The Complete Collection 1956-1962

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
7:28
2Charge 'Em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge ’Em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:08
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
7:29
4Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:19
5You'd Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
9:17
6Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:05
7Johnny Come Lately
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live cover recording of:
Stomp (Johnny Come Lately) (on 1957-07-06)
composer:
Billy Strayhorn
7:14
8Nona's Blues
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Nona’s Blues (on 1957-07-06)
composer:
Cecil Taylor
7:40
9Tune 2
double bass:
Buell Neidlinger (on 1957-07-06)
drums (drum set):
Denis Charles (drums) (on 1957-07-06)
piano:
Cecil Taylor (on 1957-07-06)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-07-06)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1957-07-06)
live recording of:
Tune 2 (on 1957-07-06)
composer:
Cecil Taylor
10:24
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