Songs From Stage and Screen

~ Release by Nat King Cole (see all versions of this release, 2 available)

Annotation

Copyright: © 2001 Capitol Records, LLC
Compilation ℗ © 2001 Capitol Records, LLC. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Catalog, 1750 North Vine Street, Hollywood, CA 90028.

Annotation last modified on 2025-08-06 23:50 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:55
2Let’s Face the Music and Dance
conductor:
Billy May
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:27
3You’ll Never Know
conductor:
Billy May
recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
2:45
4I Got It Bad (And That Ain’t Good)
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
performer:
George Shearing (British jazz pianist)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1961-12-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:44
5I Remember You
conductor:
Ralph Carmichael
recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
3:14
6Pick Yourself Up
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat "King" Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
recording of:
Pick Yourself Up (from “Swing Time”) (on 1961-12-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:12
7I’m Shooting High
conductor:
Nelson Riddle
recording of:
I’m Shooting High
writer:
Ted Koehler and Jimmy McHugh (songwriter)
1:34
8I Should Care
conductor:
Billy May
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:48
9O.K. For TV
conductor:
Les Baxter
recording of:
O. K. for TV
writer:
Johnny Mercer
2:28
10Love Letters
conductor:
Gordon Jenkins
recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:46
11Ain’t Misbehavin’
conductor:
Gordon Jenkins
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:16
12Should I
conductor:
Nelson Riddle
recording of:
Should I
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
2:08
13Again
conductor:
Nelson Riddle
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
2:24
14An Affair to Remember
conductor:
Nelson Riddle
recording of:
An Affair to Remember (Our Love Affair)
lyricist:
Harold Adamson and Leo McCarey
composer:
Harry Warren (US composer and lyricist)
publisher:
EMI Feist Catalog Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
3:02
15Just One of Those Things
conductor:
Billy May
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:15
16Spring Is Here
conductor:
Gordon Jenkins
recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
2:34
17I’ve Grown Accustomed to Her Face
conductor:
Gordon Jenkins
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
2:48
18The Party’s Over
conductor:
Billy May
recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
2:43