Ljuva 60‐tal Del 2 1964–1969 (On this release tracks 17 and 18 on CD 2 are swapped. The CD doesn’t match the cover.)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Tennessee Waltz
Alma Cogan2:11
2Oh Pretty Woman
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:57
3The Happening
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1967-03-02)
Instrumente:
The Funk Brothers (am 1967-03-02)
Hintergrundgesang:
Florence Ballard (am 1967-03-02) und Mary Wilson (am 1967-03-02)
Sologesang:
Diana Ross (am 1967-03-02)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-02)
recording of:
The Happening (am 1967-03-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Frank De Vol, Lamont Dozier und Brian Holland (Motown producer & songwriter)
Diana Ross & The Supremes52:50
4Sloop John B
Techniker(in):
Chuck Britz (am 1965-07-12)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1965-07-12)
E-Bass:
Carol Kaye (am 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (am 1965-07-12) und Jay Migliori (am 1965-07-12)
Gitarre:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1965-07-12), Jerry Cole (am 1965-07-12) und Billy Strange (am 1965-07-12)
Glockenspiel:
Frank Capp (am 1965-07-12)
Kontrabass:
Lyle Ritz (am 1965-07-12)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-07-12)
tack piano:
Al De Lory (am 1965-07-12)
Templeblocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1965-07-12)
zwölfsaitige Gitarre [12-string electric guitar]:
Billy Strange (am 1965-12-29)
Sologesang:
Mike Love (Beach Boys) (von 1965-12-22 bis 1965-12-29) und Brian Wilson (Beach Boys co‐founder) (von 1965-12-22 bis 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12, am 1965-12-22, am 1965-12-29)
recording of:
Sloop John B (von 1965-07-12 bis 1965-12-29)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys42:55
5My Boy Lollipop
Produzent(in):
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small4.652:01
6King of the Road
recorded in:
Tennessee, Vereinigte Staaten (am 1964-11-03)
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (am 1964-11-03)
phonographisches Urheberrecht (℗) von:
Smash (in 1965)
recording of:
King of the Road (am 1964-11-03)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:26
7Sugar Sugar
Musikvideos:
Sugar, Sugar von The Archies
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 18), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 90) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 155)
recording of:
Sugar, Sugar (in 1969)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:46
8Judy in Disguise (With Glasses)
phonographisches Urheberrecht (℗) von:
Pye International (in 1968)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
Verfasser(in):
Andrew Bernard und John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und MCS Music Ltd.
John Fred & His Playboy Band3.852:56
9Bring It On Home to Me
Produzent(in):
Mickie Most (English record producer)
cover recording of:
Bring It On Home to Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
recording of:
Bring It On Home to Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
The Animals2.752:43
10Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys33:52
11Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas (von 1967-06-14 bis 1967-08-09)
Bassposaune:
Richard Leith (trombonist) (von 1967-06-14 bis 1967-08-09) und Phil Teele (von 1967-06-14 bis 1967-08-09)
Geige / Violine:
Nathan Kaproff (von 1967-06-14 bis 1967-08-09), George Kast (von 1967-06-14 bis 1967-08-09), Alex Murray (violinist) (von 1967-06-14 bis 1967-08-09) und Erno Neufeld (von 1967-06-14 bis 1967-08-09)
Gitarre:
Michael Nesmith (von 1967-06-14 bis 1967-08-09)
Klavier:
Peter Tork (von 1967-06-14 bis 1967-08-09)
Perkussion:
William E. Martin (von 1967-06-14 bis 1967-08-09)
Posaune:
Richard Noel (trombonist) (von 1967-06-14 bis 1967-08-09)
Schlagzeug:
Eddie Hoh (von 1967-06-14 bis 1967-08-09)
Trompete:
Pete Candoli (von 1967-06-14 bis 1967-08-09), Al Porcino (von 1967-06-14 bis 1967-08-09) und Manuel Stevens (von 1967-06-14 bis 1967-08-09)
Hintergrundgesang:
Micky Dolenz (von 1967-06-14 bis 1967-08-09)
Sologesang:
Davy Jones (The Monkees member) (von 1967-06-14 bis 1967-08-09)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (von 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:57
12Simon Says
Koproduzent(in):
Elliot Chirput
Produzent(in):
Jeff Katz (music producer) und Jerry Kasenetz
Bassgitarre:
Steve Mortkowitz
Gitarre:
Frank Jeckell und Pat (Scaramuche Quackenbush) Karwan
membranophone:
Floyd Marcus
Orgel:
Mark Gutkowski
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1967)
recording of:
Simon Says (in 1967)
Texter und Komponist(in):
Elliot Chiprut
publisher:
Carlin Music Corporation, Kaskat Music Inc., Super Bubble Music Corp. und Warner/Chappell Music Australia Pty. Ltd.
1910 Fruitgum Company22:15
13You Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.152:43
14Chapel of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 279)
recording of:
Chapel of Love
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dixie Cups42:45
15Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (vocals, Drifters) (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:43
16The Birds and the Bees
phonographisches Urheberrecht (℗) von:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
Texter und Komponist(in):
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) und Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:09
17There’s a Kind of Hush
Techniker(in):
Dave Siddle (engineer)
Produzent(in):
Mickie Most (English record producer)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-12-07)
cover recording of:
There’s a Kind of Hush (am 1966-12-07)
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Herman’s Hermits4.52:34
18It Must Be Him
recording of:
It Must Be Him (English translation)
Texter und Übersetzer:
Mack David (American lyricist and songwriter)
Komponist(in):
Gilbert Bécaud
publisher:
J. Albert & Son Pty. Ltd.
übersetzte Version von:
Seul sur son étoile
Vikki Carr2:48
19Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:31
20Very Last Day
The Hollies2:58
21Games People Play
vocals:
Joe South (in 1968)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:33
22Swinging on a Star
Interpret(in):
Big Dee Irwin und Little Eva
recording of:
Swinging on a Star
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
Big Dee Irwin feat. Little Eva2:39
23Suspicion
recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Terry Stafford4.52:31
24Wooly Bully
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 24)
recording of:
Wooly Bully (in 1965)
Texter und Komponist(in):
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) und Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.752:20
2▶CD