Alternate Takes (24bit/192kHz)

~ Release by John Coltrane (see all versions of this release, 5 available)

Annotation

HDTracks Audiophile 24bit 192KHZ Download

Annotation last modified on 2012-06-17 03:36 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Giant Steps (alternate take)
recording engineer:
Tom Dowd (on 1959-04-01) and Phil Iehle (on 1959-04-01)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-01)
drums (drum set):
Lex Humphries (on 1959-04-01)
piano:
Cedar Walton (on 1959-04-01)
tenor saxophone:
John Coltrane (on 1959-04-01)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-04-01)
recording of:
Giant Steps (on 1959-04-01)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3:40
2Naima (alternate take)
recording engineer:
Tom Dowd (on 1959-03-26) and Phil Iehle (on 1959-03-26)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2020)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Naima (original instrumental version) (on 1959-03-26)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
4:27
3Like Sonny (alternate take)
recording engineer:
Tom Dowd (on 1959-03-26) and Phil Iehle (on 1959-03-26)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-26)
drums (drum set):
Lex Humphries (on 1959-03-26)
piano:
Cedar Walton (on 1959-03-26)
tenor saxophone:
John Coltrane (on 1959-03-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-03-26)
recording of:
Like Sonny (on 1959-03-26)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
6:00
4Cousin Mary (alternate take)
recording engineer:
Tom Dowd (on 1959-05-05)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
5:54
5I'll Wait and Pray (alternate take)
recording engineer:
Tom Dowd (on 1959-11-24)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:25
6Countdown (alternate take)
recording engineer:
Tom Dowd (on 1959-05-04)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
4:33
7Body and Soul (alternate take)
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental recording of:
Body and Soul (on 1960-10-24)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:57
8Syeeda's Song Flute (alternate take)
recording engineer:
Tom Dowd (on 1959-05-05)
producer:
Nesuhi Ertegun
mixer:
İlhan Mimaroğlu (Turkish-American electronic composer) (task: re-mix engineer)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
7:02