Don Giovanni, K. 527

~ Release by Mozart; Nicolaï Ghiaurov, Christa Ludwig, Claire Watson, Mirella Freni, Nicolai Gedda, Walter Berry, Paolo Montarsolo, Franz Crass, Otto Klemperer, Nicolai Gedda, New Philharmonia Orchestra and Chorus (see all versions of this release, 6 available)

Tracklist

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1Don Giovanni, K. 527: Sinfonia
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:33
2Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:58
3Don Giovanni, K. 527, Act 1: "Non sperar, se non m’uccidi" (Donna Anna, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
4Don Giovanni, K. 527, Act 1: "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:57
5Don Giovanni, K. 527, Act 1: "Ma qual mai s’offre" (Donna Anna, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:05
6Don Giovanni, K. 527, Act 1: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:28
7Don Giovanni, K. 527, Act 1: "Orsù, spicciati presto" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
8Don Giovanni, K. 527, Act 1: "Ah, chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:33
9Don Giovanni, K. 527, Act 1: "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:47
10Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)
baritone vocals and bass vocals [Leporello]:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:32
11Don Giovanni, K. 527, Act 1: "Giovinette, che fate all’amore" (Zerlina, Coro, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:34
12Don Giovanni, K. 527, Act 1: "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
13Don Giovanni, K. 527, Act 1: "Ho capito, signor, sì!" (Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
14Don Giovanni, K. 527, Act 1: "Alfin siam liberati" (Don Giovanni, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:51
15Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:10
16Don Giovanni, K. 527, Act 1: "Fermati, scellerato!" - "Ah! fuggi il traditor!" (Donna Elvira, Zerlina, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:14
17Don Giovanni, K. 527, Act 1: "Mi par ch’oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:14
18Don Giovanni, K. 527, Act 1: "Non ti fidar, o misera" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:04
19Don Giovanni, K. 527, Act 1: "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:26
20Don Giovanni, K. 527, Act 1: "Or sai chi l’onore" (Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:05
21Don Giovanni, K. 527, Act 1: "Come mai creder deggio" - "Dalla sua pace" (Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:49
22Don Giovanni, K. 527, Act 1: "Io deggio ad ogni patto" (Leporello, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
23Don Giovanni, K. 527, Act 1: "Finch’han dal vino" (Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
bass vocals [Don Giovanni] and bass-baritone vocals [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:32
24Don Giovanni, K. 527, Act 1: "Masetto, senti un po’!" (Zerlina, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
25Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:44
26Don Giovanni, K. 527, Act 1: "Presto, presto, pria ch’ei venga" (Masetto, Zerlina, Don Giovanni, Coro)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:07
27Don Giovanni, K. 527, Act 1: "Tra quest’arbori celata" (Zerlina, Don Giovanni, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:41
28Don Giovanni, K. 527, Act 1: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:33
29Don Giovanni, K. 527, Act 1: "Protegga il giusto cielo" - "Vendichi il giusto Cielo" (Donna Anna, Donna Elvira, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:20
30Don Giovanni, K. 527, Act 1: "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:25
31Don Giovanni, K. 527, Act 1: "Venite pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:47
32Don Giovanni, K. 527, Act 1: "Ecco il birbo che t’ha offesa!" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
33Don Giovanni, K. 527, Act 1: "Trema, trema, o scellerato!” (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:21
34Don Giovanni, K. 527, Act 2: "Eh via, buffone, non mi seccar!" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:13
35Don Giovanni, K. 527, Act 2: "Leporello!" - "Signore?" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53
36Don Giovanni, K. 527, Act 2: "Ah taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:25
37Don Giovanni, K. 527, Act 2: "Amico, che ti par?" (Don Giovanni, Leporello, Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:57
38Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" (Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
bass vocals [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
39Don Giovanni, K. 527, Act 2: "Metà di voi qua vadano" (Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:21
40Don Giovanni, K. 527, Act 2: "Zitto, lascia ch’io senta!" (Don Giovanni, Masetto, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
41Don Giovanni, K. 527, Act 2: "Vedrai, carino, se sei buonino" (Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:46
42Don Giovanni, K. 527, Act 2: "Di molte faci il lume" - "Sola, sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:36
43Don Giovanni, K. 527, Act 2: "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:43
44Don Giovanni, K. 527, Act 2: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:18
45Don Giovanni, K. 527, Act 2: "Il mio Tesoro" (Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:05
46Don Giovanni, K. 527, Act 2: "Il quali eccessi, o Numi” - Aria. “Mi tradì quell’alma ingrata" (Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
partial recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:11
47Don Giovanni, K. 527, Act 2: "Ah, ah, ah, questa è buona" (Don Giovanni, Leporello, Commendatore)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:29
48Don Giovanni, K. 527, Act 2: "O statua gentilissima" (Don Giovanni, Leporello, Commendatore)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:36
49Don Giovanni, K. 527, Act 2: "Calmatevi, idol mio!" (Don Ottavio, Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:57
50Don Giovanni, K. 527, Act 2: "Crudele? Ah no, mio bene!" (Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:42
51Don Giovanni, K. 527, Act 2: "Non mi dir, bell’idol mio" (Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:50
52Don Giovanni, K. 527, Act 2: "Già la mensa è preparate" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:23
53Don Giovanni, K. 527, Act 2: "L’ultima prova dell’amor mio" (Donna Elvira, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:37
54Don Giovanni, K. 527, Act 2: "Che grido è questo mai?" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer) and Giuseppe Verdi (Italian opera composer)
librettist:
Lorenzo Da Ponte and Temistocle Solera
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:25
55Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (Commendatore, Don Giovanni, Leporello, Coro)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:03
56Don Giovanni, K. 527, Act 2: "Da qual tremore insolito" (Don Giovanni, Coro, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:18
57Don Giovanni, K. 527, Act 2: "Ah, dov’è il perfido?" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:50
58Don Giovanni, K. 527, Act 2: "Or che tutti, o mio tesoro" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:11
59Don Giovanni, K. 527, Act 2: "Questo è il fin" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:56