| # | Title | Artist | Rating | Length |
|---|
| 1 | Anything But Love | Daniel Schuhmacher | | 3:30 |
| 2 | Please Don’t Leave Me- assistant recording engineer:
- Tommy Andersson and Lasse Mortén
- recording engineer:
- Michael Ilbert and Max Martin
- assistant engineer:
- Tim Roberts (task: engineered for mix)
- engineer:
- John Hanes (task: engineered for mix)
- producer:
- Max Martin
- mixer:
- Serban Ghenea
- bass, drums (drum set) [drums], guitar, keyboard [keys] and omnichord:
- Shellback
- background vocals:
- Kinnda Hamid
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc , Arista Records LLC (in 2008) and LaFace Records LLC (in 2008)
- produced for:
- Maratone Productions
- recorded at:
- Decibel Studios in Stockholm, Stockholms län , Sweden and Maratone Studios in Stockholm, Stockholms län , Sweden
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Please Don’t Leave Me by P!nk
- recording of:
- Please Don’t Leave Me (in 2008)
- writer:
- Alecia Moore and Max Martin
- publisher:
- EMI Blackwood Music Inc., Kobalt Music , Maratone AB and P!nk Inside Publishing
| P!nk | 3.65 | 3:51 |
| 3 | Shake It | Metro Station | 3.7 | 3:00 |
| 4 | My Life Would Suck Without You | Kelly Clarkson | 3.95 | 3:33 |
| 5 | Circus- assistant recording engineer:
- Chad Carlisle, Tatiana Gottwald, Chris Kasych and Eric Weaver
- recording engineer:
- Matt Beckley, Sam Holland and Emily Wright
- programming:
- benny blanco and Łukasz Gottwald
- additional assistant engineer:
- Tim Roberts
- additional engineer:
- John Hanes
- executive producer:
- Larry Rudolph and Teresa LaBarbera Whites
- producer:
- benny blanco and Dr. Luke
- mixer:
- Serban Ghenea
- editor:
- Matt Beckley (lead vocals [vocal]) and Emily Wright (lead vocals [vocal])
- drums (drum set) [drums] and keyboard [keyboards]:
- benny blanco and Łukasz Gottwald
- guitar [guitars]:
- Łukasz Gottwald
- background vocals:
- Cathy Dennis, Claude Kelly and Myah Marie
- produced for:
- Kasz Money Productions, Inc.
- recorded at:
- Chalice Studios in Hollywood, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Glenwood Place Studios in Burbank, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- Circus
- writer:
- Benjamin Levin , Łukasz Gottwald and Claude Kelly
- publisher:
- Kasz Money Publishing , Matza Ball Music, Studio Beast Music , Warner Tamerlane Music Corp. and Where da Kasz At
| Britney Spears | 4 | 3:12 |
| 6 | I’d Come for You | Nickelback | 4 | 4:22 |
| 7 | 1973 | James Blunt | 4.5 | 4:40 |
| 8 | Vayamos Compañeros- recording engineer:
- Piet Charlet and Christoph Keding
- producer:
- Dominik Decker, Christian Fleps, Marco Heggen and Sascha Pierro
- additional mixer:
- Christian Decker
- drums (drum set) [drums]:
- Marco Möller and Michael Wagener
- horn [horns]:
- Uwe Granitza and Dirk Lentscht
- percussion:
- Michael Wagener
- performer:
- Dominik Decker, Christian Fleps, Marco Heggen and Sascha Pierro
- phonographic copyright (℗) by:
- Universal Music Strategic Marketing (from 2007 to present)
- recorded at:
- Bukarest Studios in Hannover , Niedersachsen , Germany, Decker Recording Studios in Hannover , Niedersachsen , Germany, La Finca Frenetica in Santanyí, Illes Balears , Spain and Piccolo Palazzo in Hannover , Niedersachsen , Germany
- mixed at:
- Time Tools Studios in Hannover , Niedersachsen , Germany
- recording of:
- Vayamos Companeros
- writer:
- Dominik Decker, Christian Fleps, Marco Heggen and Sascha Pierro
- publisher:
- BMG Ufa , Eisenstein and Warner Chappell
| Marquess | 2 | 3:02 |
| 9 | Like a Boy- recording engineer:
- Jason Schweitzer
- additional engineer:
- Carlton Lynn
- assistant engineer:
- Kory Aaron, Matt Green and Rob Skipworth
- co-producer:
- Ciara and The Clutch
- producer:
- Calvo Da Gr8
- assistant mixer:
- Josh Houghkirk
- mixer:
- Phil Tan
- co-produced for:
- C-Era Music, Inc.
- produced for:
- Frequency Revolution
- recorded at:
- Chalice Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Soapbox Studios in Atlanta, Georgia, United States
- additionally engineered at:
- Silent Sound Studios in Atlanta, Georgia, United States
- music videos:
- Like a Boy by Ciara
- recording of:
- Like a Boy
- writer:
- Calvin Kenon Jr., Ciara Princess Harris , Ezekiel Lewis, Balewa Muhammad, Candice Nelson and Patrick “j.Que” Smith
- publisher:
- Bootleggers Stop, Christopher Matthew Music, Ezeke International Music, Hitco Music, Jahqae Joints, Revolutionary Gr8ness, Royalty Rightings, Universal Music Corp. and Universal-PolyGram International Tunes, Inc.
| Ciara | 4.35 | 3:57 |
| 10 | Love Sux | Linda Teodosiu | | 3:12 |
| 11 | You Found Me | The Fray | 4.2 | 4:03 |
| 12 | Whenever, Wherever- recording engineer:
- Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning
- programming:
- Tim Mitchell
- additional engineer:
- Freddy Piñero, Jr.
- assistant engineer:
- Oswald Bowe, Chris Carroll , Alex Dixon, Jorge Gonzalez , Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
- co-producer:
- Tim Mitchell
- producer:
- Shakira
- mixer:
- Javier Garza
- charango, quena and rondador:
- Gustavo Patiño
- drums (drum set):
- Brendan Buckley
- electric bass guitar:
- Paul Bushnell
- guitar:
- Tim Pierce and Brian Ray
- guitar and mandolin:
- Tim Mitchell
- percussion:
- Miriam Eli, Emilio Estefan, Jr. and Archie Peña
- background vocals:
- Rita Quintero
- background vocals and lead vocals:
- Shakira
- arranger:
- Tim Mitchell and Shakira
- phonographic copyright (℗) by:
- Sony Music Entertainment (Holland) B.V. (in 2001)
- co-produced for:
- Crescent Moon, Inc.
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
- mixed at:
- Crescent Moon Studios in Miami, Florida, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 28)
- recording of:
- Whenever, Wherever
- lyricist:
- Gloria Estefan and Shakira
- composer:
- Tim Mitchell and Shakira
- publisher:
- Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
- translated version of:
- Suerte
| Shakira | 3.8 | 3:17 |
| 13 | Kids | MGMT | 4.1 | 5:03 |
| 14 | It’s Amazing | Jem | 5 | 3:57 |
| 15 | Umbrella | The Baseballs | 4 | 3:06 |
| 16 | Shut Up and Let Me Go | The Ting Tings | 4.2 | 2:51 |
| 17 | Just So | Obél | | 3:34 |
| 18 | Nicht artgerecht- additional recording engineer:
- Jörn Heilbutt
- recording engineer:
- Geoff Peacey
- mixer:
- Jeo
- bass guitar and double bass:
- Hervé Jeanne
- bass trombone and tuba:
- Uwe Granitza
- celesta, electric piano, organ and piano:
- Lutz Krajenski
- drums (drum set):
- Matthias Meusel
- flugelhorn and trumpet:
- Axel Beineke and Dirk Lentschat
- flute:
- Stephan Abel, Ulli Orth and Thomas Zander
- French horn:
- Gregor Lentjes
- guitar:
- Philip Niessen
- percussion:
- Phil Kuhlmann
- saxophone:
- Stephan Abel, Ulli Orth, Markus Steinhauser and Thomas Zander
- trombone:
- Andreas Barkhoff and Uwe Granitza
- choir vocals:
- Roger Cicero, Nathalie Dorra, Sekretärin Erika and Robbie Smith
- lead vocals:
- Roger Cicero
- orchestra:
- Strings DeLuxe
- conductor:
- Lutz Krajenski
- arranger:
- Lutz Krajenski
- recorded at:
- Peer Studio in Hamburg, Germany
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany
- recording of:
- Nicht artgerecht
- lyricist:
- Frank Ramond
- composer:
- Matthias Hass
| Roger Cicero | 5 | 3:21 |
| 19 | Tag am Meer | Die Fantastischen Vier | | 4:36 |
| 20 | I Can’t Stand the Rain | Seal | 2.5 | 3:35 |
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