| # | Title | Artist | Rating | Length |
|---|
| 1 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:09 |
| 2 | Little Lies | Fleetwood Mac | 4.25 | 3:36 |
| 3 | The Living Years | Mike + the Mechanics | | 5:25 |
| 4 | All by Myself- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- edit of:
- All by Myself by Eric Carmen
- recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4 | 4:29 |
| 5 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonanno and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Volcano Entertainment III, L.L.C. (in 1985)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Survivor | 4.8 | 3:49 |
| 6 | Against All Odds- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Phil Collins | 3.8 | 3:26 |
| 7 | What's Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 4.05 | 3:51 |
| 8 | The Final Countdown- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- background vocals:
- Ian Haugland, Mic Michaeli and John Norum
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986), Sony BMG Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich , Switzerland and Soundtrade Studios in Solna City, Stockholms län , Sweden
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 66) and Cachitos Nochevieja 2022 (number: 155)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control , EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , EMI Music Sweden AB , Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4.15 | 5:09 |
| 9 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 4:00 |
| 10 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:30 |
| 11 | Africa- recording engineer:
- Al Schmitt
- producer:
- Toto
- mixer:
- Greg Ladanyi
- acoustic guitar:
- Timothy B. Schmit
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) and gong:
- Jeff Porcaro
- electric guitar and guitar:
- Steve Lukather
- keyboard and piano:
- David Paich
- marimba:
- Joe Porcaro
- percussion:
- Lenny Castro and Joe Porcaro
- recorder:
- Jim Horn
- synthesizer:
- Steve Porcaro
- background vocals:
- Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
- lead vocals:
- Bobby Kimball and David Paich
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982, in 1983)
- music videos:
- Africa by Toto
- part of:
- Billboard: The 500 Best Pop Songs (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
- recording of:
- Africa
- writer:
- Jeffrey Porcaro and David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Rising Storm Music, Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Spirit Two Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Toto | 4.15 | 4:55 |
| 12 | Can't Fight This Feeling | REO Speedwagon | 3.9 | 4:56 |
| 13 | Kyrie- producer:
- Paul DeVilliers and Mr. Mister
- bass and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- vocals:
- Steve George
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- recording of:
- Kyrie
- lyricist:
- John Lang
- composer:
- Steve George and Richard Page
- publisher:
- Ali‐Aja Music, Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Stemwa Famo Music , Warner Chappell Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell North America Limited , WB Music Corp. , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Mr. Mister | 4.5 | 4:17 |
| 14 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:51 |
| 15 | Two Out of Three Ain't Bad | Meat Loaf | 4 | 5:26 |
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