Now That’s What I Call Music! 44

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1Cassette
#TitleArtistRatingLength
A1Baby One More Time
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears3.853:31
A2That Don't Impress Me MuchShania Twain3.54:00
A3Mambo No. 5 (A Little Bit of...)
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.63:38
A4Blue (Da Ba Dee)
producer:
Massimo Gabutti and Luciano Zucchet
mixer:
Angelica Villella
recording of:
Blue (Da Ba Dee)
lyricist:
Massimo Gabutti and Maurizio Lobina
composer:
Maurizio Lobina and Gianfranco Randone (Italian vocalist Jeffrey Jey)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and GZ2538 Publishing
medley including a recording of:
Blue (Da Ba Dee)
lyricist:
Massimo Gabutti and Maurizio Lobina
composer:
Maurizio Lobina and Gianfranco Randone (Italian vocalist Jeffrey Jey)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and GZ2538 Publishing
Eiffel 653.554:43
A5Tragedy
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
bass and guitar:
Mark Topham
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard:
Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Tragedy
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) and Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:31
A6Mi Chico Latino
additional programming:
Mike Higham (British score composer)
engineer:
Paul ‘P Dub’ Walton
producer:
Absolute (UK house/garage/production/songwriting team)
assistant mixer:
Wayne Wilkins
mixer:
Mark “Spike” Stent (producer, engineer)
guitar:
Milton McDonald
instruments:
Absolute (UK house/garage/production/songwriting team)
percussion:
Karlos Edwards
background vocals:
Tracey Ackerman
lead vocals:
Geri Halliwell
music videos:
Mi chico latino by Geri Halliwell
recording of:
Mi chico latino
writer:
Geri Halliwell, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) and Paul Wilson (member of “Absolute”)
publisher:
Windswept Pacific Music Ltd.
Geri Halliwell33:12
A7She's the One
recording engineer and mixer:
Steve Power
additional programming:
Richard Flack (producer/engineer), Nick Hannan and James Brumby (UK engineer)
programming:
Steve McNichol and Steve Power
additional engineer:
Stuart Epps, Richard Flack (producer/engineer), James Brumby (UK engineer), Matt Oliver (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistant engineer:
Richard Hinton and Nick Kirkland
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
acoustic guitar and electric guitar:
Steve McEwan (Scottish-born South African songwriter, artist and musician)
bass guitar:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set):
Chris Sharrock
piano:
Guy Chambers (English songwriter and record producer)
background vocals:
Steve McEwan (Scottish-born South African songwriter, artist and musician) and Gary Nuttall
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
orchestrator:
Nick Ingman
cover recording of:
She’s the One
lyricist and composer:
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams2.654:19
A8When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:14
A9Northern Star
recording of:
Northern Star
composer:
Melanie Chisholm and Rick Nowels
Melanie C24:08
A10Kiss Me
engineer:
Russ Long (engineer) and Robert Vosgien
producer:
Steve Taylor (US CCM singer–songwriter/record producer)
mixer:
Ben Grosse (American producer and engineer)
bass:
Justin Cary (Bass Player) and J.J. Plasencio
drums (drum set):
Dale Baker (Drummer; The Maudlin Fee)
guest accordion:
John Mark Painter
guest organ:
Phil Madeira
guitar:
Sean Kelly (Sixpence guitarist)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographic copyright (℗) by:
Squint Entertainment (in 1999)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:19
B1Summer Son
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) and Sharleen Spiteri
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Jan “Stan” Kybert (producer / mixer / engineer), Johnny McElhone and Sharleen Spiteri
producer:
Johnny Mac
mixer:
Mark “Spike” Stent (producer, engineer)
additional percussion [beats]:
Ben Chapman
drums (drum set):
Richard Hynd
guitar:
Tony McGovern and Paul Smith (Silver Sun)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) and Johnny McElhone
background vocals:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens and Sharleen Spiteri
contains samples by:
Ally McErlaine (Scottish guitarist) (guitar)
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Mix Suite in London (Greater London), England, United Kingdom
recording of:
Summer Son
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas3.354:01
B2Sing It Back
engineer and mixer:
Mark Brydon
additional producer:
Boris D’Lugosch and Michael Lange
producer:
Moloko (English‐Irish electronic music duo)
additional keyboard:
Günther Gerl
bass and guitar:
M. Bartel
lead vocals:
Róisín Murphy
remixer:
Boris D’Lugosch and Michael Lange
phonographic copyright (℗) by:
The Echo Label Ltd. (in 1999)
produced for and remixed for:
Elusive Productions
remix of:
Sing It Back (album version) by Moloko (English‐Irish electronic music duo)
edit of:
Sing It Back (Boris Musical mix) by Moloko (English‐Irish electronic music duo)
recording of:
Sing It Back
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Chrysalis Music Publishing
Moloko3.454:37
B3Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographic copyright (℗) by:
Trojan Recordings Ltd. (in 1999)
music videos:
Sun Is Shining by Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
Bob Marley vs Funkstar De Luxe3.653:54
B4Not Over You Yet
recording engineer:
Ken Lewis (recording engineer and mixer)
producer:
Malik Pendleton
mixer:
Larry Alexander (producer/engineer), Ken Lewis (recording engineer and mixer) and Malik Pendleton
background vocals:
Stephanie Cooke and Malik Pendleton
recording of:
Not Over You Yet
composer:
Kenneth Kelly (US R&B/soul vocalist and songwriter) and Malik Pendleton
publisher:
Zavy Music
Diana Ross24:04
B5When the Heartache Is Over
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
When the Heartache Is Over
writer:
John Reid (Scottish-born manager and music industry figure) and Graham Stack
publisher:
Rive Droite Music Ltd. and Riverhorse Songs
Tina Turner33:43
B6Canned Heat
producer and mixer:
Al Stone (UK engineer)
strings arranger:
Simon Hale and Jay Kay (English singer, Jamiroquai)
recording of:
Canned Heat
lyricist, composer and arranger:
Jay Kay (English singer, Jamiroquai)
strings arranger:
Simon Hale
Jamiroquai3.353:17
B7Burning Down the House
producer:
Tore Johansson
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
additional guitar:
Peter Masalkovski
additional keyboard:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set):
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
horn:
Sven Andersson (wind instruments player; saxophone, flute, horns), Jens Lindgård and Petter Lindgård
keyboard:
Lars-Olof Johansson
background vocals:
Patrik Bartosch, Maurits Carlsson, Tore Johansson, Lynette Koyana and Per Sunding
lead vocals:
Nina Persson
vocals:
Tom Jones (Welsh pop singer)
performer:
The Cardigans (Swedish rock band)
instruments arranger:
Hello Bobadee
phonographic copyright (℗) by:
Universal Music AB (Swedish subsidiary of Universal Music Group)
recorded at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
cover recording of:
Burning Down the House
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tom Jones and The Cardigans2.83:38
B8Drinking in LABran Van 300033:41
B9MovingSupergrass3.154:23
B10You'll Be in My Heart
recording engineer:
Elliot Scheiner
programming:
Kim Bullard and Carmen Rizzo
producer:
Rob Cavallo and Phil Collins (of Genesis)
mixer:
Chris Lord‐Alge
acoustic guitar:
Rob Cavallo
additional percussion:
Will Donovan
electric bass guitar:
John Pierce (US session bassist)
guitar:
Mark Goldenberg, Tim Pierce (US session guitarist) and Michael Thompson (session guitarist)
keyboard and piano:
Jamie Mohuberac
percussion:
Luis Conte (percussionist)
lead vocals:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
You’ll Be in My Heart
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
part of:
The 72nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1999 winner)
Phil Collins3.14:17
2Cassette