Absolument 80 : Les plus grands tubes internationaux

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Under Pressure
engineer:
Mack (German rock producer/engineer Reinhold Mack) and David Richards (Swiss-based producer and engineer)
producer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and guitar:
John Deacon (from 1981-06 until 1982-03)
drums (drum set):
Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
electric guitar:
Brian May (Queen guitarist) (from 1981-06 until 1982-03)
finger snaps and handclaps:
John Deacon (from 1981-06 until 1982-03), Brian May (Queen guitarist) (from 1981-06 until 1982-03), Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
finger snaps and handclaps:
David Bowie (English singer‐songwriter) (from 1981 until 1982-03)
keyboard:
John Deacon (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
piano:
Freddie Mercury (from 1981-06 until 1982-03)
synthesizer:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03)
background vocals:
Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
lead vocals:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
phonographic copyright (℗) by:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) and Raincloud Productions Ltd. (in 1981, in 1994)
recorded at:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1981-06 until 1982-03) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1981-06 until 1982-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 429)
recording of:
Under Pressure (from 1981-06 until 1982-03)
writer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4.34:00
2Holiday
recording of:
Holiday
writer:
Curtis Hudson and Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna3:54
3Sledgehammer
engineer:
Kevin Killen and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
producer:
Peter Gabriel (formerly of Genesis) and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
bass:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Manu Katché
guitar:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and David Rhodes (guitarist, singer, and songwriter)
piano, synthesizer [CMI] and synthesizer [Prophet]:
Peter Gabriel (formerly of Genesis)
saxophone:
Mark Rivera
tambourine:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
trombone:
Don Mikkelsen (a trombonist player)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Coral Gordon, Dee Lewis and PP Arnold
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records Ltd. (in 1986)
recording of:
Sledgehammer
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, EMI Music Publishing Ltd. (PRS‐affiliated), Real World Music, Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Peter Gabriel3.354:43
4Let’s Dance
recording of:
Let’s Dance
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie3:39
5Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest bongos, guest congas and guest tambourine:
Steve Scales
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
lead vocals:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
Road to Nowhere (music video) by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads4.24:22
6Personal Jesus
engineer:
Dennis Mitchell (engineer)
producer:
Depeche Mode and Flood (British producer Mark Ellis)
mixer:
François Kevorkian
lead vocals:
Dave Gahan
recording of:
Personal Jesus
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.13:46
7Sweet Dreams
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
translated version of:
Світ мрій
Eurythmics54:39
8Our HouseMadness3.93:23
9Invisible Touch
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
recording of:
Invisible Touch (from 1985-10 until 1986-02)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
written at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
Genesis3:15
10Money’s Too Tight to Mention
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (English soul and pop band) (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
later releases:
Money’s Too Tight (to Mention) by Simply Red (English soul and pop band)
part of:
Q50 – December 2005 (number: 29)
cover recording of:
Money’s Too Tight (to Mention) (in 1985)
writer:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red54:15
11Little Lies
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood
electric bass guitar:
John McVie
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Christine McVie
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
lead vocals:
Christine McVie
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
lyricist and composer:
Christine McVie and Eddy Quintela
publisher:
BMG Songs, Inc. and Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.253:40
12This Charming Man
engineer:
Phil Bush (engineer, composer and musician) and Neil King (sound engineer)
producer:
John Porter (producer and musician US and UK)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar and harmonica:
Johnny Marr
vocals:
Morrissey (English singer‐songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983) and Warner Music UK Ltd. (not for release label use!) (in 1983)
music videos:
This Charming Man by The Smiths (1980s English rock band)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 11) and Indie 88: Top 500 Indie Rock Songs (number: 36)
recording of:
This Charming Man
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.752:46
13Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:32
14The Sun Always Shines on TV
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha3.95:09
15Shout
producer:
Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) and Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.654:48
16Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:25
17Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:59
18Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
electric guitar and lead vocals:
Prince (“The Artist Formerly Known as…”)
background vocals:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) and Marr Starr
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss (from 1985-04-27 until 1986-02-10)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
adapter:
Muck Ferenc (saxophonist // member of Muckshow, Cabaret, Slang, Németh Gábor Project)
publisher:
Controversy Music
Prince3.43:41
19Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
phonographic copyright (℗) by:
GiG Records (Austrian label) (in 1985) and TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
music videos:
Rock Me Amadeus by Falco (Austrian pop & rock musician)
part of:
TV Cream: Real 100 Best Singles Ever (number: 15) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 87)
recording of:
Rock Me Amadeus (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
Falco3.653:23
20Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
2CD