The Greatest Hits of 1988

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Made and printed in the U.K

Other Identifiers
Label Code: LC 0464
Rights Society: BIEM/MCPS
Matrix / Runout: 780479-2 1:3 MASTERED BY NIMBUS
Price Code (D:): none
Price Code (F:): none
Price Code (UK:): CDGH 1988

Annotation last modified on 2024-05-26 15:01 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1She Makes My Day
recording of:
She Makes My Day
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer4:21
2Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:37
3Every Day Is Like Sunday
producer:
Stephen Street (famous producer, songwriter)
recording of:
Everyday Is Like Sunday
lyricist:
Morrissey (English singer‐songwriter)
composer:
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.53:35
4Hazy Shade of Winter
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
music videos:
Hazy Shade of Winter by The Bangles
part of:
New York Post: 100 Greatest Covers (2007) (number: 3)
cover recording of:
A Hazy Shade of Winter
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
5Reckless
Afrika Bambaataa & Family with UB403:56
6Gimme Hope Jo'Anna
Eddy Grant3:48
7Don't Worry Be Happy
phonographic copyright (℗) by:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don't Worry Be Happy by Bobby McFerrin
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 31)
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3:56
8I'm Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
9Suedehead
producer:
Stephen Street (famous producer, songwriter)
recording of:
Suedehead
lyricist:
Morrissey (English singer‐songwriter)
composer:
Stephen Street (famous producer, songwriter)
Morrissey4.13:55
10Love Changes (Everything) (U.S. remix)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher4:31
11The Harder I Try
Brother Beyond3:29
12I Should Be So Lucky
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present)
music videos:
I Should Be So Lucky by Kylie Minogue
recording of:
I Should Be So Lucky
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (from 1988 to present)
Kylie Minogue43:26
13Nothing Can Divide Us
engineer:
Karen Hewitt and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Dave Ford (remixer, producer & technician known for work with SAW)
additional keyboard:
George De Angelis (Production music composer)
drums (drum set):
A. Linn (Linn 9000)
guitar:
Matt Aitken
keyboard:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
background vocals:
Mae McKenna (vocalist), Mike Stock (of Stock Aitken Waterman) and Miriam Stockley
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
recorded at:
PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Nothing Can Divide Us
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jason Donovan23:48
14Just a Mirage
vocals:
Adele Bertei
recording of:
Just a Mirage
writer:
Adele Bertei and Toni C.
publisher:
April Music Inc., House of Fun Music, Inc and Tutti Ragazzi Music
Jellybean feat. Adele Bertei3:54
15Who's Leaving Who
recording of:
Who's Leaving Who
writer:
Mark Spiro and Jack White (German producer Horst Nußbaum)
Hazell Dean3:45
161-2-3
recording engineer and mixer:
Eric C. Schilling
producer:
Jorge Casas and Clay Ostwald
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Joe Galdo (US drummer & percussionist)
recorded at and mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
1‐2‐3
writer:
Enrique Garcia (Miami Sound Machine) and Gloria M. Estefan
publisher:
Foreign Imported Productions & Publishing, Inc.
is based on:
Esteros
Gloria Estefan & Miami Sound Machine4.53:33
17Rush Hour
producer:
Stephen Hague
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. and Universal Music–MGB Songs
Jane Wiedlin4:02
18I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:35
19Maybe (We Should Call It a Day)
recording of:
Maybe (We Should Call It a Day)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Hazell Dean3:40
20He Ain't No Competition
recording of:
He Ain't No Competition
composer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond3:20

Credits

Release

distributed by and marketed by:EMI (EMI Records, or EMI Music only if there is no other imprint)
part of:The Greatest Hits Of (number: 1988) (order: 11)
Discogs:https://www.discogs.com/release/8845167 [info]