Sounds of the Seventies: 1978, Take Two

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Track 7 is different from http://musicbrainz.org/release/97149cd2-9a3a-4a88-b2ec-347c4c2bda29.

Annotazione modificata l'ultima volta il 2013-02-26 05:56 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Disco Inferno
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (publisher), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps53:36
2I'm Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
edit di:
I’m Every Woman (remix version by Dancin’ Danny D) di Chaka Khan
registrazione di:
I’m Every Woman
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:34
3Grease
tecnico e tecnico di missaggio:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
chitarra :
Peter Frampton
voce di accompagnamento:
Barry Gibb
voce principale:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore:
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 11)
registrazione di:
Grease (Grease, 1978 film)
paroliere e compositore:
Barry Gibb
editore:
Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
parte di:
Grease (1978 film)
Frankie Valli4.53:24
4It's a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:35
5Wonderful Tonight
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Wonderful Tonight
paroliere e compositore:
Eric Clapton
editore:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton53:11
6Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:47
7Every Kinda People
registrazione di:
Every Kinda People
paroliere e compositore:
Andy Fraser (English bassist, member of Free)
editore:
Island Music (Island Music Ltd.)
Robert Palmer3:19
8What's Your Name
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1977)
registrazione di:
What’s Your Name
autore:
Gary Rossington e Ronnie Van Zant
editore:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd53:35
9Jack and Jill
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1977)
registrazione di:
Jack & Jill
paroliere e compositore:
Ray Parker Jr.
editore:
EMI Music Publishing (do not use as a release label!) e Raydiola Music
Raydio53:36
10The Groove Line
assistente tecnico:
Mike Hedges (UK producer/recording engineer) e Andy Jackson (UK recording engineer/prog musician)
tecnico e tecnico di missaggio:
James Guthrie
produttore:
Barry Blue (singer, producer, and songwriter)
assistente tecnico di missaggio:
Andy Jackson (UK recording engineer/prog musician)
direttore d'orchestra:
John Cameron (British composer, arranger and conductor)
orchestratore:
John Cameron (British composer, arranger and conductor)
primo violino:
Pat Halling
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrazione di:
The Groove Line
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:20
11September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:39
12Flashlight
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 199) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 252)
registrazione di:
Flash Light
autore:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) e Bernie Worrell (keyboardist, composer and record producer)
editore:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) e Rubberband Music, Inc.
Parliament4.44:28
13Reminiscing
registrata a:
Australia
prodotta a:
Australia
produttore:
John Boylan e Little River Band
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978) e EMI Australia (company credits only; file no releases here!) (nel 1978)
registrazione di:
Reminiscing
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band53:32
14Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Baby Come Back (Player song) (nel 1977)
autore:
Peter Beckett (lead singer of Player) e J.C. Crowley
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player53:33
15Imaginary Lover
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1978) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978)
registrazione di:
Imaginary Lover
autore:
Buddy Buie, Dean Daughtry e Robert Nix
editore:
Low-Sal Music Co.
Atlanta Rhythm Section54:10
16Back in the U.S.A.
tecnico di registrazione:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
batteria [drums] :
Russell Kunkel (session drummer)
chitarra elettrica :
Dan Dugmore e Waddy Wachtel
pianoforte :
Don Grolnick
voce di accompagnamento:
Peter Asher, Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) e Waddy Wachtel
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978-05)
registrazione cover di:
Back in the U.S.A.
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher) e Arc Music Corp. (U.S. rock & blues publisher)
Linda Ronstadt52:59
17Can We Still Be Friends
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1978)
registrazione di:
Can We Still Be Friends
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren53:13
18Strange Way
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
edit di:
Strange Way di Firefall
registrazione di:
Strange Way (Firefall song)
paroliere e compositore:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
editore:
El Sueno Music, Stephen Stills Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Firefall53:58
19Follow You Follow Me
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Follow You Follow Me
paroliere:
Mike Rutherford
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (nel 1978) e Hit and Run Music (nel 1978)
Genesis3.53:23
20You Belong to Me
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 59)
registrazione cover di:
You Belong to Me (Carly Simon/Michael McDonald song)
autore:
Michael McDonald (R&B & soul singer) e Carly Simon
editore:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon53:13

Accreditamenti

Pubblicazione

fabbricata a:Stati Uniti
fotografia:Michael Ochs Archives
note di libretto:John Morthland (music journalist)
produttore associato:Robert Hull (Production)
produttore esecutivo:Charles McCardell (production Time Life Music)
materiale grafico:Enzo Messi
Urs Schmidt
fabbricata da:Warner Special Products
copyright (©) detenuto da:Time-Life Books Inc. (nel 1991)
diritti fonografici (℗) detenuti da:Warner Special Products (nel 1991)
licenziata da:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
CEMA Special Markets (a division of Capitol‐EMI Music, Inc.)
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”)
Rhino Records, Inc. (company credits only; not for release label use!)
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Sony Music Special Products
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
fabbricata per:Time–Life Music
remastering effettuato presso:MCA Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
Discogs:https://www.discogs.com/release/679881 [info]

Gruppo di pubblicazioni

parte di:Sounds of the Seventies (Time-Life Music) (numero: 20) (ordine: 20)
Discogs:https://www.discogs.com/master/1299620 [info]