Listen: Third Brief Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

ISBN 1-57259-068-8

Annotation last modified on 2014-05-15 12:38 UTC.

Tracklist

1▶CD: A 26260

2▼CD: A 26261
#	Title	Artist	Rating	Length
1	Brandenburg Concerto No. 5: I, Part 1 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:56
2	Brandenburg Concerto No. 5: I, Part 2 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:16
3	Brandenburg Concerto No. 5: I, Part 3 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:14
4	Brandenburg Concerto No. 5: I, Part 4 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		3:07
5	Brandenburg Concerto No. 5: I, Part 5 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:27
6	Orchestral Suite No. 3 in D: Air violin [violon concertant]: Fabio Biondi (conductor/violinist) (in 1990-08) choir vocals: La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1990-08) orchestra: Le Concert des Nations (in 1990-08) conductor: Jordi Savall (viol player, conductor and composer) (in 1990-08) recorded at: Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1990-08) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1990-08) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		5:58
7	Orchestral Suite No. 3 in D: Gavotte I and II recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		3:49
8	Rodelinda: Massime cosi indegne, Tirannia recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Tirannia Gli Diede Il Regno" composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Massime Così Indegne" composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	Georg Friedrich Händel		3:56
9	Messiah: There were shepherds recording of: Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)	Georg Friedrich Händel		3:06
10	Messiah: Hallelujah Chorus engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) instruments and orchestra: Academy of Ancient Music (in 1979) choir vocals: Christ Church Cathedral Choir, Oxford (in 1979) soprano vocals: Judith Nelson (soprano) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) chorus master: Simon Preston (organist, conductor, composer) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	5	3:48
11	Cantata No. 4: Christ lag in Todesbanden, Stanza 3 tenor vocals: Charles Daniels (tenor) (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		1:59
12	Cantata No. 4: Christ lag in Todesbanden, Stanza 4 choir vocals: Taverner Choir (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		2:30
13	Cantata No. 4: Christ lag in Todesbanden, Stanza 7 choir vocals: Taverner Choir (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Breitkopf 389 Choralgesänge (number: 41) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		1:10
14	Choral Prelude: Christ lag in Todesbanden organ: Hans Helmut Tillmanns (German organist) recording of: Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Das Orgel-Büchlein (number: 27) and Bach-Werke-Verzeichnis (number: BWV 625)	Johann Sebastian Bach		1:30
15	Symphony No. 40 in G Minor, K. 550: I, Part 1 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		0:53
16	Symphony No. 40 in G Minor, K. 550: I, Part 2 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		3:18
17	Symphony No. 40 in G Minor, K. 550: I, Part 3 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:12
18	Symphony No. 40 in G Minor, K. 550: I, Part 4 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:14
19	Symphony No. 40 in G Minor, K. 550: I, Part 5 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:12
20	Symphony No. 40 in G Minor, K. 550: I, Part 6 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		0:22
21	Symphony No. 88 in G: I, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:18
22	Symphony No. 88 in G: I, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:43
23	Symphony No. 88 in G: I, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		2:05
24	Symphony No. 88 in G: I, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:14
25	Symphony No. 88 in G: I, Part 5 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:13
26	Symphony No. 88 in G: I, Part 6 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:19
27	Symphony No. 88 in G: II, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		2:25
28	Symphony No. 88 in G: II, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:07
29	Symphony No. 88 in G: II, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:53
30	Symphony No. 88 in G: II, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:03
31	Symphony No. 88 in G: III, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:44
32	Symphony No. 88 in G: III, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:26
33	Symphony No. 88 in G: III, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:29
34	Symphony No. 88 in G: III, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:55
35	Symphony No. 88 in G: IV, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:59
36	Symphony No. 88 in G: IV, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:50
37	Symphony No. 88 in G: IV, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:08
38	Symphony No. 88 in G: IV, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:08
39	Piano Concerto: I (excerpt) partial recording of: Concerto for Piano and Orchestra, op. 42 composer: Arnold Schönberg (Arnold Schoenberg, composer) (from 1942-06-27 until 1942-12-30) part of: Works of Arnold Schönberg by opus number (number: op. 42)	Arnold Schönberg		2:05
40	Pierrot lunaire: 18. The Moonfleck, Part 1 partial recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		0:15
41	Pierrot lunaire: 18. The Moonfleck, Part 2 partial recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		0:58
42	Pierrot lunaire: 19. Serenade recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (in 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		2:18
43	Pierrot lunaire: 20. Journey Home recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		2:03
44	Pierrot lunaire: 21. O Ancient Scent recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		1:51

3▶CD: A 26262

4▶CD: B 26263

5▶CD: B 26264

6▶CD: B 26265

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compiler:	Joseph Kerman

Discogs:	https://www.discogs.com/release/8200579 [info]
ASIN:	US: 1572590688 [info]
other databases:	https://www.worldcat.org/oclc/34061264 [info]
discography entry:	https://catalog.princeton.edu/catalog/2189290 [info]

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part of:	Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (number: 3) (order: 2)

Listen: Third Brief Edition

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