1968-06-21)
keyboard:
Larry Knechtel (from 1968-06-20 until 1968-06-21)
percussion:
John Cyr (drums) (from 1968-06-20 until 1968-06-21), Frank DeVito (american jazz drummer) (from 1968-06-20 until 1968-06-21) and Elliot Franks (from 1968-06-20 until 1968-06-21)
piano:
Don Randi (from 1968-06-20 until 1968-06-21)
vocals:
The Blossoms (female vocal group) (from 1968-06-20 until 1968-06-21)
conductor:
Billy Goldenberg
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-06-20 until 1968-06-21)
cover recording of:
Let Yourself Go (from 1968-06-20 until 1968-06-21)
lyricist and composer:
Joy Byers
2:35
27A Hundred Years From Now (studio jam)
bass:
Norbert Putnam (on 1970-06-04)
drums (drum set):
Jerry Carrigan (US drummer) (on 1970-06-04)
guitar:
James Burton (guitarist) (on 1970-06-04), Elvis Presley (“The King of Rock and Roll”) (on 1970-06-04) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1970-06-04)
harmonica and organ:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1970-06-04)
piano:
David Briggs (English organist and composer) (on 1970-06-04)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1970-06-04)
cover recording of:
Hundred Years From Now (on 1970-06-04)
writer:
Lester Flatt and Earl Scruggs
1:40
28Amazing Grace (alternate take 2)
bass:
Norbert Putnam (on 1971-03-15)
drums (drum set):
Jerry Carrigan (US drummer) (on 1971-03-15)
guitar:
James Burton (guitarist) (on 1971-03-15) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1971-03-15)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-03-15)
piano:
David Briggs (English organist and composer) (on 1971-03-15)
vocals:
Ginger Holladay (American singer-songwriter) (on 1971-03-15), Mary Holladay (on 1971-03-15), Millie Kirkham (on 1971-03-15) and The Nashville Edition (on 1971-03-15)
cover recording of:
Amazing Grace (popular hymn first published 1779, catch‐all) (on 1971-03-15)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
John Newton (English poet) (in 1779)
additional composer:
Edwin Othello Excell
composer:
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Patterdale Music Ltd., Rokstone Music Ltd., Universal Classics & Jazz (Japanese label division - read the annotation before using!), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Viisikielinen (Song book of "Viides herätysliike") (number: 94)
3:26
29Lady Madonna (studio jam)
bass:
Norbert Putnam (on 1971-05-17)
drums (drum set):
Jerry Carrigan (US drummer) (on 1971-05-17) and Kenneth Buttrey (on 1971-05-17)
guitar:
James Burton (guitarist) (on 1971-05-17) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1971-05-17)
harmonica, organ and percussion:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-05-17)
piano:
David Briggs (English organist and composer) (on 1971-05-17)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1971-05-17)
cover recording of:
Lady Madonna (on 1971-05-17)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1969-01)
1:16
30I Shall Be Released
bass:
Norbert Putnam (on 1971-05-17)
drums (drum set):
Jerry Carrigan (US drummer) (on 1971-05-17) and Kenneth Buttrey (on 1971-05-17)
guitar:
James Burton (guitarist) (on 1971-05-17) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1971-05-17)
harmonica, organ and percussion:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1971-05-17)
piano:
David Briggs (English organist and composer) (on 1971-05-17)
recorded at:
RCA's Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1971-05-17)
cover recording of:
I Shall Be Released (original lyrics) (on 1971-05-17)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
0:48
31She Thinks I Still Care (alternate take 2B)
bass:
Jerry Scheff (on 1976-02-02)
drums (drum set):
Ronnie Tutt (drummer) (on 1976-02-02)
electric piano:
David Briggs (English organist and composer) (on 1976-02-02)
guitar:
James Burton (guitarist) (on 1976-02-02), Charlie Hodge (on 1976-02-02) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1976-02-02)
piano:
Glen D. Hardin (on 1976-02-02)
vocals:
Myrna Smith (on 1976-02-02), J.D. Sumner & The Stamps (on 1976-02-02) and Kathy Westmoreland (on 1976-02-02)
recorded at:
Graceland in Memphis, Tennessee, United States (on 1976-02-02)
cover recording of:
She Thinks I Still Care (on 1976-02-02)
lyricist and composer:
Dickey Lee Lipscomb and Steve Duffy
publisher:
Glad Music, Glad Music Co., Jack Music, Inc., Orange Sky Music Ltd., Universal Music Publishing International Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
3:29
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III