Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
2▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
3▶CD: Cantatas 32, 13, 72, 43 (1726)
4▶CD: Cantatas 146, 129, 39 (1726)
5▶CD: Cantatas 88, 170, 187, 45 (1726)
6▶CD: Cantatas 102, 35, 17, 19 (1726)
7▶CD: Cantatas 27, 47, 169, 56 (1726)
8▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9▶CD: Cantatas 82, 157, 84 (1727)
10▶CD: Cantatas 34, 193, 117, 188 (1727-1728)
11▶CD: Cantatas 171, 156, 159, 120a (1729)
12▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13▶CD: Cantatas 29, 140, 36 (1731)
14▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
15▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17▼CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
#TitleArtistRatingLength
1"Gloria in excelsis Deo", BWV 191: 1. [Chorus:] "Gloria in excelsis Deo"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (in 2013-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:16
2"Gloria in excelsis Deo", BWV 191: 2. [Duet:] "Gloria Patri et Filio et Spiritui sancto"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
soprano vocals:
Hana Blažíková (in 2013-02)
tenor vocals:
Gerd Türk (German tenor) (in 2013-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (in 2013-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:05
3"Gloria in excelsis Deo", BWV 191: 3. [Chorus:] "Sicut erat in principio"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (in 2013-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:04
4"Lobe den Herrn, meine Seele", BWV 69: 1. [Chorus:] "Lobe den Herrn, meine Seele"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn meine Seele" (in 2013-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach4:57
5"Lobe den Herrn, meine Seele", BWV 69: 2. Recitative: "Wie groß ist Gottes Güte doch!"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
soprano vocals:
Hana Blažíková (in 2013-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Wie groß ist Gottes Güte doch!" (in 2013-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:16
6"Lobe den Herrn, meine Seele", BWV 69: 3. Aria: "Meine Seele"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2013-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": III. Aria (Alt) "Meine Seele, auf! erzähle" (in 2013-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach5:59
7"Lobe den Herrn, meine Seele", BWV 69: 4. Recitative: "Der Herr hat große Ding an uns getan"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
tenor vocals:
Gerd Türk (German tenor) (in 2013-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": IV. Recitativo (Tenor) "Der Herr hat große Ding an uns getan" (in 2013-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:13
8"Lobe den Herrn, meine Seele", BWV 69: 5. Aria: "Mein Erlöser und Erhalter"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2013-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Mein Erlöser und Erhalter" (in 2013-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach3:16
9"Lobe den Herrn, meine Seele", BWV 69: 6. Chorale: "Es danke, Gott, und lobe dich"
sound engineer:
Jens Braun (classical engineer) (in 2013-02)
producer:
Thore Brinkmann
mixer:
Jens Braun (classical engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2013-02)
performer:
Bach Collegium Japan (in 2013-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2013-02)
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": VI. Choral "Es danke, Gott, und lobe dich" (in 2013-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 97)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:28
10"Ich lebe, mein Herze, zu deinem Ergötzen", (App. C, formerly BWV 145): 1. Duet: "Ich lebe, mein Herze, zu deinem Ergötzen"
sound engineer:
Jens Braun (classical engineer) (in 2011-02)
producer:
Hans Kipfer
soprano vocals:
Hana Blažíková (in 2011-02)
tenor vocals:
Gerd Türk (German tenor) (in 2011-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-02)
performer:
Bach Collegium Japan (in 2011-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen" (in 2011-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Johann Sebastian Bach3:18
11"Ich lebe, mein Herze, zu deinem Ergötzen", (App. C, formerly BWV 145): 2. Recitative: "Nun fordre, Moses, wie du willt"
sound engineer:
Jens Braun (classical engineer) (in 2011-02)
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (in 2011-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-02)
performer:
Bach Collegium Japan (in 2011-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt" (in 2011-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Johann Sebastian Bach1:03
12"Ich lebe, mein Herze, zu deinem Ergötzen", (App. C, formerly BWV 145): 3. Aria: "Merke, mein Herze, beständig nur dies"
sound engineer:
Jens Braun (classical engineer) (in 2011-02)
producer:
Hans Kipfer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2011-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-02)
performer:
Bach Collegium Japan (in 2011-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies" (in 2011-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Johann Sebastian Bach3:26
13"Ich lebe, mein Herze, zu deinem Ergötzen", (App. C, formerly BWV 145): 4. Recitative: "Mein Jesus lebt"
sound engineer:
Jens Braun (classical engineer) (in 2011-02)
producer:
Hans Kipfer
soprano vocals:
Hana Blažíková (in 2011-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-02)
performer:
Bach Collegium Japan (in 2011-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt" (in 2011-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Johann Sebastian Bach0:53
14"Ich lebe, mein Herze, zu deinem Ergötzen", (App. C, formerly BWV 145): 5. Chorale: "Drum wir auch billig fröhlich sein"
sound engineer:
Jens Braun (classical engineer) (in 2011-02)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-02)
performer:
Bach Collegium Japan (in 2011-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2011-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein" (in 2011-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Nikolaus Herman (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 84)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Johann Sebastian Bach0:46
15"Ich weiß, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160): 1. Aria: "Ich weiß, dass mein Erlöser lebt"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : I. Aria (tenor). "Ich weiß, daß mein Erlöser lebt"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Georg Philipp Telemann3:17
16"Ich weiß, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160): 2. Recitative: "Er lebt und ist von Toten auferstanden!"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : II. Recitative (tenor). "Er lebt und ist von Toten auferstanden"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Georg Philipp Telemann2:47
17"Ich weiß, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160): 3. Aria: "Gott Lob, dass mein Erlöser lebt!"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : III. Aria (tenor). "Gott Lob! Daß mein Erlöser lebt"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Georg Philipp Telemann2:17
18"Ich weiß, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160): 4. Recitative: "So biet' ich allen Teufeln Trutz!"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : IV. Recitative (tenor). "So biet ich allen Teufeln Trutz"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Georg Philipp Telemann1:01
19"Ich weiß, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160): 5. Aria: "Nun, ich halte mich bereit"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Cantata "Ich weiss, dass mein Erlöser lebt", TWV 1:877 : V. Aria (tenor). "Nun, ich halte mich bereit"
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, "Ich weiss, dass mein Erlöser lebt", TWV 1:877 (formerly BWV 160)
Georg Philipp Telemann1:28
20"Meine Seele rühmt und priest", (App. D, formerly BWV 189): 1. Aria: "Meine Seele rühmt und preist"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Kantate, formerly BWV 189, "Meine Seele rühmt und priest": I. Aria. "Meine Seele rühmt und preist"
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Meine Seele rühmt und priest (formerly BWV 189)
? Melchior Hoffmann6:34
21"Meine Seele rühmt und priest", (App. D, formerly BWV 189): 2. Recitative: "Denn seh ich mich und auch mein Leben an"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Kantate, formerly BWV 189, "Meine Seele rühmt und priest": II. Recit. "Denn seh ich mich und auch mein Leben an"
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Meine Seele rühmt und priest (formerly BWV 189)
? Melchior Hoffmann0:58
22"Meine Seele rühmt und priest", (App. D, formerly BWV 189): 3. Aria: "Gott hat sich hoch gesetzet"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Kantate, formerly BWV 189, "Meine Seele rühmt und priest": III. Aria. "Gott hat sich hoch gesetzet"
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Meine Seele rühmt und priest (formerly BWV 189)
? Melchior Hoffmann3:05
23"Meine Seele rühmt und priest", (App. D, formerly BWV 189): 4. Recitative: "O was vor große Dinge"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Kantate, formerly BWV 189, "Meine Seele rühmt und priest": IV. Recit. "O was für große Dinge"
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Meine Seele rühmt und priest (formerly BWV 189)
? Melchior Hoffmann0:53
24"Meine Seele rühmt und priest", (App. D, formerly BWV 189): 5. Aria: "Deine Güte, dein Erbarmen"
producer and balance engineer:
Ursula Singer
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994-08)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1994-08)
conductor:
Peter Schreier (German tenor and conductor) (in 1994-08)
recorded at:
Haus des Rundfunks (recording venue of German public broadcaster Rundfunk Berlin-Brandenburg, formerly Sender Freies Berlin) in Berlin, Germany (in 1994-08)
recording of:
Kantate, formerly BWV 189, "Meine Seele rühmt und priest": V. Aria. "Deine Güte, dein Erbarmen"
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Meine Seele rühmt und priest (formerly BWV 189)
? Melchior Hoffmann2:56
25"Schlage doch, gewünschte Stunde", (App. D, formerly BWV 53): 1. Aria "Schlage doch, gewünschte Stunde"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (from 2011-01-23 until 2011-01-28)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
? Melchior Hoffmann7:34

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]