| # | Title | Artist | Rating | Length |
|---|
| 1 | I’m a Believer- recorded in:
- New York, New York, United States (from 1966-10-15 until 1966-10-23)
- producer:
- Jeff Barry
- acoustic guitar:
- Neil Diamond (from 1966-10-15 until 1966-10-23)
- bass:
- Dick Romoff (from 1966-10-15 until 1966-10-23)
- drums (drum set):
- Buddy Salzman (from 1966-10-15 until 1966-10-23)
- guitar:
- Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
- organ:
- Artie Butler (from 1966-10-15 until 1966-10-23)
- piano and tambourine:
- Jeff Barry (from 1966-10-15 until 1966-10-23)
- background vocals:
- Davy Jones (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
- background vocals and lead vocals:
- Micky Dolenz (from 1966-10-15 until 1966-10-23)
- arranger:
- Jeff Barry
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 1966) and WEA International Inc. (in 1966, in 1967)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
- cover recording of:
- I’m a Believer (from 1966-10-15 until 1966-10-23)
- lyricist and composer:
- Neil Diamond (in 1966)
- publisher:
- Colgems-EMI Music Inc., Copyright Control , EMI Music Publishing , Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music
| The Monkees | 4.65 | 2:45 |
| 2 | Hello Mary Lou- producer:
- Jimmie Haskell, Ozzie Nelson and Rick Nelson
- phonographic copyright (℗) by:
- Polydor GmbH and Liberty (in 1961)
- cover recording of:
- Hello Mary Lou
- writer:
- Cayet Mangiaracina and Gene Pitney
- publisher:
- Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. , Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
| Ricky Nelson | 2.5 | 2:20 |
| 3 | Everybody’s Talkin’ | Nilsson | 3.9 | 2:45 |
| 4 | No Milk Today | Herman’s Hermits | 4.65 | 2:58 |
| 5 | It Might as Well Rain Until September | Carole King | | 2:26 |
| 6 | Walk Right Back | The Everly Brothers | | 2:18 |
| 7 | I Dig Rock and Roll Music | Peter, Paul & Mary | 3.35 | 2:31 |
| 8 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.3 | 1:54 |
| 9 | Mony Mony | Tommy James & the Shondells | | 2:53 |
| 10 | Downtown | Petula Clark | 4.5 | 3:07 |
| 11 | Ferry Cross the Mersey | Gerry & the Pacemakers | | 2:25 |
| 12 | Sukiyaki | 坂本九 | 3.4 | 3:05 |
| 13 | These Boots Are Made for Walkin’ | Nancy Sinatra | 4.05 | 2:43 |
| 14 | Save the Last Dance for Me- recorded in:
- New York, New York, United States (on 1960-05-19)
- producer:
- Leiber and Stoller
- guitar:
- Billy Davis (on 1960-05-19)
- baritone vocals:
- Doc Green (on 1960-05-19)
- bass vocals:
- Elsbeary Hobbs (on 1960-05-19)
- lead vocals:
- Benny Nelson (on 1960-05-19)
- tenor vocals:
- Charlie Thomas (on 1960-05-19) and Johnny Williams (on 1960-05-19)
- conductor:
- Stan Applebaum (on 1960-05-19)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (number: 182)
- recording of:
- Save the Last Dance for Me (on 1960-05-19)
- writer:
- Doc Pomus and Mort Shuman
- publisher:
- Hill and Range Southwind Mus S A , Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Hill and Range Songs, Inc. (in 1974) and Trio Music (in 1974)
| The Drifters | 5 | 2:28 |
| 15 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:32 |
| 16 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:41 |
| 17 | Knock on Wood- recorded in:
- Memphis, Tennessee, United States (on 1966-07-13)
- producer:
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- bass guitar [bass]:
- Duck Dunn (on 1966-07-13)
- drums (drum set) [drums]:
- Al Jackson (on 1966-07-13)
- guitar:
- Steve Cropper (on 1966-07-13)
- organ:
- Booker T. Jones (on 1966-07-13)
- piano:
- Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
- tenor saxophone:
- probably Andrew Love (on 1966-07-13)
- trumpet:
- Wayne Jackson (on 1966-07-13)
- vocals:
- Eddie Floyd (on 1966-07-13)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (on 1966-07-13)
- writer:
- Steve Cropper and Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. and Warner Chappell North America
- adaptation of:
- Potkraj na les
| Eddie Floyd | 4 | 3:04 |
| 18 | Green Onions | Booker T. & the MG’s | 3.95 | 2:51 |
| 19 | Come Together | Ike & Tina Turner | 4 | 3:39 |
| 20 | Light My Fire | José Feliciano | 3 | 3:36 |
| 21 | Going Up the Country | Canned Heat | 2.5 | 2:51 |
| 22 | Ode to Billie Joe | Bobbie Gentry | 5 | 4:14 |
| 23 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:38 |
| 24 | He Ain’t Heavy, He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- live cover recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
- recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.2 | 4:15 |
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