Julian Cannonball Adderley and Strings / Jump for Joy

~ Release by Cannonball Adderley (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1I Cover the Waterfront
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (on 1955-10-28)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Julian Cannonball Adderley and Strings2:29
2A Foggy Day
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (on 1955-10-28)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Julian Cannonball Adderley and Strings2:43
3The Surrey With the Fringe on Top
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (on 1955-10-28)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley and Strings2:34
4Two Sleepy People
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (on 1955-10-28)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Julian Cannonball Adderley and Strings3:02
5I'll Never Stop Loving You
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (on 1955-10-28)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
Julian Cannonball Adderley and Strings2:42
6(I'm Afraid) The Masquerade Is Over
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1955-10-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
Julian Cannonball Adderley and Strings3:12
7I've Never Been in Love Before
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (on 1955-10-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
Julian Cannonball Adderley and Strings2:22
8Lonely Dreams
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (on 1955-10-28)
composer:
Terry Gibbs (jazz vibraphonist)
Julian Cannonball Adderley and Strings2:31
9Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley and Strings2:34
10Street of Dreams
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
Julian Cannonball Adderley and Strings2:15
11Polka Dots and Moonbeams (Around a Pug-Nosed Dream)
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Polka Dots and Moonbeams (on 1955-10-27)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Julian Cannonball Adderley and Strings3:06
12You Are Too Beautiful
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
You Are Too Beautiful (on 1955-10-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Julian Cannonball Adderley and Strings2:57
13Two Left Feet
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
Two Left Feet (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley3:14
14Just Squeeze Me (But Don't Tease Me)
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1958-08-21)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Julian Cannonball Adderley3:18
15I Got It Bad (and That Ain't Good)
recorded in:
New York, New York, United States (on 1958-08-20)
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Julian Cannonball Adderley2:38
16Nothin'
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recording of:
Nothin’ (on 1958-08-20)
writer:
Hal Borne, Ray Golden and Sid Kuller
Julian Cannonball Adderley4:35
17Jump for Joy
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass and double bass [bass]:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
cover recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
Julian Cannonball Adderley3:22
18Bli-Blip
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Bli-Blip (on 1958-08-21)
lyricist:
Sid Kuller
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Julian Cannonball Adderley3:50
19Chocolate Shake
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Chocolate Shake (on 1958-08-21)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
Julian Cannonball Adderley2:43
20If Life Were All Peaches and Cream
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
If Life Were All Peaches and Cream (on 1958-08-20)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley5:17
21Brown-Skin Gal (In the Calico Gown)
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
Julian Cannonball Adderley2:51
22The Tune of the Hickory Stick
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
Bill Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
The Tune of the Hickory Stick (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
Julian Cannonball Adderley3:24