Music for Summer Entertaining

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Arrival of the Queen of Sheba
recording engineer and producer:
Tony Faulkner (recording engineer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1989-03-15 until 1989-03-16)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1989-03-15 until 1989-03-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1989-03-15 until 1989-03-16)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1989-03-15 until 1989-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel2:55
2Gavotte from Suite no 1 in C major, BWV 1066
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
orchestra:
The Brandenburg Consort (from 1990-11-22 until 1990-12-14)
conductor:
Roy Goodman (conductor and violinist) (from 1990-11-22 until 1990-12-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (from 1990-11-22 until 1990-12-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:14
3Overture to Le nozze di Figaro
recording engineer:
Tony Faulkner (recording engineer) (from 1996-02-14 until 1996-02-16)
producer:
Andrew Keener (engineer/editor/producer) (from 1996-02-14 until 1996-02-16)
orchestra:
The English Concert Winds (from 1996-02-14 until 1996-02-16)
arranger:
Jan Nepomuk Vent
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1996)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1996-02-14 until 1996-02-16)
recording of:
Le nozze di Figaro, K. 492: Overture (catch-all for arrangements) (from 1996-02-14 until 1996-02-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Le nozze di Figaro, K. 492: Sinfonia
Wolfgang Amadeus Mozart3:57
4Menuetto from Suite no 1 in C major, BWV 1066
recording engineer:
Tony Faulkner (recording engineer)
producer:
Martin Compton (producer)
orchestra:
The Brandenburg Consort (from 1990-11-22 until 1990-12-14)
conductor:
Roy Goodman (conductor and violinist) (from 1990-11-22 until 1990-12-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (from 1990-11-22 until 1990-12-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:28
5Minuet in A
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini3:35
6Adagio from Oboe Concerto in D minor, op 9 no 2
recording engineer:
Antony Howell (engineer) (from 1990-01-06 until 1990-01-08)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (from 1990-01-06 until 1990-01-08)
solo oboe:
Paul Goodwin (conductor / oboist) (from 1990-01-06 until 1990-01-08)
orchestra:
The King’s Consort (from 1990-01-06 until 1990-01-09)
conductor:
Robert King (conductor and harpsichordist) (from 1990-01-06 until 1990-01-08)
phonographic copyright (℗) by:
Hyperion Records Limited (holding company - do not use this as a release label) (in 1991)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-01-06 until 1990-01-08)
Tomaso Giovanni Albinoni4:49
7Tivoli-Rutsch-Walzer op 39
recording engineer:
Tony Faulkner (recording engineer) (from 1999-12-14 until 1999-12-16)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (from 1999-12-14 until 1999-12-16)
orchestra:
The Gaudier Ensemble (from 1999-12-14 until 1999-12-16)
recorded at:
St. George’s, Brandon Hill (Brandon Hill) in Bristol, England, United Kingdom (from 1999-12-14 until 1999-12-16)
recording of:
Tivoli-Rutsch-Walzer, op. 39 (from 1999-12-14 until 1999-12-16)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1830)
premiered at:
Tivoli Pleasure Gardens (Vienna) in Meidling, Wien (Vienna), Austria (on 1830-10-09)
Johann Strauss I7:20
8Thema mit Variationen (Andante) from Serenade in B flat major, K 361 ‘for 13 wind instruments’
basset horn:
Michael Harris (clarinettist) (from 1988-06-28 until 1988-06-29) and Angela Malsbury (clarinettist) (from 1988-06-28 until 1988-06-29)
bassoon:
Neil Levesley (bassoonist) (from 1988-06-28 until 1988-06-29) and Felix Warnock (from 1988-06-28 until 1988-06-29)
clarinet:
Colin Lawson (clarinettist) (from 1988-06-28 until 1988-06-29) and Andrew Marriner (clarinettist) (from 1988-06-28 until 1988-06-29)
double bass:
Duncan McTier (double bassist) (from 1988-06-28 until 1988-06-29)
French horn:
Michael Baines (from 1988-06-28 until 1988-06-29), Stephen Bell (hornist) (from 1988-06-28 until 1988-06-29), Susan Dent (hornist) (from 1988-06-28 until 1988-06-29) and Peter Francomb (horn player) (from 1988-06-28 until 1988-06-29)
oboe:
George Caird (oboist) (from 1988-06-28 until 1988-06-29) and Kate Clemmow (oboist) (from 1988-06-28 until 1988-06-29)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-06-28 until 1988-06-29)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: VI. Tema con variazioni (from 1988-06-28 until 1988-06-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart9:36
9Nocturne
recording engineer and producer:
Tony Faulkner (recording engineer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1989-03-15 until 1989-03-16)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1989-03-15 until 1989-03-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1989-03-15 until 1989-03-16)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements) (from 1989-03-15 until 1989-03-16)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin6:37
10La Fille aux cheveux de lin from Preludes Book 1
recording engineer:
Antony Howell (engineer) (from 1990-02-15 until 1990-02-17)
producer:
Martin Compton (producer) (from 1990-02-15 until 1990-02-17)
piano:
Lívia Rév (pianist) (from 1990-02-15 until 1990-02-17)
phonographic copyright (℗) by:
Hyperion Records Ltd. (holding company - do not use this as a release label) (in 1990)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-15 until 1990-02-17)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (from 1990-02-15 until 1990-02-17)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:18
11The Dance of Blessed Spirits
recording engineer and producer:
Tony Faulkner (recording engineer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1989-03-15 until 1989-03-16)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1989-03-15 until 1989-03-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1989-03-15 until 1989-03-16)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1989-03-15 until 1989-03-16)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck5:32
12Canon and Gigue
recording engineer and producer:
Tony Faulkner (recording engineer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1989-03-15 until 1989-03-16)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1989-03-15 until 1989-03-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1989-03-15 until 1989-03-16)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (from 1989-03-15 until 1989-03-16)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel5:34
13Gavot (Rondeau) from Symphony no 4 in F
engineer:
Antony Howell (engineer) (from 1992-03-11 until 1992-03-13)
producer:
Arthur Johnson (recording producer of classical music) (from 1992-03-11 until 1992-03-13)
violin:
Roy Goodman (conductor and violinist) (from 1992-03-11 until 1992-03-13)
orchestra:
The Brandenburg Consort (from 1992-03-11 until 1992-03-13)
conductor:
Roy Goodman (conductor and violinist) (from 1992-03-11 until 1992-03-13)
phonographic copyright (℗) by:
Hyperion Records Limited (holding company - do not use this as a release label) (in 1992)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1992-03-11 until 1992-03-13)
recording of:
Symphony no. 4 in F major, op. 2 no. 4: III. Gavot: Allegro (from 1992-03-11 until 1992-03-13)
composer:
William Boyce (English baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Symphony no. 4 in F major, op. 2 no. 4
William Boyce2:11
14Clair de lune from Suite bergamasque
recording engineer:
Antony Howell (engineer)
producer:
Martin Compton (producer)
piano:
Lívia Rév (pianist) (in 1991-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1991-03)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1991-03)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:38
15The Last Sleep of the Virgin
recording engineer and producer:
Tony Faulkner (recording engineer)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) (from 1989-03-15 until 1989-03-16)
conductor:
Ross Pople (New Zealand-born British conductor and cellist) (from 1989-03-15 until 1989-03-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1989-03-15 until 1989-03-16)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge (from 1989-03-15 until 1989-03-16)
composer:
Jules Massenet (French Romantic composer)
part of:
La Vierge
Jules Massenet4:22

Credits

Release

copyrighted (©) by:BBC (British Broadcasting Corporation) (in 2003)
phonographic copyright (℗) by:Hyperion (UK classical) (from 1989 until 2000)
glass mastered by:Disctronics UK (Blackburn)
Discogs:https://www.discogs.com/release/9406007 [info]
ASIN:UK: B00CEG0NNC [info]