| # | Title | Artist | Rating | Length |
|---|
| 1 | Sexual Healing | Marvin Gaye | | 3:51 |
| 2 | (Take a Little) Piece of My Heart | Erma Franklin | 3.75 | 2:35 |
| 3 | Free | Deniece Williams | 4 | 2:48 |
| 4 | Let’s Stay Together- producer:
- Willie Mitchell
- drums (drum set):
- Howard Grimes and Al Jackson, Jr.
- electric bass guitar:
- Leroy Hodges
- guitar family:
- Mabon Hodges
- organ and piano:
- Charles Hodges
- saxophone:
- James Mitchell
- tenor saxophone:
- Ed Logan
- trombone:
- Jack Hale
- trumpet:
- Wayne Jackson
- background vocals:
- Charles Chalmers , Donna Rhodes and Sandra Rhodes
- vocals:
- Al Green
- phonographic copyright (℗) by:
- Cream Records (in 1971) and HI Records Inc. (in 1971)
- part of:
- Billboard: The 500 Best Pop Songs (number: 34), Rolling Stone: 500 Greatest Songs of All Time (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
- recording of:
- Let’s Stay Together
- writer:
- Al Jackson, Jr. , Al Green and Willie Mitchell
- publisher:
- Al Green Music Inc. , Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
| Al Green | 4.5 | 3:17 |
| 5 | Best Thing That Evere Happened to Me | Gladys Knight | | 3:45 |
| 6 | Have You Seen Her | The Chi‐Lites | 4.5 | 5:10 |
| 7 | Love Don’t Live Here Anymore | Rose Royce | | 3:57 |
| 8 | Feel the Need in Me | Detroit Emeralds | | 3:41 |
| 9 | Superwoman- additional recording engineer:
- Bob Brown , Craig Burbidge and Tim Jaquette
- recording engineer and mixer:
- Jon Gass
- assistant engineer:
- Toni Greene and Fred Howard
- executive producer:
- Benny Medina and Leonard Richardson
- producer:
- L.A. & Babyface
- bass:
- Kayo
- drums (drum set) [drums] and percussion:
- L.A.
- keyboard [keyboards]:
- Babyface
- background vocals:
- Babyface , Carmen Carter, Bunny Hull and Karyn White
- mixed for:
- Ratstyle Productions
- produced for:
- La'Face, Inc.
- recorded at:
- Studio Masters in Los Angeles, California, United States
- mixed at:
- Elumba Recording Studio in Hollywood, Los Angeles, California, United States
- recording of:
- Superwoman (from 1988-03 until 1988-04)
- writer:
- Antonio M. Reid, Kenneth Edmonds and Daryl Simmons
- publisher:
- Green Skirt Music , Hip Trip and Kear Music
| Karyn White | 3 | 5:49 |
| 10 | Used ta Be My Girl | The O’Jays | 5 | 3:21 |
| 11 | Young Hearts Run Free | Candi Staton | 4.2 | 4:10 |
| 12 | Love T.K.O. | Teddy Pendergrass | | 3:41 |
| 13 | Forget Me Nots | Patrice Rushen | 3.65 | 4:44 |
| 14 | Hang on in There Baby | Johnny Bristol | 4 | 3:49 |
| 15 | One Day I’ll Fly Away | Randy Crawford | | 4:20 |
| 16 | Heartbreaker- engineer:
- Karl Richardson
- producer:
- Albhy Galuten, Barry Gibb and Karl Richardson
- acoustic guitar and background vocals:
- Barry Gibb (in 1982)
- bass guitar:
- George “Chocolate” Perry (in 1982)
- drums (drum set):
- Steve Gadd (in 1982)
- electric guitar:
- George Terry (in 1982)
- lead vocals:
- Dionne Warwick (in 1982)
- conductor:
- Albhy Galuten (in 1982)
- strings arranger:
- Albhy Galuten and Barry Gibb
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1982)
- produced for:
- Karlbhy Productions
- additionally recorded at:
- Mediasound Studios in New York, New York, United States (in 1982)
- recorded at:
- Middle Ear Studio in Miami Beach, Florida, United States (in 1982)
- recording of:
- Heartbreaker (in 1982)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Dionne Warwick | 4 | 4:18 |
| 17 | Me and Mrs. Jones | Billy Paul | | 3:40 |
| 18 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:27 |
| 19 | Could It Be I’m Falling in Love | The Detroit Spinners | 5 | 4:11 |
| 20 | Suddenly | Billy Ocean | 4 | 3:52 |
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